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Posts tagged ‘My Vienna’

Vienna Steinhof Church: city- & Wagner-landmark

Above/featured: East side of the church, in afternoon light. Photo on 28 May 2023, X70 with wide-field WCL-X70 lens attachment, image corrected for geometric distortion.

Building: Steinhof church, also St. Leopold Church, 1907 // Kirche am Steinhof, Kirche zum heiligen Leopold.
Address: Baumgartner Höhe 1, in Penzing, the city’s 14th district.

Up on the city’s Baumgartner Heights is an example of Europe’s first modernist church at Steinhof. Dedicated to St. Leopold, the structure is one of the city’s finest examples of turn-of-the-century architecture, and one of the world’s most important churches in the Jugendstil or Art Nouveau architectural style. The church was designed and built by architect Otto Wagner, inaugurated in 1907 for patients and staff within the surrounding hospital complex the Lower Austria state, sanatorium, and nursing home for the mentally ill (Niederösterreichische Landes-, Heil-, und Pflegeanstalt für Geistes- und Nervenkranke) which included over 30 buildings and room for over 2000 beds. The bright, airy, and spacious modern design was met at that time with skepticism and criticism by local church officials. Of utmost importance on Wagner’s mind were the hospital patients: his church design was about gentle solitude, not fire and damnation.

The church was a collaborative effort with other Viennese artists, including mosaics and stained glass by Koloman Moser, angel sculptures by Othmar Schimkowitz, and exterior tower sculptures by Richard Luksch. The church roof is topped with a dome covered in gold-plated copper plates, whose bright yellow appearance in daylight merits the nickname “Limoniberg” (lemon hill) that’s visible in different parts of the city. The Steinhof church is an example of a “Gesamtkunstwerk“, where every detail and fixture contributed to a “total and functional work of art”; an architectural masterpiece of the period; and one of Otto Wagner’s most important creations.

I included this building as part of my description of Otto Wagner’s architectural legacy in Vienna and of the recent centenary celebration in Vienna of the city’s 19th- to 20th-century architectural transition from historicism to modernism.


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My Vienna: Johann Strauss II, traces & places

Above: Danube river at dusk, facing southeast from Brigittenauer Sporn. Photo, 11 Jun 2022 (X70).

Vienna is a historical city of music with the likes of Beethoven, Haydn, Mozart, Schubert, and more. In the mid- to late-19th century, the Strauss family of composers created a dominant scene in Viennese waltz (Wiener Waltz). Johann Strauss II’s “An der schönen blauen Donau” (The Blue Danube) is one of the best-known compositions of classical music. The song was used famously in Stanley Kubrick’s film adaptation of Arthur C. Clarke’s novel “2001: A Space Odyssey“.

And as in the movie, the soaring feelings of hopeful anticipation during the spacecraft’s journey and docking with the spinning space station have become as routine as my arrival onto Viennese shores from the other side of the big eastern pond. I rely on Vienna to provide the gravity to maintain balance and spirit; this much has stayed true over multiple consecutive summers.

I’ve spent over 100 total days in Vienna, explored many of her streets and districts, and walked hundreds of kilometres. Efforts to immerse myself in various types of the city’s art and architecture have been accompanied by the sounds of brass horns and sweeping strings in a back-and-forth “dance” that spans the entire city. There’s new opportunity to learn about the song’s composer who was born, raised, studied, worked, and died in the Austrian capital city.

With the 200th anniversary of Johann Strauss II’s birth in 2025, the city of Vienna celebrates the occasion with a multitude of arts and culture events over the entire 2025 year.


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My Vienna: Ludwig Boltzmann was here

The name is a large presence, particularly to many in science.

To others, the name might have little significance as any other name, like Helmut Grossuhrmacher. OK, I made that name up.

A name I didn’t make up is Ludwig Boltzmann, whose contributions to science are fundamental in an understanding of heat- or thermal-physics, thermodynamics, and statistical mechanics. After several years of undergraduate- and graduate-level physics, Boltzmann is one of many names imprinted into memory, firmly established in the left-side of my brain.


Boltzmann highlights

•   b/✵ 20 February 1844 – d/✟ 5 September 1906.
•   Born and raised in Vienna, Boltzmann enroled at age 19 in the University of Vienna to study mathematics and physics.
•   Supervised by Josef Stefan, Boltzmann completed his doctoral dissertation “Über die mechanische Bedeutung des zweiten Hauptsatzes der mechanischen Wärmetheorie” (On the mechanical significance of the 2nd Law of Thermodynamics) in 1866 at the age of 22.
•   1869–1873: University of Graz, with visits to Heidelberg and Berlin.
•   1873–1876: University of Vienna.
•   1876–1890: University of Graz.
•   1890–1894: (Ludwig Maximilian) University of Munich.
•   1894–1900: after Josef Stefan’s retirement, Boltzmann returns as professor of mathematics and physics at University of Vienna.
•   1900–1902: Leipzig University.
•   1902–1906: University of Vienna; he also teaches physics, mathematics, and philosophy.
•   Doctoral students Boltzmann supervised and advised included: Paul Ehrenfest, Lise Meitner, Stefan Meyer, Walther Nernst.
•   Speaking tour of the United States in 1905, including his stay that summer in Berkeley at the University of California. Evident from his trip report, Reise eines deutschen Professors ins Eldorado, is his sense of humour.

