Fotoeins Fotografie

location bifurcation, place vs. home

Weimar: Duchess Anna Amalia Library, UNESCO WHS

As one of over ten buildings, residences, and properties making up what is called “Classic Weimar”, the Duchess Anna Amalia Library (Herzogin Anna Amalia Bibliothek) has been a UNESCO World Heritage Site since 1998.

To consolidate her love of books into a larger holding space, Duchess Anna Amalia commissioned in 1761 the State Architect to rebuild and convert the Renaissance-style French (Green) Castle into a library, which opened in 1766. Becoming one of the most important libraries in the country, the collections included some of the finest written and produced in German literature, art and culture, history, and architecture. Johann Wolfgang von Goethe himself was Library Director between 1797 and 1832.

The library has had its fair share of names: initially called the Ducal Library (Herzogliche Bibliothek); in 1815 renamed as the Grand Ducal Library (Großherzoglichen Bibliothek); in 1918 renamed as the Thuringia State Library (Thüringische Landesbibliothek); in 1969 renamed as the Central Library of German Classics (Zentralbibliothek der deutschen Klassik); and in 1991, renamed as Duchess Anna Amalia Library (Herzogin Anna Amalia Bibliothek) in honour of the library’s founder.

An electrical short from aging damaged wiring sparked a fire on 2 September 2004; the fire held on for over two days before the final hotspot was put out. Over 100 thousand books were damaged or destroyed by fire, water, and smoke. The fire was the largest to strike a German library in post-war history. Subsequent donations and volunteers poured into Weimar from throughout Germany and Europe to help with rescue and preservation efforts. After conclusion of extensive restoration work to the building, the interior Rococo Hall, and to thousands of rescued books, the library was reopened on 24 October 2007, the birthday of the library’s namesake (Anna Amalia born 24 October 1739).

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An der Frauenkirche, Dresden, Germany, fotoeins.com

The bright side of Dresden (2015)

It’s 6am in southeast Germany, and I’d like to know how this city will look on a spring morning. Unfortunately, there’s mid-level cloud and there won’t be any direct sun this morning. I’m no longer in a rush, and by 7am, I’m on the Carolabrücke over the Elbe river for the following view of the Dresden skyline.


Later that evening I’m in Pulverturm Restaurant near the Frauenkirche, and I’m among about two dozen other travel-trade and -press representatives from around the world. I have a Saxon version of the Sauerbraten, accompanied by red sauerkraut and a big potato dumpling: the right combination of sweet, savory, and sour, representing Saxony.

Pulverturm, Frauenkirche, Dresden, Saxony, Sachsen, Germany, Deutschland, fotoeins.com

At Pulverturm: Saxon Sauerbraten with apple red-cabbage slaw with raisins and a King-size potato dumpling. Photo on 22 Apr 2015.


The evening ends with a guided-tour of the interior to the city’s famous Semperoper opera house. Other groups outside are waiting to enter the opera house to have a look inside; we’re fortunate to leap ahead and have a look inside.

Semper Oper, Theaterplatz, Dresden, Sachsen, Germany, fotoeins.com

Classic night shot of the Semperoper – 22 Apr 2015.


I made all of the photos above on 22 April 2015 with a Canon EOS6D mark1. I’m grateful to Germany Tourism and Dresden Marketing for supporting and providing the activities. This post appears on Fotoeins Fotografie at fotoeins DOT com as http://wp.me/p1BIdT-6L3.

Canberra: Remembering Gallipoli at the Atatürk Memorial Garden

In Canada, places like Ypres, Vimy Ridge, Passchendaele, and Flanders Field resonate in the collective national history.

For Australia and New Zealand, it is Gallipoli, known in modern Turkish history as the battle of Çanakkale.

On 25 April 1915, Australian and New Zealand (ANZAC) troops stormed the Turkish Gallipoli peninsula in support of the British Empire’s efforts to secure the high ground over the narrow Dardanelles strait and approach from the eastern Mediterranean into the Sea of Marmara and beyond to the Black Sea. The Turks repelled the advance and the British retreated from the region eight months later after suffering great losses. In total on all sides, there were up to 400-thousand casualties.


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UNESCO World Heritage Sites (WHS) Worldwide

Since 1995, I’ve been fortunate to experience significant travel: first as green graduate student on my first (of many) trips to Chile; followed by the opportunity to live and work in 3 countries on 3 continents inside a span of 10 years. I didn’t give much thought about their relative importance at the time, but I’m lucky to have visited a number of UNESCO World Heritage Sites (WHS).


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My Prague: the night watch

With visits to the city numbering well into the double digits, Prague started me on a different path, and eventually, to a change in my life.

According to legend, the city’s name, Praha, is derived from the Czech word, “práh” for “threshold” or “steps”. With the city’s geographic location within the European continent, it’s hard to recount the chronicles of Central Europe without mentioning Praha. History and significance permeates the city in the cobbled stonework, centuries of architecture, and stories of struggle and change.

I believe the city is one step of many on my journey and transition from my past as research scientist to a future that remains under continuous construction. Prague has been and continues to be an important part of this process. I’ve fallen in love with Praha – she means a lot to me.

As day passes to night, many parts of the city become quiet and empty, with only the yellow glow of the street lamps for company. Many are taught not to go into areas unknown, poorly lit, or vacant.

But I know Praha enough to see her differently.

I’ve done the legwork by day, scouting out and noting various locations around the city, and imagining their appearance in the dark. With a newly crafted road map in my head, I stand in the hotel lobby. I close my eyes in a mental walkthrough of my map, breathing deeply, slowly. I open my eyes again and step out into the night, guided by the lights of Staré MÄ›sto, and across the Vltava over to Mal´ Strana.

I’m on the “night watch” with Rembrandt’s painting high in mind. The city and its streets don’t care who we are or from where we come. They lie still, in wait around the next corner.

In this place I’m always on the verge of something new; it’s a set of new ideas, much of them extraordinary, romantic, and meaningful. The meanings signify truth on a personal level for those willing to listen and heed the signs.

Prague never lets go of you … this little mother has claws.
— Franz Kafka (1883-1924).

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