Fotoeins Fotografie

my looks, of place & home

Posts from the ‘Personal’ category

My Fuji X70: testing Fujichrome Slide & Kodak Platinum 200 on sunny summer day

Above/featured: 1st Narrows, from John Lawson Pier.

My Fujifilm X70 mirrorless fixed-lens prime camera has been a big plus for photography at domestic and international locations. The built-into-camera film-simulations (e.g., Provia, Velvia) work beautifully in standard settings, but as I’ve never had a film camera, the advent of “camera recipes” to produce additional film-like settings stimulated interest in different colour or pictorial representations.

So far, I’ve tested these Fujifilm film-simulation (“film-sim”) recipes:

•   Ektachrome 100SW (saturated warm), simulating images with the Kodak colour transparency or slide films produced 1996–2002;
•   Kodachrome 64, simulating images with the Kodak colour film produced between the mid-1970s and 2009;
•   Kodacolor, “producing classic Kodak analog aesthetic closest to early-1980s Kodacolor VR200 colour film that’s been overexposed.”


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4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, Fuji X70

3 fave images, 30 days in Vienna

Featured: Karlsplatz (4.) – 15 May 2022.

I recently spent 30 days in Vienna, examining her history of art, architecture, music, and science. A nation’s capital city is also worthy of photographic examination, and there are many opportunities throughout the city to absorb Vienna’s unique urban charm and style. I snapped over 10-thousand images which will keep me busy “in the archive” for some time. The following three images stand out, at least for now. Perhaps, I’ll feel differently about them in 3 weeks, 3 months, or 3 years’ time.

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West Dyke Trail, West Dyke, Richmond, BC, Canada, fotoeins.com

21 March 2022

Mum? Hi, Mum; it’s me.

Happy 91st birthday to you.

We’re not really marking your birthday this year.
And I didn’t get to celebrate your landmark 90th last year.

You fell, 7 weeks short.
And then, 5 months after you left, the rest of the family returned
from across the big western pond. They’d been away for over 25 years.

The haunting frequency is variable, but a clear certainty.
A shadow of a bony hand always reaches in, to squeeze.
A sound to the shatter seems the inevitable.
What’s not is the lucky guess of the strike:
the heart, often; lungs, maybe; at them eyes, sure.
Squeeze and stab become one and the same.

Gotta see, always see;
but that’s not the death wish of choice.
Not today, anyway.
The desperate cloak to hold on is my shield.
If I let go of you, maybe the rest of me will, too.

The year that’s gone, a faint stir in the empty house.
That maybe, finally, you & Dad are getting along.
That maybe, you’re keeping an eye on your granddaughters.
That maybe, you’re finally free.

Mum? Yeah, hi; it’s me.

Happy 91st birthday to you.

媽,
祝你生日快樂.
阿亮輝.

Comet Neowise, C/2020 F3, comet, noctilucent clouds, Solar System, night sky, SFU, Simon Fraser University, Burnaby Mountain, Burnaby, BC, Canada, fotoeins.com

Low light levels, mid-grade attempts

Above/featured: Comet Neowise (C2020/F3), from Burnaby Mountain, BC – 16 Jul 2020 (UTC); more details below.

One of my first lessons in photography was: covet as much natural light as possible. I’m the first to admit I’ll chase that light very hard, especially during winter conditions when days are often grey, dull, and short. Sometimes, sacrifices have to be made to get “that light.”

But diminishing light offers different challenges and opportunities to the variety of ways a person might think about a scene or situation before them. Getting the desired effect might require opening the aperture wide, upping the ISO level, lengthening exposure time, or adding light with an artificial flash. If a person’s journey goes down a “dark” path, what might a combination of internal ability and intuition mixed with external planning and happenstance create?

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BVG, U2, Zoologischer Garten, U-Bahn, Berlin, Germany, Deutschland, fotoeins.com

21 for 21: Foto(ein)s for 2021

Above/featured: U2 train departing Berlin’s Zoologischer Garten station – 28 November 2021.

I look back at an eventful 2021 year with 21 images with personal questions about how impending- and actual-loss affect how life proceeds beyond death, and how feelings of real belonging are different from feelings of a proper home.


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