Time has been kind to Vienna, a city filled with notable personalities in arts, architecture, music, and science. Throughout its cemeteries, the city has assigned “graves of honour” (Ehrengrab) for many, including Boltzmann. Finding his final spot was one of many favourite moments in 2018. However, Boltzmann’s significance to the University of Vienna, to the physics world, and to time I spent in physics persuaded me to create a short (walking-)tour of Vienna to highlight some of his traces and memorialization in the city.


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Vienna: Heinrich Ferstel’s architectural legacy

Above/featured: Entrance into the Ferstel Passage (Ferstelpalais, Herrengasse 14). Photo, 2 Jun 2023 (X70).

The following structures in the city of Vienna share something (and someone) in common:

•   Café Central,
•   the University of Vienna,
•   Votive Church, and
•   the Museum for Applied Arts.

These buildings were all designed by Viennese architect Heinrich Ferstel. His architectural works left a deep and lasting impression on the city and her residents. What follows is a brief life summary and highlights from a number of his projects.

•   born/✵ 7 Jul 1828 – died/✟ 14 Jul 1883.
•   One of many architects contributing to the development of Vienna’s “Ringstrasse.”
•   1843–1847: student at Imperial & Royal Polytechnic Institute.
•   1850: completed studies at Architekturschule der Akademie der bildenden Künste (Architectural School, Academy of Fine Arts) under Carl Rösner, Eduard van der Nüll, August Sicard von Sicardsburg.
•   1866: appointed Professor of Architecture at Polytechnic Institute; subsequently, dean 1866–1870; rector 1880–1881 after institute became the Technical University in 1872.
•   1872: founded the Cottageverein (Cottage Association) for the construction of English-style family homes in the Währing district.

… Prolific Austrian architect. He (Ferstel) designed the twin-towered Gothic Revival Votivkirche (1856–1882) and various other Historicist buildings, including the vast Italian Renaissance Revival University (1873–1884) in Vienna. Much of his important work (where the influence of Semper is often clear) was done for the area adjoining the Ringstrasse, but he also designed many buildings throughout the Austro-Hungarian Empire. An advocate of housing reform, he admired English low-density developments, which influenced the Cottageverein (Cottage Association), Vienna (1872–1874), responsible for building small single-family houses. Ferstel also promoted the laying out of the Türkenschanzpark, a public park on English lines (from 1883) …

— from “A Dictionary of Architecture and Landscape Architecture


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Vienna: Vollpension café, with love from Oma & Opa

Above/featured: Kühnplatz in the 4th district – 22 May 2022.

I never knew my grandparents, except for brief glimpses of mum’s mum, 阿婆, who died before I entered secondary school.

On a warm June day in 2022, I’m sitting in the basement of someone’s family home, lovingly decorated over decades by Omas and Opas. In Vienna’s 4th district, the idea behind Vollpension cafe is retirees do all the baking.

Upon arrival, a host seats me at a table where I’m presented with a “menu card” listing combination- and timing-options. Unlike other cafes in the city, one does not hang out or loiter here for hours, and that means there’s a maximum stay-duration for a specified combination purchase; that’s fine by me, as I choose one of the cake-and-beverage options. The server leaves to retrieve my cool drink, while I go up to the front counter and gauge the remaining options on Sunday mid-afternoon. I want something light on this warm late-spring day: Kardinalschnitt, made with sponge cake, meringue, and fruit jam. I order a slice of Kardinalschnitt mit Schlagobers (with whipped cream). Behind the counter is a kindly Oma to whom I relay in passable German I came all the way from Canada’s west coast to see this place. That impressed her enough that she asks me to come back for a 2nd but smaller piece.

There’s a good mix of ages among the staff. I chat briefly with one of the servers about what it’s like to work here at the café, the guests they’ve seen from different countries, and their favourite cake. Among some of the retired pensioners in house today, I have an additional conversation with a gentleman who has spent time with his family in Vancouver, Canada.

At the outset, some Viennese or Austrians might not seek this place out, although I can tell from surrounding conversations how much Viennese-German is being spoken. At any rate, this place works for me, and if I barely knew my grandparents, I can perhaps get a good taste and long look at life with Austrian grandparents, here at Vollpension in Vienna.


( Towards the end of this post is a 1-minute iPT6-video with a look inside the café. )

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Inside Vollpension (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Table 5 (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Tables 6 and 7 (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Table 8 (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Front counter with daily offerings (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Ameisen-Gugelhupf / Bundt cake with chocolate chips. No “Ameisen” (ants) were harmed or included in the cake-making process (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Topfentorte / cream-cheese torte (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Kardinalschnitte, made with sponge cake, meringue, and fruit jam (X70).

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

2nd, complimentary, but smaller slice of Kardinalschnitte, accompanied by cool unsweetened non-alcoholic lemon spritzer (X70).


Directions

Vollpension is centrally located on Schleifmühlgasse 16 with a second location at the MUK Wien (Music & Arts University of Vienna). Smaller versions of Vollpension might “pop up” elsewhere in the city during the summer season.

Public transport with Wiener Linien: in between U1/(U2)/U4 Karlsplatz and U4 Kettenbrückengasse; bus 59A to stop Schleifmühlgasse; or tram 1, 62, or Badener Bahn to stop “Paulanergasse.”

( View map location at OpenStreetMap )

My independent visit to Vollpension was neither requested nor supported. I made all images above on 22 May and 12 Jun 2022 with an Apple 6th-generation iPod Touch (iPT6) and Fujifilm X70 fixed-lens prime (X70). This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-n7U.