Fotoeins Fotografie

location bifurcation, place vs. home

Posts from the ‘Street Photography’ category

Clubhouse Lane, Adelaide, South Australia, Australia, fotoeins.com

Street art around the world

Above/featured: Clubhouse Lane, Adelaide, SA – 21 Aug 2012 (450D).

I provide from the following 20 locations examples of street art; some works are permanent, while others are no longer on display. With the “(h)” label, I’ve also highlighted a number of works by one of my favourites – the German artist pair Herakut.

  1. Adelaide, Australia
  2. Albuquerque, USA
  3. Cologne, Germany
  4. Flagstaff, USA
  5. Gallup, USA
  6. Hannover, Germany
  7. Heidelberg, Germany (h)
  8. Kassel, Germany
  9. Konstanz, Germany
  10. Melbourne, Australia
  11. Munich, Germany (h)
  12. Prague, Czech Republic
  13. Salzburg, Austria
  14. Seattle, USA
  15. Sydney, Australia
  16. Vancouver, Canada

As always, images are best seen on the widest screen possible, as the physical size of a mobile screen is simply too small.


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Belvederegarten, Marmorsaal, Oberes Belvedere, Unteres Belvedere, Belevedere Museum, Belvedere Garten, Marble Hall, Upper Belvedere, Lower Belvedere, Vienna, Wien, Oesterreich, Austria, fotoeins.com

My Vienna: urban frame (2018)

Above/featured: Belvedere Garden, north from Marble Hall in Upper Belvedere to Lower Belvedere and beyond to St. Stephen’s Cathedral at left-centre – 19 May.

It’s easy to reduce a city to stereotypes, distilling landmarks to short paragraph summaries designed for easy consumption.

Some might say: you’re making things too complicated; they’ve got to be simpler. That misguided sentiment needlessly and carelessly minimizes the diversity and complexity of a city, her people, and the infrastructure through which citizens reside, navigate, and thrive. Although I chased after traces of Otto Wagner throughout Vienna, I’m also interested in illuminating the city as reflections from past and present and as glimpses of resident and visitor.

Vienna is an exceptional city

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Fasching, Maschkera, Oimrausch: pre-Lent shenanigans in Mittenwald

This ain’t no Hallowe’en1.

In southern Germany, this is Fasching, known also as Werdenfelser Fosanacht, to go along with the masks for Maschkera. It’s also about about distinctions and differences by comparison with Karneval on the Rhein.

Festivities take place before Catholic Lent, and the key idea behind the wild colourful costumes and wooden masks is the very pagan origin and ritual of driving out or driving away evil spirits of winter lurking inside people and their homes and welcoming the friendly spirits of spring for a productive growing season.


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17 for 17, Fotoeins Fotograms of 2017, fotoeins.com

17 for 17: Fotoeins Fotograms of 2017 (IG)

Featured: At the Germany-Austria border, from Fellhorn mountain near Oberstdorf: 8 March.

Another year gone, another 34-thousand images made*

As the image above shows, I also spent a lot of time this year at the Austrian-German frontier, much of it at altitude.

Below I look back at the year 2017 with a selection of 17 images. Each picture is a direct clickable link to the corresponding post on Instagram.

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The place where I died

With these pictures, I explored the perspective of witnessing a parent’s unstoppable decline to the end. I didn’t include pictures of my father in this set, but I gave voice to growing distress at his final journey in orbit around a downward spiral. My gaze drifted externally to the space and form of the hospital and to the surroundings outside.

On 19 July 2014, Dad was taken to Vancouver’s St. Paul’s Hospital after he had a minor fall down the stairs at home. No bones were broken, which was remarkable considering his worsening health in the final stages of cancer. He would never return to the house in which he and Mum had bought and lived since 1976.

By the 2nd week, he had been moved from to the Palliative Care Unit (PCU) on the 10th floor. The wonderful hospital staff took great care of him and other patients in the unit. Dad charmed the PCU staff by chatting with them in broken English; it was his way of exerting some measure of control. I also witnessed the inevitable “shuffle”. One day, a patient slept quietly in one of the other beds, surrounded by members of his family. The following day, the bed was cleared, cleaned, and prepared for a new patient.

Into week 3, his mind and spirit departed, and he became completely unresponsive to external prompts. Over the following days, his body remained, accompanied by sounds of breathing, often shallow and laboured. He was at peace, and thanks to the meds, in diminished pain. I’d been with Dad a part of every day for 21 consecutive days. Friday came and went, and so did the passing of the sun. As I’d done every evening, I leaned down and whispered: “good night, I’ll see you tomorrow.” The following morning, I awoke to a phone call. The nurse’s voice was calm and gentle. Somewhere in the universe, I heard faint echoes of the death rattle. I said to the nurse: “thank you for your phone call. We’ll be at the hospital in a few hours.”

I ended the call and looked down at my watch: 613am. The date was August 9. He had celebrated his 82nd birthday only a few weeks earlier.

Northern summers, especially July and August, mean something entirely different.


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