The Leipzig Spinnerei is a former cotton mill (Baumwollspinnerei) in the western industrial suburb of Plagwitz. The massive site at an area of 10 hectares (over 1 million square feet) with rows of factory buildings began operation in 1884 and eventually became the largest cotton mill in Europe with thousands working and living on-site. After the site ceased to produce spools of cotton thread shortly after reunification, artists took advantage of the cheap empty space, and transformed the area into studios, galleries, and exhibition halls. Much has been written about the impact and examples of art and space on Leipzig as the “new Berlin” as well as the “New Leipzig School.” The site as art and culture space opened its doors in 2005.
When I lived in Germany, I remembered the ads for Radeberger Pilsner, and I wondered about some of the venues shown. I realized the buildings were in the famous city of Dresden on the Elbe river in southeast Germany, and the city of Radeberg was only 15 kilometres from Dresden. Images of the Dresden’s landmarks have been an important part of Radeberger brewery’s advertising campaign to show the beer’s exceptional quality and to associate that very same quality by (physical) proximity with the symbolism of Dresden’s historic landmarks.
Dresdner Wahrzeichen (Dresden Landmark)
As one of the city’s most well-known landmarks, the Semperoper (Semper Opera House) appears in countless images representing Dresden. The Semperoper is the showpiece structure at Theaterplatz (Theater Square) looking over the river Elbe in the city’s Altstadt (Old Town). The first version of the building opened in 1841 with the design provided by Gottfried Semper. After destruction by fire in 1869, the second version of the building, also to Semper’s design, was completed in 1878. Only the Semperoper’s outer facade remained in 1945 during the final stages of the Second World War. Built once again to Semper’s original designs, the third and present version of the Semperoper opened to great acclaim on 13 February 1985. The interiors were reconstructed according to original plans and designs, whereas stage machinery and technical and engineering requirements are all updated to the best standards in audio quality.
With the leading title “Sächsische Staatstheater-Staatsoper und Staatsschauspiel Dresden”, the opera house is home to the Saxon State Opera, the Saxon State Theatre, the Semperoper Ballet, and one of the world’s oldest orchestras, the Staatskapelle Dresden, founded by Prince Elector Moritz von Sachsen in 1548.
The Semper Oper is a natural part of any walking tour of Dresden, as Theaterplatz is minutes from the Zwinger, Residenzschloss, and the Frauenkirche. I’m awed by the night tour, a chance to see up close the building’s Baroque style exterior and the classic ornate interior. Everybody speaks in calm hushed voices, the unspoken agreement to be mindful and respectful of this venue. Despite the presence of other people in other tour groups, it feels like I have the Opera House to myself at 11pm.
Classic shot of the front by day
Classic shot of the front at night; also featured on the “night watch”
Ceiling mural
Some columns real marble (cool to touch); some faux-marble plaster (warm to touch). Full replacements were too expensive for the GDR/DDR at the time
S. Kurpiers, one of the stage managers and our guide for the evening
Main stage & orchestra, from central box section in the 1st balcony (Loge, 1. Rang). Clock at top-centre reads “XI 5”, or 1105pm
“Box” seats normally reserved for representatives and guests of the German federal state of Saxony
Separate guided tour to our left; there are 4 balconies
Another tour to the right
Looking up; lip of the 2nd balcony appears at top
Massive central chandelier light-fixture overhead; clock reads “XI 20” (1120pm)
Thanks to Semperoper for opening their facility to the public at night, and thanks to S. Kurpiers who kindly guided our tour of the venue. Thanks also to Germany Tourism, Saxony Tourism, and Dresden Tourism for their support and hospitality. I made all of the photos above on 22 April 2015 with the Canon EOS6D. This post appears on Fotoeins Fotopress at fotoeins.com as http://wp.me/p1BIdT-7sx.
The following is an advertisement for Radeberger brewery from 2014. The advert for their Pilsener ends with an image of Dresden’s Semper Oper at night and the slogan “schon immer besonders” (always special).
For me and my fellow travel media colleagues, the tall glass is a welcome sight. I never liked Radeberger sold in North America, but here in the original brewery in the city of Radeberg, that freshly drawn Pils tastes like sweet nectar.
You’re visiting Dresden, either on a day-trip from Berlin or Leipzig, or you’re staying in Dresden for a couple of nights. By day, you’ll see, for example, the Semper Oper and the Zwinger, and you’ll walk through the Neustadt. At night after dinner, you might catch the golden glow cast by lights on the architecture.
But by late-November in the Saxon state capital city, you will likely encounter at least one of the following Christmas markets in the city:
After tracing the likes of The Peaceful Revolution, Martin Luther, Bach, and Mendelssohn in Leipzig, the sparkle of bright lights and the promise of mulled wine beckon. Emerging from the Markt S-Bahn train station, the sounds of the underground give way to the din of crowds. The city’s central Marktplatz (Market Square) is home to the Leipziger Weihnachtsmarkt (Leipzig Christmas Market) and people are out en masse despite the cold bite in the evening air.
Erfurt is the capital city for the state of Thuringia (Landeshauptstadt Thüringen) and is included among many in the Historic Highlights of Germany. As a self-described hub for children’s media, Erfurt is headquarters for the German Children’s Channel, or KInderKAnal, better known in short as KIKA. In commemoration of the channel’s tenth anniversary in 2007, sculptures representing well-loved KIKA characters sprung to “life” around town.
