Fotoeins Fotografie

location bifurcation, place vs. home

Posts by HL fotoeins

Hafelekar, Nordkette, Nordkette cable car, Nordkettenbahn, Hungerburg funicular, Hungerburgbahn, Innsbruck, Tirol, Tyrol, Oesterreich, Austria, fotoeins.com

My Tirol: day trips from Innsbruck

As one of nine states within the federal republic of Austria, Tirol is well known not only for all-season access to the Alps, but also for a variety of other attractions.

With transport authorities IVB Innsbruck, VVT Tirol, and ÖBB Austria, Tirol state capital Innsbruck was the base from which I travelled to Alpbach (half-day), Brenner (half-day), Hall in Tirol (half-day), Nordkette (half-day), Scharnitz (half-day), Stubaital (half-day), and Wilder Kaiser (full day).


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Austria’s Silent Night: 200+ years, 300+ languages

One of my early childhood memories surrounding Christmas is learning and singing “Silent Night”. This humble melodic carol is known around the world and sung in over 300 languages and dialects. 2018 is the 200th anniversary of the hymn’s first public performance, and that’s why I’m on a train traveling north from Salzburg to the Austrian town of Oberndorf.

With over 5000 residents, Oberndorf lies opposite the German town of Laufen along the winding flow of the Salzach river. Laufen-Oberndorf was once a single community whose people derived their greatest business and wealth with salt carried on barges from upstream in Hallein and transferred onto larger ships for transport downstream to the Inn river and Passau. After the arrival (and departure) of Napoleon’s French troops, the river became a border, and the town was split in two after over 1000 years as a single community#. Although Oberndorf and Laufen remain in separate countries, the European Schengen treaty has helped reforge their common bonds with the abolishment of border controls.

Short History

Between 1817 and 1819, Joseph Mohr lived and worked in Oberndorf as curate, minister, and schoolteacher for the salt-barger community. The organist for Oberndorf’s St. Nicolas Church was Franz Gruber, a fellow schoolteacher and sexton at a parish in nearby Arnsdorf. Mohr and Gruber tended to spiritual and education needs for their towns, and with their common zeal for music, they quickly became friends. On Christmas Eve 1818, Mohr brought his song to Gruber who added the melody. That very evening after evening mass at Oberndorf’s St. Nicholas Church, Mohr’s completed song, “Stille Nacht, Heilige Nacht” was performed for the first time with Gruber on his guitar as the only accompaniment.

Over years and decades, the song had generally been considered to be Tirolian in origin, but handwritten letters show Joseph Mohr composed the song by 1816 when he lived in Mariapfarr, a town 120 kilometres southeast from Salzburg. The original German-language version of the song has six verses; the English version has three which are translations of verses 1, 6, and 2.

At Oberndorf’s Stille-Nacht-Platz (Silent Night Square), the two key elements are the Stille-Nacht-Kapelle (Silent Night memorial chapel) and the Stille Nacht Museum. The original St. Nicholas church was in bad shape and torn down in 1906. To maintain the memory of the first performance of the Christmas song, construction began in 1928 for a chapel at the same location, and the townspeople celebrated the chapel’s inauguration in 1937. With the museum’s opening in November 2016, exhibits describe the history of how the song came to be, highlight the lives of Mohr and Gruber, explain the context of culture and place of the times in the late-18th to early-19th century, illuminate the importance of the salt trade on the neighbouring Salzach river, and celebrate the song’s longevity and popularity around the world.

Every year, evening mass on Christmas Eve from the Silent Night memorial chapel is broadcast to the world on webcam.

# The 1814-1815 Congress of Vienna enforced the Salzach river as the border and separation between the nation-state of Bavaria (Laufen) on one side and the Austrian Empire (Oberndorf) on the other side.


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Christian Doppler, Doppler birth house, Dopplers Geburtshaus, Salzburg, Austria, Oesterreich, fotoeins.com

My Salzburg: Christian Doppler’s birth house

In crossing the pedestrian bridge over the Salzach river, every step takes me away from the famous view of the fortress over Old Town classics of steeples and baroque in Salzburg. Before I get to where I want to be, I have to cross a busy street in the afternoon rush which has come to a halt. Wailing sirens approach and recede as red and white “Rettungswagen” race to the emergency situation somewhere in the city. The cyclical lights are in my favour, and upon turning the corner, I see the sign that tells me I’ve arrived.

One self-assigned goal during three weeks of travel within Austria was the search for places associated with physicists and mathematicians of my youth. And by youth, I mean the tender twenties when all I cared about was a succinct explanation of the natural world through various equations1. In Alpbach, I found Erwin and Annemarie Schrödinger’s grave. In Vienna, I found Ludwig Boltzmann’s grave. Here in Salzburg across the street from the Mozart family house, I found Christian Doppler after whom the Doppler effect is named.


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Ludwig Boltzmann, Wiener Zentralfriedhof, Vienna Central Cemetery, Vienna, Wien, Austria, fotoeins.com

My Vienna: Ludwig Boltzmann in spring

I’m neither tragic nor hip, but I know a little bit about Canadian icon and band, The Tragically Hip, and specifically, a song of theirs called “Springtime in Vienna.”

I can’t play a musical instrument, but I especially liked listening to a performance of Johann Strauss II’s “An der schönen blauen Donau” (The Blue Danube) on an intercity river catamaran between Vienna and Bratislava.

What I’m totally convinced is when spring comes calling, I’m allergic to nature. I’m a living example to irritation and inflammation, and living consequence to nature’s response to spring.

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