Fotoeins Fotografie

location bifurcation, place vs. home

Posts from the ‘Spring’ category

My Tirol: Wilder Kaiser

Above/featured: On the drive west from St. Johann in Tirol to the town of Going are the peaks Treffauer (2306 m), Ellmauer Halt (2344 m), Ackerlspitze (2329 m), and Maukspitze (2231 m).

Du bist die Krone über einem begnadet schönen Fleck Tiroler Erde.
(You are the crown above a beautiful patch of Tirolean soil.)

– About the “Koasa” as the Wilder Kaiser is known by residents, written by Fritz Schmitt in his 1982 book “Das Buch vom Wilden Kaiser.”

About 95 kilometres northeast from Innsbruck, the alpine landscape in Austria’s northeast Tirol is dominated by the Wilder Kaiser (“Wild Emperor”) mountains which tower over the towns of Söll, Scheffau, Ellmau, Going, and St Johann. From a distance, the wall of rock appears like a crown over the region. Thanks to the establishment of a nature reserve in 1963, there are no lifts or ski areas on the Wilder Kaiser mountains. The benefits is the development over time of a diverse array of alpine and subalpine flora and fauna. For those who must, lifts and ski areas are available to the south on the slopes of the Kitzbühel Alps.

This day trip to the “Koasa” consisted of:

  • regional ÖBB/S-Bahn Tirol trains from Innsbruck to St. Johann in Tirol;
  • drive to Going (am Wilden Kaiser) for tea, followed by artisan ice cream;
  • drive to Scheffau and a walk around Hintersteinersee (Hinterstein Lake); and
  • drive to Gasthof Pension Jägerwirt for beer.

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My Tirol: Scharnitz and Porta Claudia

Where: Scharnitz, at the northern edge of Austria’s Tirol, next to the Austro-German frontier.
What: Porta Claudia, mid 17th-century fortifications directed by and named after Claudia de’ Medici.
BTW: Scharnitz Pass is technically not a mountain pass.

I’m interested in geography, historical relics, and the topography of European borders.

Scharnitz Pass is one of the lowest crossing points over the Alps at an elevation of only 955 metres (3130 feet) with the Wetterstein mountains on one side to the west and the Karwendel mountains to the other side in the east. The pass might better be described as a “gorge”, given how the Isar river traverses the valley floor between the two sets of mountains. Naturally, a road at this location would’ve been ideal as a vital north-south route for trade and communication, which is why the Romans built the stone road, Via Raetia, through the river valley. A 200-metre section of this old Roman road remains in the woods outside the nearby town of Klais. The location of the pass/gorge is also why the Romans built a guard station “Mansio Scarbia” here to control traffic between the northern outer provinces and the rest of the inner empire to the south.

One of the earliest records from the 8th-century AD/CE documents the establishment of Scaraza Monastery, known also as Scarantia#. The name evolved to “Scaraz”, “Scarbia”, “Scarnize”, and eventually “Scharnitz”. Today, between 1300 and 1400 people live in the Austrian town of Scharnitz in the Tirolean region of Seefeld. The town lies on the road between Innsbruck and Munich and next to the international border between Austria and Germany; the strategic importance of this modest town has never gone away.

“Porta Claudia” is the name of former fortifications on high ground at a narrow curve over the Isar river valley. In the midst of the pan-European Thirty Years War, Claudia de’ Medici, the Regent of Austrian Tirol, ordered in 1632 the construction of a strategic defensive rampart at the Tirol-Bavaria border to protect Tirol’s northern border from invasion by Swedish forces. The Bavarians overran the rampart in 1706, but fortifications were expanded in 1766. Johann Wolfgang von Goethe wrote about passing through Scharnitz in 1786 on his journey into Italy. In 1805, Napolean’s army laid siege and destroyed the fortifications, freeing the path for joint French-Bavarian armed forces to enter Austria. Remnants of the retaining wall up to six metres in height and an archway through the wall are visible today.

I’m up and about at dawn, and within 50 minutes on an S-Bahn Tirol S5* train from Innsbruck, I’m about to satisfy my curiosity about this stretch of the Tirolean landscape in Scharnitz. With the existing Schengen treaty among participating European nations, anyone can walk, bike, or drive freely across the unguarded international border between Austria and Germany%.

# “Scar” (noun), 2nd etymological meaning.
% I entered the European Union at Frankfurt am Main international airport where I went through passport check and control.
* S5 in May 2018; renumbered as S6 as of Oct 2020.


