Above/featured: Facing east at The Junction: SW Alaska Street at California Avenue SW. At left (northeast corner) is the red-brick Campbell Building from 1911, oldest in the neighbourhood and a designated City of Seattle historic landmark since 2017.
What: Paintings depicting the history of West Seattle.
Where: In and around West Seattle’s The Junction.
Why: Arts project with community and pride.
Technically, West Seattle is an area consisting of several neighbourhoods within the city of Seattle. Historically, West Seattle feels separate, a peninsula separated from the centre by the flow of water and peoples along the Duwamish river valley. West Seattle had incorporated as its own city in 1902, before agreeing to annexation by Seattle in 1907.
One key to West Seattle is “The Junction”: an intersection of 2 former streetcar lines “West Seattle” and “Fauntleroy”. As expected, commercial activity took root at the intersection and although streetcars have vanished, the nickname has remained as a simple useful designation.
A product of West Seattle, retired businessman Earl Cruzen (1920-2017) launched a local arts and community project in the late-1980s, inspired after visiting other towns in Washington as well as Chemainus on British Columbia’s Vancouver Island. Cruzen promoted the project with support among residents and business owners, generated fundraising efforts, and brought American and Canadian artists into the city to paint wall murals to highlight the history of people along the Duwamish river and the history of West Seattle. A total of 11 murals were painted, dedicated, and unveiled between 1989 and 1993.
Over time, the murals deteriorated and faded without touchup or maintenance. Members of the Southwest Seattle Historical Society engaged the community in 2018 with questions about the murals, and about raising money to support revitalizing the murals. In May 2018, Adah Cruzen honoured her late-husband with a gift of 100-thousand dollars to the West Seattle Junction Association to boost the restoration process.
So, what do the murals mean to the people of West Seattle?
Pilgrimage is a noun, defined as “a journey to a place of particular interest or significance.”
There are three things you need to know about this particular personal music pilgrimage.
One: the music that’s stayed with me came about because I was tuned to `70s radio; I learned I liked the sonic combination of guitars and drums. Some of those musical memories came from Seattle.
Two: sharing the same space where your favourite bands and songs were recorded hits a lot different than intersecting at your favourite band’s concert while seated waaaay up in the upper deck.
And three: on a recent visit to Seattle, I spent the morning in a recording studio just outside city limits. Little outside suggests some important music history was made here.
The two-storey building looks like a cross between a warehouse and ordinary office space. The surroundings include a small commercial complex and a storage-unit facility. Within a quarter-mile, there’s a gas station, some fast-food joints, and a shopping mall. This is the modest setting where London Bridge Studio resides in the city of Shoreline, WA, about 14 km (9 mi) north of downtown Seattle.
It’s unassuming and it’s also important to note how out of the way this location is from other popular places to visit. A little more effort is required to visit this place of living music history.
I’m more than curious, but there’s music that’s meant a great deal and stayed with me over the decades. Recorded in this studio are two important albums on personal playlist and timeline: Temple of the Dog’s 1991 self-titled album as tribute to Mother Love Bone’s Andrew Wood; and “Ten”, Pearl Jam’s 1991 debut album. Much of the credit goes to Rakesh “Rick” Parashar: born and raised in Seattle, first owner and co-founder of the studio, and producer for “Ten” and “Temple of the Dog”.
October 2018.
The following takes place entirely on travel day 11 in the American Southwest. The previous day was a long one on the road: from Flagstaff, we drove north on US-89 and US-89A next to Echo Cliffs and Vermilion Cliffs, and ending up at North Rim for our first-ever visit to the Grand Canyon.
After overnighting at Cliff Dwellers Lodge, a new day began with a stop at the Rock Houses nearby, then retracing the previous day’s drive back to Cameron, before turning west to spend the rest of the day at the Desert View section of the Grand Canyon’s South Rim. That began our first-time visit to the South Rim which we visited over a period of two days.
Total distance from Cliff Dwellers to Flagstaff (via South Rim): 217 mi (349 km).
Above/featured: Ruta 5 (highway 5), a ribbon-like cut through the desert in Región de Atacama, Chile – 24 Nov 2009 (450D).
It’s an interesting question: how does one consider, view, or photograph what’s under the sun? There’s a lot of room for interpretation. Modifying the theme for the desert sun, I examine the “quality of sunlight” within the Atacama Desert in northern and north-central Chile, and within the Sonoran Desert in southwest United States.
Above/featured: Exhibition “Edible City: A Delicious Journey” at MOHAI – Seattle, 8 Jan 2017 (6D1).
What: 1st Starbucks, in the Rhode Island building at the corner of Virginia & Western.
Where: A restaurant now, but no historical plaque or sign.
Why: 1st location between 1971 to 1976, as historical exercise.
Many write about and refer to the “original Starbucks” location in downtown Seattle. If they’re referring to the present location in Pike Place, that Starbucks outlet while the world’s oldest is not the first or original location.
So, what happened to Starbucks’ very first shop from 1971 to 1976?
Fotoeins Fotografie 