At the plaza in front of Kassel’s Hauptbahnhof train station is “Man Walking to the Sky” by Jonathan Borofsky. Originally constructed for “documenta 9” in 1992 and installed in front of Museum Fridericianum at Friedrichsplatz, the sculpture was moved to the front of the Hauptbahnhof in 1995. The sculpture consists of a steel rod or pipe 25 metres in height and inclined at an angle of over 60 degrees; the lonely figure is a painted piece of fibreglass. While the figure walks precariously up the steep slope, the sculpture is undeniably one of hope, of an attempt to reach a goal much higher than is deemed humanly possible.
I made the photo above on 4 Oct 2017 with a Canon EOS6D mark1 and the following settings: 1/800-sec, f/8, ISO2000, and 24mm focal length. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-kGm.
Above/featured: next to the Staatstheater at Friedrichsplatz.
As an example of what he called “social sculpture”, German artist Joseph Beuys presented his “7000. Eichen” (7000 oak trees) project at the contemporary art exhibition “documenta 7” in Kassel in 1982. He declared “Stadtverwaldung statt Stadtverwaltung,” which is a play on German words and translates to “urban forestation, instead of urban administration.” He wanted to plant throughout the city 7000 new oak trees, each accompanied by a small pillar of basalt rock. With the trees representing the world and stones symbolizing civilization, Beuys expressed the idea that society could only exist or thrive by living in harmony with the natural world. The project initially encountered skepticism and hostility among the city’s citizens. But all 7000 were eventually planted and installed, effectively turning the entire city into a work of sculptural art and charging the city’s populace with the collective responsibility as the art’s caretakers.
Various exhibitions throughout Germany are marking Beuys’ 100th birthday (12 May) throughout the 2021 year.
Beuys’ artistic and historical legacy: 26-minutes in English, DW Arts.21, 8 May 2021.
(“Onkel Beuys befiehlt Ihnen!”) Information display at Friedrichsplatz with, perhaps, an homage to the American WW2 poster “Uncle Sam wants you!”
I made the two photos above on 1 and 3 Oct 2017 with a Canon EOS6D mark1. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-kGi.
Above/featured: Departures information in English, French, and Chinese: YVR Vancouver airport – 1 Jul 2014 (6D1).
Once upon a time when I lived and worked on distant continents, I flew on many international transcontinental overnight flights to the accumulation of over 1 million miles in the air. A worldwide pandemic has forced not only air travel to a crawl, but also a rethinking about what long-haul travel in the context of climate change might look like in the future. For the time being, I consider here what it once meant to “take flight” with various images of planes as some time spent as occasional planespotter and images within airports as previous frequent-flyer.
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Above/featured: “Aurora and Mercer” – 4 Mar 2020 (X70).
A favourite place is Seattle, an American city in Washington state, only 2 to 3 hours by car from Vancouver, Canada. For two metropolitan regions close by proximity, their respective evolutions have created very different cities over time. I present below 12 places around Seattle in spring. In this part of the world, there’s every chance for overcast skies and showers, but I assure you of one thing: the light is very good when the sun is out. And when there’s abundant light, I’m all about the superposition of light, shadow, construction, and person.
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