My Vienna | Fotoeins Fotografie

Posts tagged ‘My Vienna’

Iris Andraschek in Vienna: telling the city who they are

For me, landmarks – a series of art works, for example – provide a network of “pins” for exploring and discovering parts of a city. That’s been my approach to Vienna’s 23 districts over the last 4 consecutive summers. Adding to the growing mind-map of memories, I’m restored by the excitement of the chase-and-find, among increasingly familiar surroundings and the frequency of new personal encounters.

Austrian artist Iris Andraschek works with photography, drawings. spatial installations, and video to explore and communicate ideas regarding cultural and societal relationships. Throughout Vienna, a number of Andraschek’s works are “visual interventions”, calling direct attention to the under-representation of women in the city’s public spaces.

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Vienna Grinzing Cemetery: Bernhard, Doderer, Ferstel, Mahler, Rosé

Above/featured: Grinzing cemetery, facing southeast. Photo, 26 May 2022.

Opening for its first burial in 1830, the Grinzing Cemetery in Vienna’s 19th district is modest in size, spread over an area of about 4.1 hectares (10 acres) and home to over 5000 graves. I highlight a number of notable people in arts and architecture, including connections with composer Gustav Mahler.

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Vienna Steinhof Church: city- & Wagner-landmark

Above/featured: East side of the church, in afternoon light. Photo on 28 May 2023, X70 with wide-field WCL-X70 lens attachment, image corrected for geometric distortion.

Building: Steinhof church, also St. Leopold Church, 1907 // Kirche am Steinhof, Kirche zum heiligen Leopold.
Address: Baumgartner Höhe 1, in Penzing, the city’s 14th district.

Up on the city’s Baumgartner Heights is an example of Europe’s first modernist church at Steinhof. Dedicated to St. Leopold, the structure is one of the city’s finest examples of turn-of-the-century architecture, and one of the world’s most important churches in the Jugendstil or Art Nouveau architectural style. The church was designed and built by architect Otto Wagner, inaugurated in 1907 for patients and staff within the surrounding hospital complex the Lower Austria state, sanatorium, and nursing home for the mentally ill (Niederösterreichische Landes-, Heil-, und Pflegeanstalt für Geistes- und Nervenkranke) which included over 30 buildings and room for over 2000 beds. The bright, airy, and spacious modern design was met at that time with skepticism and criticism by local church officials. Of utmost importance on Wagner’s mind were the hospital patients: his church design was about gentle solitude, not fire and damnation.

The church was a collaborative effort with other Viennese artists, including mosaics and stained glass by Koloman Moser, angel sculptures by Othmar Schimkowitz, and exterior tower sculptures by Richard Luksch. The church roof is topped with a dome covered in gold-plated copper plates, whose bright yellow appearance in daylight merits the nickname “Limoniberg” (lemon hill) that’s visible in different parts of the city. The Steinhof church is an example of a “Gesamtkunstwerk“, where every detail and fixture contributed to a “total and functional work of art”; an architectural masterpiece of the period; and one of Otto Wagner’s most important creations.

I included this building as part of my description of Otto Wagner’s architectural legacy in Vienna and of the recent centenary celebration in Vienna of the city’s 19th- to 20th-century architectural transition from historicism to modernism.

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Vienna: Johann Strauss II, traces & places

Above: Danube river at dusk, facing southeast from Brigittenauer Sporn. Photo, 11 Jun 2022 (X70).

Vienna is a historical city of music with the likes of Beethoven, Haydn, Mozart, Schubert, and more. In the mid- to late-19th century, the Strauss family of composers created a dominant scene in Viennese waltz (Wiener Waltz). Johann Strauss II’s “An der schönen blauen Donau” (The Blue Danube) is one of the best-known compositions of classical music. The song was used famously in Stanley Kubrick’s film adaptation of Arthur C. Clarke’s novel “2001: A Space Odyssey“.

And as in the movie, the soaring feelings of hopeful anticipation during the spacecraft’s journey and docking with the spinning space station have become as routine as my arrival onto Viennese shores from the other side of the big eastern pond. I rely on Vienna to provide the gravity to maintain balance and spirit; this much has stayed true over multiple consecutive summers.

I’ve spent over 100 total days in Vienna, explored many of her streets and districts, and walked hundreds of kilometres. Efforts to immerse myself in various types of the city’s art and architecture have been accompanied by the sounds of brass horns and sweeping strings in a back-and-forth “dance” that spans the entire city. There’s new opportunity to learn about the song’s composer who was born, raised, studied, worked, and died in the Austrian capital city.

With the 200th anniversary of Johann Strauss II’s birth in 2025, the city of Vienna celebrates the occasion with a multitude of arts and culture events over the entire 2025 year.

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Vienna: Ludwig Boltzmann was here

The name is a large presence, particularly to many in science.

To others, the name might have little significance as any other name, like Helmut Grossuhrmacher. OK, I made that name up.

A name I didn’t make up is Ludwig Boltzmann, whose contributions to science are fundamental in an understanding of heat- or thermal-physics, thermodynamics, and statistical mechanics. After several years of undergraduate- and graduate-level physics, Boltzmann is one of many names imprinted into memory, firmly established in the left-side of my brain.

Boltzmann highlights

• b/✵ 20 February 1844 – d/✟ 5 September 1906.
• Born and raised in Vienna, Boltzmann enroled at age 19 in the University of Vienna to study mathematics and physics.
• Supervised by Josef Stefan, Boltzmann completed his doctoral dissertation “Über die mechanische Bedeutung des zweiten Hauptsatzes der mechanischen Wärmetheorie” (On the mechanical significance of the 2nd Law of Thermodynamics) in 1866 at the age of 22.
• 1869–1873: University of Graz, with visits to Heidelberg and Berlin.
• 1873–1876: University of Vienna.
• 1876–1890: University of Graz.
• 1890–1894: (Ludwig Maximilian) University of Munich.
• 1894–1900: after Josef Stefan’s retirement, Boltzmann returns as professor of mathematics and physics at University of Vienna.
• 1900–1902: Leipzig University.
• 1902–1906: University of Vienna; he also teaches physics, mathematics, and philosophy.
• Doctoral students Boltzmann supervised and advised included: Paul Ehrenfest, Lise Meitner, Stefan Meyer, Walther Nernst.
• Speaking tour of the United States in 1905, including his stay that summer in Berkeley at the University of California. Evident from his trip report, Reise eines deutschen Professors ins Eldorado, is his sense of humour.

Time has been kind to Vienna, a city filled with notable personalities in arts, architecture, music, and science. Throughout its cemeteries, the city has assigned “graves of honour” (Ehrengrab) for many, including Boltzmann. Finding his final spot was one of many favourite moments in 2018. However, Boltzmann’s significance to the University of Vienna, to the physics world, and to time I spent in physics persuaded me to create a short (walking-)tour of Vienna to highlight some of his traces and memorialization in the city.

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