Fotoeins Fotografie

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Posts tagged ‘music’

My Seattle: London Bridge Studio (Pearl Jam, Temple of the Dog)

Pilgrimage is a noun, defined as “a journey to a place of particular interest or significance.”

There are three things you need to know about a personal music pilgrimage.

One, the music that’s stayed with me came about because I was tuned to `70s radio; I learned I liked the sonic combination of guitars and drums.

Two, on a recent visit to Seattle, I decided to spend the morning in a recording studio outside the city.

Three, at the studio’s location, little outside suggests some important music history was made here.

The two-storey building looks like a cross between a warehouse and ordinary office space. The surroundings include a small commercial complex and a storage-unit facility. Within a quarter-mile, there’s a gas station, some fast-food joints, and a shopping mall. This is the modest setting where London Bridge Studio resides in the city of Shoreline, WA, about 14 km north of downtown Seattle.

It’s unassuming and it’s also important to note how out of the way this location is from other popular places to visit. To visit this place of living music history, you’ll have to make a little more effort.

I’m more than curious, but there’s music that’s meant a great deal and stayed with me over the decades. Recorded in this studio are two important albums on personal playlist and timeline: Temple of the Dog’s 1991 self-titled album as tribute to Mother Love Bone’s Andrew Wood; and “Ten”, Pearl Jam’s 1991 debut album. Much of the credit goes to Rakesh “Rick” Parashar: born and raised in Seattle, first owner and co-founder of the studio, and producer for “Ten” and “Temple of the Dog”.

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My Seattle: Chris Cornell

Above/featured: Customers’ contributions on the walls of Beth’s Cafe in Seattle’s Phinney Ridge – 7 Mar 2020.

Where: Seattle, WA, USA.
Who: Chris Cornell.
Why: A search for traces he left behind in his birth city.

On 21 April 1991, an album of music both memorial and celebratory in nature was released, and changed not only the nature of rock at the time, but also the lives of many, both inside and outside the music industry. In the days and weeks after Andrew Wood’s death in March 1990, a group of people gathered to mourn and remember; they wrote new compositions and sang their songs. Temple of the Dog was born: the release of their self-titled album on that early-spring day in 1991 would be the only full-length album to the band’s name.

Decades later, the album’s 3rd track “Hunger Strike” is as compelling now as the first time the music video dropped in 1992 to grab my eyeballs and the harmony-melody-guitar-crunch latched onto my ears and brain. For lead singer Chris Cornell, intervening years included critical acclaim and success with Soundgarden and Audioslave, among solo efforts and other collaborations. Hours after performing on tour with Soundgarden, Cornell was found dead in his Detroit hotel room on 18 May 2017, shocking the community within Seattle and the community inside music at large; he was a young 52. Wherever they may be, that jam session with Cornell, Kurt Cobain, Layne Staley, and Andrew Wood has got to be one for the ages.

21 April 2021 is the 30th anniversary of the release of Temple of the Dog’s eponymous album.


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Matthew Good

The MG(B) 20: sonic timescapes

Above/featured: see track no. 9 in the list below.

Music is a personal reflection, providing a living soundtrack to important personal highlights of joy and tragedy. For the amount of time I’ve spent on the road and within a city I love and adore, I’ve created the following lists:

The following 20 tracks are by Matthew Good, an artist who hails from Coquitlam in metropolitan Vancouver. I first discovered the Matthew Good Band in 1997 at Toronto’s North by Northeast music festival, and saw them live in small venues on Queen Street and at Lee’s Palace on Bloor West.

With this selection coming between 1995 and 2017, your kilometrage may vary. And if it doesn’t work for you, that fortunately isn’t my problem at all.

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Siegessäule, Grosse Stern, Tiergarten, Berlin, Germany, fotoeins.com

My Berlin: 29 tracks for the German capital

Above/featured: Siegessäule & Grosse Stern, at night – 13 Nov 2012 (HL).

I compiled a list of songs accompanying my travel, a soundtrack that’s full of meaning and memories. This is another set, a listing of tracks I associate with Germany’s capital city. Music is always about personal selection, and every track fires a specific memory of time and place within Berlin. For example, watching “Lola rennt” (Run Lola Run) in a movie theatre in Toronto in the fall of 1998 planted the seeds for a move to Germany three years later. My first visit to Berlin soon after marked the beginning of a deep love affair with the “grand lady of BAER’leen.”

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Silent Night, Stille Nacht, Stille Nacht Museum, Stille Nacht Platz, Oberndorf bei Salzburg, Oesterreich, Austria, fotoeins.com

Austria’s Silent Night: 200 years, 300 languages

One of my early childhood memories surrounding Christmas is learning and singing “Silent Night”. This humble melodic carol is known around the world and sung in over 300 languages and dialects. 2018 is the 200th anniversary of the hymn’s first public performance, and that’s why I’m on a train traveling north from Salzburg to the Austrian town of Oberndorf.

With over 5000 residents, Oberndorf lies opposite the German town of Laufen along the winding flow of the Salzach river. Laufen-Oberndorf was once a single community whose people derived their greatest business and wealth with salt carried on barges from upstream in Hallein and transferred onto larger ships for transport downstream to the Inn river and Passau. After the arrival (and departure) of Napoleon’s French troops, the river became a border, and the town was split in two after over 1000 years as a single community#. Although Oberndorf and Laufen remain in separate countries, the European Schengen treaty has helped reforge their common bonds with the abolishment of border controls.

Short History

Between 1817 and 1819, Joseph Mohr lived and worked in Oberndorf as curate, minister, and schoolteacher for the salt-barger community. The organist for Oberndorf’s St. Nicolas Church was Franz Gruber, a fellow schoolteacher and sexton at a parish in nearby Arnsdorf. Mohr and Gruber tended to spiritual and education needs for their towns, and with their common zeal for music, they quickly became friends. On Christmas Eve 1818, Mohr brought his song to Gruber who added the melody. That very evening after evening mass at Oberndorf’s St. Nicholas Church, Mohr’s completed song, “Stille Nacht, Heilige Nacht” was performed for the first time with Gruber on his guitar as the only accompaniment.

Over years and decades, the song had generally been considered to be Tirolian in origin, but handwritten letters show Joseph Mohr composed the song by 1816 when he lived in Mariapfarr, a town 120 kilometres southeast from Salzburg. The original German-language version of the song has six verses; the English version has three which are translations of verses 1, 6, and 2.

At Oberndorf’s Stille-Nacht-Platz (Silent Night Square), the two key elements are the Stille-Nacht-Kapelle (Silent Night memorial chapel) and the Stille Nacht Museum. The original St. Nicholas church was in bad shape and torn down in 1906. To maintain the memory of the first performance of the Christmas song, construction began in 1928 for a chapel at the same location, and the townspeople celebrated the chapel’s inauguration in 1937. With the museum’s opening in November 2016, exhibits describe the history of how the song came to be, highlight the lives of Mohr and Gruber, explain the context of culture and place of the times in the late-18th to early-19th century, illuminate the importance of the salt trade on the neighbouring Salzach river, and celebrate the song’s longevity and popularity around the world.

Every year, evening mass on Christmas Eve from the Silent Night memorial chapel is broadcast to the world on webcam.

# The 1814-1815 Congress of Vienna enforced the Salzach river as the border and separation between the nation-state of Bavaria (Laufen) on one side and the Austrian Empire (Oberndorf) on the other side.


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