Arts | Fotoeins Fotografie

Posts from the ‘Arts’ category

Vienna Steinhof Church: city- & Wagner-landmark

Above/featured: East side of the church, in afternoon light. Photo on 28 May 2023, X70 with wide-field WCL-X70 lens attachment, image corrected for geometric distortion.

Building: Steinhof church, also St. Leopold Church, 1907 // Kirche am Steinhof, Kirche zum heiligen Leopold.
Address: Baumgartner Höhe 1, in Penzing, the city’s 14th district.

Up on the city’s Baumgartner Heights is an example of Europe’s first modernist church at Steinhof. Dedicated to St. Leopold, the structure is one of the city’s finest examples of turn-of-the-century architecture, and one of the world’s most important churches in the Jugendstil or Art Nouveau architectural style. The church was designed and built by architect Otto Wagner, inaugurated in 1907 for patients and staff within the surrounding hospital complex the Lower Austria state, sanatorium, and nursing home for the mentally ill (Niederösterreichische Landes-, Heil-, und Pflegeanstalt für Geistes- und Nervenkranke) which included over 30 buildings and room for over 2000 beds. The bright, airy, and spacious modern design was met at that time with skepticism and criticism by local church officials. Of utmost importance on Wagner’s mind were the hospital patients: his church design was about gentle solitude, not fire and damnation.

The church was a collaborative effort with other Viennese artists, including mosaics and stained glass by Koloman Moser, angel sculptures by Othmar Schimkowitz, and exterior tower sculptures by Richard Luksch. The church roof is topped with a dome covered in gold-plated copper plates, whose bright yellow appearance in daylight merits the nickname “Limoniberg” (lemon hill) that’s visible in different parts of the city. The Steinhof church is an example of a “Gesamtkunstwerk“, where every detail and fixture contributed to a “total and functional work of art”; an architectural masterpiece of the period; and one of Otto Wagner’s most important creations.

I included this building as part of my description of Otto Wagner’s architectural legacy in Vienna and of the recent centenary celebration in Vienna of the city’s 19th- to 20th-century architectural transition from historicism to modernism.

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My Berlin: Wrapped Reichstag after 30 years

Above: “Wrapped Reichstag 1995–2025” light show.

In 1995, the artist duo Christo & Jeanne-Claude carried out a bold but contentious project by covering Berlin’s landmark Reichstag parliament building. Plans for the project had taken over 20 years, even though the artwork had always meant to be temporary and all expenses had been covered without corporate sponsors. Over 5 million visited in a period of 12 days in the summer of 1995 to look at the undulating “silver dream” in the German capital city. The timing was ideal. After reunification of the two Germanys in 1990, the new home of the federal parliament would be Berlin’s Reichstag. Renovations to the building began in the autumn of 1995 with the federal parliament opening in the spring of 1999.

From 9 to 22 June 2025, the Reichstag building was illuminated nightly with a light show in a 30-year anniversary tribute to the famous 1995 artwork. In a 20- to 30-minute cycle, the light-show appeared to first envelop the building in silver fabric. The fabric cover flapped in artificial breeze, before the cover lost its shape and fell onto the ground at the base of the building. The free-of-charge light show began shortly after sunset at about 930pm and continued until 1am. Whatever Christo and Jeanne-Claude chose to cover and transform, their art works posed questions of perception, origins, shape, functionality, and permanence.

• DW: Germany Arts
• Visit Berlin

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My Berlin: Dussmann Kulturkaufhaus, more than a bookshop

Pieces & places in Berlin

If I have 3 days or 7 weeks to spend in the German capital city, I make time to stop at Dussmann.

Conveniently located near Berlin’s Friedrichstrasse train station, the “department store of culture” offers more than simply German-language books to serve fiction read-needs or magazines to gauge what’s happening near and far. There’s a separate English language bookshop, as well as an enormous catalog of music, film, and television. The space is also large enough to hold some cultural events. Naturally, there’s a “BerlinShop” for my postcard and your souvenir requirements. And because it’s Berlin, they stay open past 11pm Monday to Saturday.

Dussmann is an important place and piece to the extensive conceptual mosaic I’ve created over the years with the amount of time spent in Berlin since 2002. I never regret any visit to Dussmann. I always regret what’s about to happen: my wallet gets a little lighter, and that I somehow have the massive fortitude to leave with “only” a handful of books.

Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

Completed in 1997, the lower 5 floors of the 8-storey building is all about the Kulturkaufhaus, whereas the upper 3 floors are reserved for office space which includes the Dussmann Group. Photo, 27 May 2025.

At the far end on the ground floor (Erdgeschoss) is the sphinx of Egypt’s Queen Hatshepsut (about 1475 BCE), on permanent loan from the Egyptian Museum of Berlin. The inscrutable statue greets visitors to the café below, as well as the English language bookshop at right. Photo, 27 May 2025.

