Fotoeins Fotografie

location bifurcation, place vs. home

Posts from the ‘Travel’ category

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Uhlbach, Grabkapelle auf dem WĂĽrttemberg, WĂĽrttemberg, Stuttgart, Baden-WĂĽrttemberg, Germany, Deutschland, fotoeins.com

Fotoeins Friday, Stuttgart: Uhlbacher Weingärten

From the top of Württemberg hill in Stuttgart, this east view faces the village of Uhlbach in the city district of ObertĂĽrkheim. The hills are covered in vineyards; among them are white-wine grape varieties Burgunder, Herold, Kerner, Müller Thurgau, Riesling, and Trollinger.

I made the image above on 20 Jul 2024 with a Fujifilm X70 fixed-lens prime and the following settings: 1/500-sec, f/11, ISO1000, and 18.5mm focal length (28mm full-frame equivalent). This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-wyN.

SF Mission: La Victoria Panadería & Pan de Muerto

Above: “La Victoria” mural painted in 2024 by Timewizard & Tressprays.

There’s something very familiar about a family-run bakery: the look, the warmth, the smell, the taste. As a product of Chinese immigrants and growing up next to (Vancouver’s) Chinatown, I have a very soft spot for their bakeries: every bite of the sweet and the savory are living memories of “home”.

On a wander through San Francisco’s Mission District on All Saints Day (2024), I find myself in front of the mural called “La Victoria” adjacent to the bakery with the same name. My eyes light up at “pan dulce” (pastries). Already aware of the “Día de Muertos” holiday, I turn the corner to see the stack of “sweet bread” in the window display, including the “pan de muerto” (bread for the dead) and the “cross of bones” on top of each “pan”. The holiday is a memorial and celebration of the dead. Small altars accompanied by golden brown pan de meurto and brilliant orange marigolds symbolize the connection between living and dead, allowing the dead to find their way back “home”.

To the amusement of the women behind the counter, I order and hold a pan de muerto in my hand, before digging into the slight crunch of the thin crust, delighting in the sugar sprinkle and orange tang in the glaze, and revelling in the soft interior of the bread. I’m grateful for a small glimpse of traditions in the Mexican-American community.

•   November 1: Día de Todos los Santos, All Saints Day.
•   November 2: Día de los Muertos, Day of the Dead.
•   I’d learn later about the bakery’s journey to its present location.
•   I enjoyed reading about pan dulce and pan de muerto from The Other Side of the Tortilla.


La Victoria PanaderĂ­a, Mission District, San Francisco, California, USA, fotoeins.com

La Victoria PanaderĂ­a.

La Victoria PanaderĂ­a, Mission District, San Francisco, California, USA, fotoeins.com

Pan dulce.

La Victoria PanaderĂ­a, Mission District, San Francisco, California, USA, fotoeins.com

Pan de muerto with the “cross-bones” on top: glorious, delicious.


Location

•   La Victoria: 3249 24th Street (at Capp), since 2019
•   BART lines Blue, Green, Red, or Yellow to station “24th Street Mission”
•   MUNI bus 14 or 14R to stop “Mission Street and 24th Street”
•   MUNI bus 48 or 67 to stop “24th Street & South Van Ness Avenue”

( View this location on OpenStreetMap )

I received neither prior support or post-visit compensation for this content. I’m happy to pay for the pan, and I’m not asking for free pan; what am I: a dum’ colonizer?! I made all images above on 1 Nov 2024 with an iPhone15. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-wl3.

My Berlin: Dussmann Kulturkaufhaus, more than a bookshop

Pieces & places in Berlin

If I have 3 days or 7 weeks to spend in the German capital city, I make time to stop at Dussmann.

Conveniently located near Berlin’s Friedrichstrasse train station, the “department store of culture” offers more than simply German-language books to serve fiction read-needs or magazines to gauge what’s happening near and far. There’s a separate English language bookshop, as well as an enormous catalog of music, film, and television. The space is also large enough to hold some cultural events. Naturally, there’s a “BerlinShop” for my postcard and your souvenir requirements. And because it’s Berlin, they stay open past 11pm Monday to Saturday.