Kids of all ages can now cross the city looking for KIKA characters. My personal favourite is Bernd das Brot (Bernd the bread), a grumpy loaf and reluctant star of late-night tedium … “in the KIKA lounge …” It’s easy to assume I would’ve incorporated a part of the KIKA lineup as part of my early German-language instruction. The truth is there were too many late-nights in my dark one-room apartment with a small television for illumination, and more often than not, crusty Bernd was present (on continuous loop). Like a loaf of bread’s “heel” or end piece that’s undesired and ignored, it’s always there if you need it …
Inspired by a similar photograph in a hotel room, I’m at Willy-Brandt-Platz at the bus- and tram-stop in front of the Westhalle at Leipzig Hauptbahnhof (Central Station). I’m deliberate in experimenting with photographs made over a variation in settings. What I like is the tram moving into the frame from the left, the light stripes parallel to the lines of the building in the background, and leading to the waiting crowds at the right. And the Christmas consumer streak continues …
Thanks to Leipzig Tourismus und Marketing GmbH (LTM) and InterCityHotel Leipzig for their kind hospitality. Access to public transport was kindly provided by LTM and the MDV Mitteldeutscher Verkehrsverbund regional transport authority. I made the photo above on 2 December 2014 with the Canon 6D, EF 24-105 zoom-lens, and the following settings: 1/4s, f/4, ISO640, 28mm focal length. This post appears on Fotoeins Fotopress at fotoeins.com as http://wp.me/p1BIdT-6jv.
Above/featured: Krämerbrücke in shadow, at first light.
Located along the Gera river near the centre of Germany, Erfurt is an historical hub of east-west trade, a stop on the historical road “Via Regia” dating back to the Middle Ages, and is considered a spiritual home for Martin Luther. He left behind plenty of traces throughout the city which is now the capital city for the German state of Thuringia (Landeshauptstadt Thüringens). For its preserved medieval Old Town, half-timbered houses, and churches, Erfurt has the nickname “Thuringian Rome.”
Each of the following locations in addition to the Erfurt’s Hauptbahnhof (Central Station) is indicated with an icon in the map below. All 12 places below can be reached with tram routes 3, 4, or 6 in a common stretch with stops at Anger, Fischmarkt / Rathaus (Fish Market / City Hall), and Domplatz (Cathedral Square).
Weimar is a compact town with a large number of buildings as a part of two UNESCO World Heritage Sites. As part of the “Classic Weimar” World Heritage listing, Herderplatz (Herder Plaza) in the northern part of the city’s old town is known most for the church with two spires and a dark grey roof. This is the Stadtkirche (City Church), known also the Church of Saint Peter and Paul.
The church dates to the middle of the 13th-century AD (CE) when town and charter were first established, although a settlement in the area goes further back to the beginning of the 10th-century AD. Built initially as late-Gothic and redesigned as Baroque, and what fires and war bombing couldn’t destroy, several phases of rebuilding and renovations were completed in 1953, 1977, and 2000.
Johannes Gottfried Herder (1744-1803) was German philosopher, writer, and theologian. From 1776 until his death, he lived and worked in Weimar as General Superintendent for the Saxon-Weimar Duchy, Court Chaplain, member of the church advisory council, and President of the Supreme Consistory. For his service to the city’s people and contributions to German philosophy and literature, and as the site of his burial, the church is also known as Herderkirche (Herder Church).
Cranach Altar
The Cranach Altar is an important testament to the history of the Reformation in the state of Thuringia. The triptych was started by Lucas Cranach the Elder in 1552, and continued by his son, Lucas Cranach the Younger, in 1554. Completed in 1555, the entire piece was installed over the main church altar by 1557. The paintings include portraits of Lucas Cranach the Elder and Martin Luther, and centre around “Christus am Kreuz” (Christ’s crucifixion). Christ’s blood streams out and touches Cranach the Elder’s forehead, symbolizing a direct relationship between God and people without the need for or the intercession of priests; more here.
Contemporaries
Lucas Cranach the Elder, 1472-1553.
Martin Luther, 1483-1546.
Lucas Cranach the Younger, 1515-1586.
Johannes Gottfried Herder, 1744-1803.
Johann Wolfgang von Goethe, 1749-1832.
Friedrich Schiller, 1759-1805.
The light spring rain makes gentle syncopated patter on the surrounding forest canopy and against the stone walls and roadwork. Pitty pat, pit pit pat …
In the distance a spotlight fires up, announcing its presence with the soaring beam piercing through the mist. In the fading daylight, it’s become abundantly clear the mystery in this picture has remain unchanged over centuries.
As a part of exile at Wartburg Castle in Eisenach, Martin Luther translated the New Testament from Greek into German (1521-1522), giving accessibility of the book to the general population for the first time. This marked an eventual shift of requiring intercession from priests to a direct relationship betweeen people and God. Wartburg Castle gained UNESCO World Heritage Status in 1999 for the surrounding forested beauty and the site’s historical significance.
I’m grateful to Thüringen Tourismus and the Germany National Tourism Board for supporting and providing access to places and activities in the region. I made the photo above on 25 April 2015 with the Canon EOS6D, 24-105 glass, and the following settings: 1/160-sec, f/4, ISO5000, and 24mm focal length. This post appears on fotoeins DOT com as http://wp.me/p1BIdT-77V.
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