From the 2nd floor (erste Obergeschoss) this view along the central aisle shows how the combination of natural light from above, mix of artificial lighting and colours, and hanging leafage provides a welcoming atmosphere, which undoubtedly makes it easier for customers to spend. Photo, 30 May 2025.

“Under Berlin’s skies, there’s only one Dussmann.” On the 2nd floor, the theatre banner-like display highlights the movie and television section, and if the quote is indeed from Wim Wenders, it’s an interesting play on the title “Der Himmel über Berlin”, a film Wenders directed in 1987. In the television section, I found DVDs for early-seasons (series) of New Zealand’s “The Brokenwood Mysteries”, distributed in Germany as “Brokenwood – Mord in Neuseeland”. Photo, 30 May 2025.

Café Nénom, Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

Afternoon break at Café Nénom with coffee and book: “The Wall” (“Die Wand”), a work of fiction published in 1963 and written by Austrian Marien Haushofer. Photo, 27 May 2025.

Directions & Hours

• BVG U-Bahn U6 train to Friedrichstrasse station.
• S-Bahn Berlin train: S1, S2, S25, S26; S3, S5, S7, or S9 to Friedrichstrasse station.
• Leaving Friedrichstrasse station, it’s a short 120-metre (400-ft) walk south to the shop.
• BVG Tram M1 or 12 to stop “S+U Friedrichstrasse Bhf”.

Monday to Friday: 9h–0h; Saturday: 9h–2330h; Sunday (BerlinShop only): 13h-18h.

( View this location in OpenStreetMaps )

I received no prior support or subsequent compensation for this piece. I made all above images with a P15 on 27 and 30 May 2025. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-wj0.

Vienna in (the) 5: artist Julia Bugram

(“Raising Hands”)

The sculpture provided the introduction three years ago. Two clasped hands, each as tall as a person. Each hand made of 1-million 1-Eurocent coins. Seen in 2022, next to St. Stephan’s Cathedral. Seen next in 2023, the sculpture moved near the big fountain at Schwarzenbergplatz. A wonderful crowdfunded project, created by Austrian artist Julia Bugram.

This past spring, I receive a kind invitation to visit her studio. It’s July and I’m in Vienna’s 5th district. I make my way up to the 2nd floor of an “Altbau”, and arrive at a cozy working art-space shared between Julia and another artist.

Julia is presently exploring themes surrounding community and society; and how art can create, enhance, and strengthen connections among people. Artistic influences include: Hilma af Klimt, Mela Diamant, Renate Bertlmann, Margot Pilz, Jakob Lena Knebl, Martha Jungwirth. Her “Raising Hands” sculpture is presently in storage, waiting for new benefactors and fresh eyes.

We spoke at some length about the economic and cultural challenges contemporary Austrian artists face in the creation and distribution of their work, as well as the difficulty of commuting between Vienna and her home in Burgenland. Despite challenges, I’m looking forward to seeing what she’ll create in the near future.

Links to her website and Instagram.

*Working art space shared by Julia Bugram and Elisabeth Hansa. (I’ve greyed out their contact numbers.)*

Julia’s recent book with images of her recent art pieces, including extensive discussion and the context of her work: “Widerstand & Neugierde: Kunst, die Veränderung fordert.” (Resistance & Curiosity: art that demands change).

*Most who directly supported the publishing her book are from Vienna, other parts of Austria, and Europe.*

Her triptych creation, “Fut – Mut – Wut”, presented here in alphabetical order with carefully selected wallpaper-like background motifs. Three words of equal length that rhyme, each word an expression of an essential facet or dimension for a woman.

*Defiance and empowerment, body autonomy, questioning the gaze, control of their own narratives*.

*Many of the pieces on the wall include sketches of plants, emphasizing her desire to commune with and derive inspiration from nature.*

My thanks to Julia for her invitation and her time. I made all images above with an iPhone15 on 11 July 2025. I received neither support nor compensation for this piece. This post composed within Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

Vienna: space invaders in the capital

Above: WN_31 at the corner of Ballgasse and Rauhensteingasse, 9 July 2024 (P15).

Don’t worry: it’s not 1529, nor is it 1683, and there are no bands of marauders on horseback arriving for a large and lengthy siege. This also does not include anything from outside the Solar System. Instead, this is about a human artist and their little creations sprinkled throughout the Austrian capital city. In fact, I’d claim their “invasion” has already succeeded.

When a wae lad was I, the video game Space Invaders was a kind of dawn, an opening to a brand new world. The lasting effects snuck into many aspects of life, including the time I dedicated to the learning, pursuit, and practice of science. In time, a video game about a battle to ward off waves of little aliens required the purchase of a large bulky black console, accompanied by a large bulky black joystick with a big red button. In the decades since, the technological leap into the first-quarter of the 21st-century means that Space Invaders is available as an online web-application, easily called upon anytime on demand.

In Vienna, the sight of little aliens prompted immediate personal curiosity, and I spent parts of three consecutive summers wandering the streets to find as many possible little “visitors”.

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