“Science is an integral part of culture. It’s not this foreign thing, done by an arcane priesthood. It’s one of the glories of the human intellectual tradition.” – S.J. Gould.
Der Jüdische Friedhof (Old Jewish Cemetery), Grosse Hamburger Strasse
In the past, I’ve often felt guilty for taking photographs at a cemetery, as if the act of opening and closing the camera’s shutter somehow “exposes and steals” the essence of people who are laid to rest. Only in the last few years have I overcome these feelings, as I now see cemeteries as beautiful places to visit and to witness frozen snapshots to individual lives over time. On this late-autumn afternoon, I stood in the middle of the garden, transported to a different place and a different time, surrounded by tranquility and living memories.
Große Hamburger Straße (or Greater Hamburg Street) was the key central road in what was once the Spandauer Vorstadt, which was the suburb or town at the foot of the former Berlin city gates. The road allowed for trade and movement from Berlin in the direction towards the nearby town of Spandau.
According to berlin.de, the area developed around the Hackesche Market and Courtyards:
Historically, development of the Höfe went hand in hand with the growth of Berlin as a thriving urban centre. The expansion started around 1700 from an outer suburb known as Spandauer Vorstadt, located outside the Spandau City gate which already had its own church, the Sophienkirche as early as 1712. Friedrich Wilhelm I built a new city wall here and the former suburb became a new urban district belonging to Berlin. Today’s Hackescher Markt takes its name from the market built here by a Spandau city officer, Count von Hacke.The influx of Jewish migrants and the exiled French Huguenots gave the district the cosmopolitan diversity which it never lost. The first synagogue was built in this area and the first Jewish cemetery established on the Grosse Hamburger Strasse. Another name for the area, the Scheunenviertel (barn district) is associated today with up and coming art galleries and the more bohemian side of Berlin. The largest synagogue in Germany was built in nearby Oranienburger Strasse in 1866.
In use from 1672 to 1827, this is Berlin’s oldest cemetery for the Jewish community. Buried here is Moses Mendelssohn (1729-1786), philosopher, a founding father of the Jewish Enlightenment, and grandfather to the great composer Felix Mendelssohn. During the last stages of fighting in the Second World War, 2425 dead were buried here in 16 mass graves. With no clear boundaries separating those buried in the past from those buried during the war, the new memorial garden was constructed and restored in 2007-08 with all of the buried left undisturbed as they were.
The present location was also the site of the first nursing home in 1844 for the Jewish community in Berlin. The Gestapo transformed the home in 1942 to a collection and staging point for prisoners, and ordered the destruction of the entire site in 1943. 55000 Berlin Jews from infants to the elderly were deported and murdered in the concentration camps at Auschwitz and Theresienstadt.
Since 2004, the Festival of Lights have lit up various buildings and attractions throughout Berlin. The 2012 version saw 12 consecutive October evenings of another grand lighting display in the German capital city.
The Hockey Hall of Fame is the “Cathedral of Hockey”, a place where fans and followers pay their respects to the “Holy Grail”, one of the most beautiful and storied trophies in North American professional sports – the Stanley Cup.
Since 1993, the Hockey Hall of Fame (HHOF) has resided in an old Bank of Montreal building at the northwest corner of Front Street and Yonge Street in downtown Toronto, Canada. To the uninitiated observer, it might be easy to dismiss the Hall of Fame as no more than a bunch of keepsakes collecting dust in an old building.
The HHOF is more, so much more.
Above: Photo, 23 Jun 2025 (X70).
The Jüdisches Museum (Jewish Museum) in Berlin’s Kreuzberg district is one of the most visited museums in the German capital. Millions from around the world have visited the museum since its opening in late-2001. With the unique architectural vision and building design by Daniel Libeskind, the museum does not set aside the history of the Jewish community within Germany as being separate from the history of the country as a whole. Instead, there is conscious effort by Libeskind and the Museum to have visitors consider how the historical, cultural, art, literature, music, intellectual, scientific, and economic contributions from the Jewish community are tied inextricably with the history of Germany over the span of two millennia. These very issues and questions are now also driving discussions about the present state and evolution of the Turkish and other expatriate communities within Germany.
One sculpture in the museum is both poignant and disturbing.
March 19 marks the anniversary of the opening of the Sydney Harbour Bridge, one of the key landmarks in Sydney, Australia.
Known informally as “The Coathanger”, the steel through-type arch bridge opened on 19 March 1932, joining the harbour’s northern “Kiarabilli” (Milsons Point) with southern “Tarra” (Dawes Point) to vehicular traffic for the first time. The project took eight years to complete the 1.2-kilometre span over the Parramatta River as its waters empty into Sydney Harbour.
It’s easy to forget Sydney is a city of bridges, as Elizabeth Farrelly wrote in the Sydney Morning Herald on 3 January 2013:
Sydney: five bells, one harbour, seven bridges. A bridge is the ultimate romantic symbol, crystallising in steel and concrete the yearning to connect disparate worlds – and Sydney, city of baroque waterways, is as fully (if not as glamorously) bridged as London, Stockholm or Prague.
It’s big, it’s functional, even as some call it “old and ugly.” Today, the bridge provides an important link between the city’s northern suburbs and the Central Business District.
The smooth shiny metallic curves of the Harbour Bridge and the sail-like spherical-shells on the roof of the nearby Opera House form a visually powerful combination which has not only helped to define Sydney but Australia as well on the world stage.
I cannot disentangle memories of Sydney or Australia without thinking about The Bridge. I know when I finally see the Harbour Bridge and the Opera House, I know I’ve arrived and I’m back in Sydney.
Sunrise from Mrs. Macquarie’s Point
Under the central arch
Northbound, through the south pylons
“THIS … is Sydney!”
Down to the right, up to the left
Swarming ships on a summer Saturday, at Circular Quay
Parramatta River, towards Birchgrove
Parramatta River, near Cockatoo Island
Moonset in front and sunrise behind, from Dover Heights
Morning light on the City skyline, from Dover Heights
West view from Gap Park, Watsons Bay
Setting sun, from Dover Heights
VIVID Sydney 2013
Full moon over Harbour Bridge, VIVID Sydney 2013, from Blues Point Reserve
I made all of the photos above between 2007 and 2013. I acknowledge Aboriginal and Torres Strait Islander peoples as the traditional custodians of the land called Australia, and the Gadigal people of the Eora Nation as traditional custodians of the place called Sydney. References to Aboriginal placenames: ANU, Australian Museum, Creative Spirits, and Pocket Oz. This post appears on Fotoeins Fotografie at fotoeins.com as http://wp.me/p1BIdT-38e.
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