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Dachau: nie wieder, never again

Where: KZ-Dachau, 20 km northwest from Munich, Germany.
What: The blueprint by which murder became a methodical industrialized process.

I once thought I wasn’t prepared emotionally; perhaps I never would. But I couldn’t go further in my long-term examination of Germany and Jewish-German history without a visit.

It’s an overcast morning in early June, and a couple of rain showers accompany me along with a handful of other people, waiting for the site to open at 9am. A dark heavy cloak descends the moment I step through the main gate and into the site. There is dread, waiting. I promise myself to be open as much as possible, to really look and listen.

This is KZ-Gedenkstätte Dachau, the Dachau Concentration Camp Memorial Site. The abbreviation KZ is “Konzentrationslager für Zivilpersonen” or concentration camp for civilians, although the initial terminology used by the Nazi Schutzstaffel (SS) was KL for “Konzentrationslager.”

There’s a lot to absorb. And maybe, it’s best not to.

Systematic torture and unrestrained cruelty. Forced medical experiments. Arbitrary execution by hanging or gunfire. The destruction of human dignity. The annihilation of hope. This camp as a “model” to broaden the scope and scale of industrial mass-murder. The first commandant of Auschwitz in 1940, Rudolf Höss, honed a career in brutality as SS support staff and block leader at the Dachau camp in late-1934.

I had planned to stay for a few hours at most and leave around noon. I didn’t notice the time. When I finally noticed clear skies and the change in sun-angle, I check my watch. It’s almost 5pm, closing time. Eight hours have flown by outside my bubble, which begins to dissolve.

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Seattle’s Chris Cornell

Above/featured: One of many customer contributions to the walls of Beth’s Cafe in Seattle’s Phinney Ridge – 7 Mar 2020 (X70).

Who: Chris Cornell, 1964 – 2017.
What: Musician, songwriter; Temple of the Dog, Soundgarden, Audioslave.
Where: Seattle, WA, USA: he grew up in the neighborhood of Bitter Lake.
Why: A search for traces in the city of his birth.
My fave:Hunger Strike“: live at Alpine Valley, 4 Sept 2011.

On 21 April 1991, an album of music both memorial and celebratory in nature was released, and changed not only the nature of rock at the time, but also the lives of many, both inside and outside the music industry. In the days and weeks after Andrew Wood’s death in March 1990, a group of people gathered to mourn and remember; they wrote new compositions and sang their songs. Temple of the Dog was born: the release of their self-titled album on that early-spring day in 1991 would be the only full-length album to the band’s name.

Decades later, the album’s 3rd track “Hunger Strike” is as compelling now as the first time the music video dropped in 1992 to grab my eyeballs and the harmony-melody-guitar-crunch latched onto my ears and brain. For lead singer Chris Cornell, intervening years included critical acclaim and success with Soundgarden and Audioslave, among solo efforts and other collaborations. Hours after performing on tour with Soundgarden, Cornell was found dead in his Detroit hotel room on 18 May 2017, shocking the communities within Seattle and music at large; he was only 52 years young. Wherever they may be, that jam session with Cornell, Kurt Cobain, Layne Staley, and Andrew Wood has got to be one for the ages.

21 April 2021 marked the 30th anniversary of the release of Temple of the Dog’s self-titled album.


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My Mittenwald: mountains, masks, music, Mahlzeit!

Above/featured: From the regional train: facing southwest over Schöttlkarstrasse and the eastern end of the Wettersteinwand at right.

In 1786, the German writer Johann Wolfgang von Goethe described the alpine town of Mittenwald as “lebendes Bilderbuch” – a living picture-book. Images and descriptions in print and provided by visitors became a real draw and lure. Funny thing is I’d stayed in nearby Garmisch-Partenkirchen several times, and I hadn’t taken the easy 20-minute train hop to Mittenwald.

I took care of that with two visits within a span of 15 months: with snow and without snow.

Wandering through Mittenwald is pure delight because of abundant fresh mountain air, picturesque surroundings, and the compact nature of the town. The description becomes a common refrain for alpine towns.

Mid-winter is special with the combination of seeing mountains freshly frosted with snow, people of all ages wearing masks and costumes during carnival season, houses painted in colourful “Lüftlmalerei”, and the town’s special place in music history. When the warm sun dominates in spring and summer, it seems like an endless vista of blue skies along with green meadows and mountains to accompany your time outside on walks and hikes in the area.


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