Dussmann is an important place and piece to the extensive conceptual mosaic I’ve created over the years with the amount of time spent in Berlin since 2002. I never regret any visit to Dussmann. I always regret what’s about to happen: my wallet gets a little lighter, and that I somehow have the massive fortitude to leave with “only” a handful of books.


Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

Completed in 1997, the lower 5 floors of the 8-storey building is all about the Kulturkaufhaus, whereas the upper 3 floors are reserved for office space which includes the Dussmann Group. Photo, 27 May 2025.

Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

At the far end on the ground floor (Erdgeschoss) is the sphinx of Egypt’s Queen Hatshepsut (about 1475 BCE), on permanent loan from the Egyptian Museum of Berlin. The inscrutable statue greets visitors to the café below, as well as the English language bookshop at right. Photo, 27 May 2025.

Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

From the 2nd floor (erste Obergeschoss) this view along the central aisle shows how the combination of natural light from above, mix of artificial lighting and colours, and hanging leafage provides a welcoming atmosphere, which undoubtedly makes it easier for customers to spend. Photo, 30 May 2025.

Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

“Under Berlin’s skies, there’s only one Dussmann.” On the 2nd floor, the theatre banner-like display highlights the movie and television section, and if the quote is indeed from Wim Wenders, it’s an interesting play on the title “Der Himmel ĂĽber Berlin”, a film Wenders directed in 1987. In the television section, I found DVDs for early-seasons (series) of New Zealand’s “The Brokenwood Mysteries”, distributed in Germany as “Brokenwood – Mord in Neuseeland”. Photo, 30 May 2025.

Café Nénom, Dussmann Kulturkaufhaus, Berlin, Deutschland, Germany, fotoeins.com

Afternoon break at CafĂ© NĂ©nom with coffee and book: “The Wall” (“Die Wand”), a work of fiction published in 1963 and written by Austrian Marien Haushofer. Photo, 27 May 2025.


Directions & Hours

•   BVG U-Bahn U6 train to Friedrichstrasse station.
•   S-Bahn Berlin train: S1, S2, S25, S26; S3, S5, S7, or S9 to Friedrichstrasse station.
•   Leaving Friedrichstrasse station, it’s a short 120-metre (400-ft) walk south to the shop.
•   BVG Tram M1 or 12 to stop “S+U Friedrichstrasse Bhf”.

Monday to Friday: 9h–0h; Saturday: 9h–2330h; Sunday (BerlinShop only): 13h-18h.

( View this location in OpenStreetMaps )

I received no prior support or subsequent compensation for this piece. I made all above images with a P15 on 27 and 30 May 2025. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-wj0.

Regierungsviertel, MarschallbrĂĽcke, Spree, Berlin, Germany, Deutschland, fotoeins.com

Fotoeins Friday, Berlin 2025 (9): Government District

Facing west to the Regierungsviertel (Government district) over the Spree river from the bridge Marschallbrücke, the Reichstag is a symbol of the turbulent and tragic past, and the post-reunification buildings that are the Paul-Löbe-Haus and the Marie-Elisabeth-Lüders Haus are representative of the present and hope for the future.

I made the image above on 27 May 2025 with a Fujifilm X70 fixed-lens prime and these settings: 1/1000-sec, f/13, ISO1000, and 18.5/28mm focal length. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-vHD.

Berlin, Deutschland, Germany, Helmut Newton, Helmut Newton Stiftung, Museum fuer Fotografie, fotoeins.com

Fotoeins Friday, Berlin 2025 (8): Helmut Newton’s Polaroids

Polaroid by Helmut Newton, for American Vogue, Monaco, 1979.

Newton made many small Polaroid images throughout his renowned career as a way to test or experiment with ideas, because all he had at the time were film-cameras. In other words, he could afford to “waste” Polaroids, but not his “work film”. Yes, I know: I made a photograph of a Polaroid made to print and set on display in a museum in Berlin. But there’s something subversive about this digital version existing somewhere in the aether, an image which many will look and pass by, in a similar manner unknowing to them of having seen a physical print somewhere in a museum or gallery.

I made the image above on 25 May 2025 with a Fujifilm X70 fixed-lens prime and these settings: 1/60-sec, f/4, ISO3200, and 18.5/28mm focal length. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-vHs.