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Posts tagged ‘Fujifilm X70’

My Fuji X70: testing Fujichrome Slide & Kodak Platinum 200 on sunny summer day

Above/featured: 1st Narrows, from John Lawson Pier.

My Fujifilm X70 mirrorless fixed-lens prime camera has been a big plus for photography at domestic and international locations. The built-into-camera film-simulations (e.g., Provia, Velvia) work beautifully in standard settings, but as I’ve never had a film camera, the advent of “camera recipes” to produce additional film-like settings stimulated interest in different colour or pictorial representations.

So far, I’ve tested these Fujifilm film-simulation (“film-sim”) recipes:

•   Ektachrome 100SW (saturated warm), simulating images with the Kodak colour transparency or slide films produced 1996–2002;
•   Kodachrome 64, simulating images with the Kodak colour film produced between the mid-1970s and 2009;
•   Kodacolor, “producing classic Kodak analog aesthetic closest to early-1980s Kodacolor VR200 colour film that’s been overexposed.”


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BVG, U2, Zoologischer Garten, U-Bahn, Berlin, Germany, Deutschland, fotoeins.com

21 for 21: Foto(ein)s for 2021

Above/featured: U2 train departing Berlin’s Zoologischer Garten station – 28 November 2021.

I look back at an eventful 2021 year with 21 images with personal questions about how impending- and actual-loss affect how life proceeds beyond death, and how feelings of real belonging are different from feelings of a proper home.


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My Fuji X70: Kodacolor film-simulation

Above/featured: After Girard: Vancouver-Strathcona, 14 Oct 2021.

The Fujifilm X70 mirrorless fixed-lens prime camera has been a real boon to my approach to photography for personal projects both domestically and internationally. To satisfy my curiosity, I’ve provided examples of X70 images made with two Fujifilm analog-film simulation (film-sim) recipes:

•   Ektachrome 100SW (saturated warm), simulating images with the Kodak colour transparency or slide films produced between 1996 to 2002;
•   Kodachrome 64, simulating images with the Kodak colour film produced between the mid-1970s and 2009.

In this post, I examine the Kodacolor film-simulation, a reproduction of which Fuji X Weekly’s Ritchie Roesch describes as “producing a classic Kodak analog aesthetic.” According to Roesch, the digital film-simulation is closest to Kodacolor VR analog color film from the early-1980s, whose ISO200 version is still available for purchase as “ColorPlus 200” (Kodacolor 200).

The following film-simulation recipe creates images similar to the look of “Kodacolor VR 200 (film) that’s been overexposed.” My X70 settings are:

  • ‘Classic Chrome’ built-in film-sim
  • Dynamic Range: DR400
  • Highlight: +1 (Medium-High)
  • Shadow: +1 (Medium-High)
  • Color: -2 (Low)
  • Sharpness: 0 (Medium)
  • Noise Reduction: -2 (Low)
  • White Balance: 6300K; -3 Red, -2 Blue
  • ISO: Auto, up to 6400 for “grainy” appearance (or fixed to 1000)

The recipe above is for the X-Trans II sensor; the corresponding recipe for an updated or more recent sensor is found here. All other recipes sorted by specific sensor are found here.

The following images were made at locations throughout metropolitan Vancouver. Minor adjustments to brightness level, rotation, and geometric distortion have been applied from straight-out-of-the-camera (SOOC) to posting.


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My Salzburg: city views from above on Mönchsberg

In Salzburg, I’m motivated by a search for Mozart and for signs of modernity. I’ve already examined part of the city through its art: what more can Salzburg offer?

Excellent views of the city and surroundings.

The Mönchberg hill on which the Hohensalzburg fortress sits provides many viewpoints over the city. You can walk along the entire length of Mönchberg for varying perspectives, or you can approach a number of the viewpoints separately.

I ascended and traversed the hill on foot from southeast to northeast, beginning from Kapitelplatz to the viewpoints just north of the Museum der Moderne. I returned to the Old Town below with the MönchsbergAufzug elevator which is a part of Salzburg’s public transport.


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My Fuji X70: Ektachrome 100SW film-simulation

Above/featured: False Creek east, from Cambie Bridge – 12 Jul 2021.

A variety of film simulations in the form of recipes with different settings are applicable to Fujifilm cameras to create uniquely historical and/or vintage look to images. Fortunately, a number of recipes are available to apply onto Fuji cameras with X-Trans II sensors.

That’s where my Fuji X70 has entered the fun fray. Previously, I showed examples of images made with the Kodachrome 64 recipe, simulating images made with the Kodak analog colour film produced from the mid-1970s to its final run in 2009.

I wanted to try another film-simulation recipe: the “Ektachrome 100SW” (SW for ‘saturated warm’) described by Ritchie Roesch in Fuji X Weekly. Historically, the Kodak company produced the ‘Ektachrome’ line of colour transparency or slide films. From its introduction in 1996 to its termination in 2002, the ‘Ektachrome 100SW’ film with increased ISO sensitivity produced images with deeper colours and warmer colour balance.

At locations throughout metropolitan Vancouver over a period of four weeks in July and August 2021, here are images below straight-out-of-the-camera (SOOC) with the following settings:

  • ‘Velvia’ built-in film-sim
  • Dynamic Range: DR200
  • Highlight: +2 (High)
  • Shadow: +1 (Medium-High)
  • Color: -1 (Medium-Low)
  • Sharpness: 0 (Medium)
  • Noise Reduction: -2 (Low)
  • White Balance: Auto; +1 Red, -2 Blue
  • ISO: Auto up to 3200 (or fixed to 1000)

All recipes sorted by specific sensor are found here.


( Click here for images )

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