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Posts tagged ‘sculpture’

24T57 Gasser’s figures and forms in Vienna

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In Vienna, Austrian artist Hans Gasser (also, Hanns Gasser: 1817-1868) created a variety of sculptures which are clearly visible and easily found by visitor and resident alike, if they know where to look and what they’re looking. Here are some examples:

HGM: 8 statues above main entrance
Palais Ferstel: 12 statues above Café Central
Stadtpark: Little Danube fountain
Votivkirche: exterior, above main portal
Westbahnhof: Sisi statue
Wien Museum Karlsplatz: “Little Danube” statue

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The word “caryatid” is described in the Oxford Reference as “carved female figure, usually clad in long robes, as an architectural support column; first used in Greece.” For architectural elements commonly found on buildings from the late 19th-century and early 20th-century, I’ve come across some caryatids, columns, and statues over the last couple of days in the Austrian capital city.

*Josefsplatz 5: caryatids at Palais Pallavicini, formerly Palais Fries.*

*Graben 20: boy wearing a fez holding onto a coffee bowl, and the year, 1862, Julius Meinl was established*.

*Tuchlauben 1 / Bognergasse 1. The Chanel is a “somewhat recent arrival,” inserted between two caryatids.*

I made all photos inside Vienna’s 1st district with an iPhone15 on 30 Jun and 1 Jul 2024. This post composed with Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

Vienna Judenplatz: centuries & memories of the Jewish community

Above/featured: Judenplatz at night. The Holocaust memorial is in the foreground at centre. In the background are “To the little trinity” at centre and Misrachi House (Museum Judenplatz) at right. Photo, 10 Jun 2022.

At Judenplatz are clear visual reminders of the city’s first Jewish community in medieval times.

The first Jewish community in Vienna settled around present-day Judenplatz in the Middle Ages with mention in written documents dated mid- to late-13th century AD/CE. Daily Jewish life thrived around the Or-Sarua Synagogue, the Jewish School, and the Mikveh ritual bath. The community along with the surrounding Jewish neighbourhood came to an end with the Pogrom of 1421. Catholic Habsburg Duke Albrecht II rolled out a decree (Wiener Geserah, Vienna Gesera) which legitimatized the expulsion, incarceration, torture, and murder of some 800 Jewish residents; accompanied by destruction and forced takeover of buildings and property.

Below I highlight remnants and traces to the medieval Jewish community at this square in central Vienna.

Judenplatz, Vienna, Wien, Oesterreich, Austria, fotoeins.com

Facing northwest: B, Bohemian Chancellery; H, Holocaust Memorial; L, Lessing monument; M, Misrachi House; T, To the little Trinity. Photo, 20 May 2018.

Facing southeast: B, Bohemian Chancellery; J, Jordan House; H, Holocaust memorial; L, Lessing monument. Photo, 20 May 2018.

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My Berlin: Alicja Kwade, bridging art and science

Above/featured: Alicja Kwade exhibition, at the Berlinische Galerie. HL:X70.

In mid-2021, the world slowly climbs out of the worst of the pandemic. Later that autumn, I watch DW Culture’s Arts.21 feature on Polish-German artist Alicja Kwade whose work strikes a personal resonance. I have to go see her work and exhibition in person, but would it even be possible? My answer arrives six weeks later with a quick jump home to Berlin.

All of Kwade’s sculptural pieces in her exhibition, “In Abwesenheit” (In Absence)”, are “self-portraits.” But none of them show her face; the pieces aren’t necessarily simple, nor are they “selfies” characterized by the present vernacular. She is not physically present, and yet, every piece provides the visitor a glimpse into her mindset including questions she raises about the volatility of the human condition and about where we fit within a very large universe.

As former scientist, I love and recognize the influences on her art. She is clearly very interested in mathematics, physics, astrophysics, biology, genetics; but she’d be the first to admit she’d need multiple lives to completely fulfill all of her interests. The deconstruction of “self” into precise scientific elements is another way of expressing those (dreaded) “selfies” or self-portraits. I admire the clever play: it’s the breakdown into those elements that tell us what she is, and it’s the measured synthesis of those elements into the broad strokes of her sculptures that tell us who she is.

We’re all playing this game. Everyday things seem so important. But then you zoom out and realize that you’re standing with another billion [people] on a spinning sphere. With that perspective, you’re reminded to just be glad you’re here at all.

– Alicia Kwade about her rooftop commission at New York City’s Metropolitan Museum of Art: Artnet News, 16 April 2019.

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Seattle: Sand Point Sculptures (A Sound Garden)

Above/featured: On the Art Walk trail.

In northeast Seattle, the NOAA Art Walk is contained fully within the campus of the National Oceanic and Atmospheric Administration Western Regional Center (NOAA WRC), located at Sand Point next to Magnuson Park. Initially, I’d intended only to visit one sculpture from which a “fairly successful” local band got its name. I explored the entirety of the Art Walk on a breezy sunny early-spring morning for an easy peaceful walk on a trail hugging Lake Washington’s shoreline. Over a two- to three-hour period, I encountered only a handful of other visitors, some of whom may have been NOAA staff.

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