Fotoeins Fotografie

my looks, of place & home

Posts tagged ‘Lens Artists Photo Challenge’

4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, Fuji X70

3 fave images, 30 days in Vienna

Featured: Karlsplatz (4.) – 15 May 2022.

I recently spent 30 days in Vienna, examining her history of art, architecture, music, and science. A nation’s capital city is also worthy of photographic examination, and there are many opportunities throughout the city to absorb Vienna’s unique urban charm and style. I snapped over 10-thousand images which will keep me busy “in the archive” for some time. The following three images stand out, at least for now. Perhaps, I’ll feel differently about them in 3 weeks, 3 months, or 3 years’ time.

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Comet Neowise, C/2020 F3, comet, noctilucent clouds, Solar System, night sky, SFU, Simon Fraser University, Burnaby Mountain, Burnaby, BC, Canada, fotoeins.com

Low light levels, mid-grade attempts

Above/featured: Comet Neowise (C2020/F3), from Burnaby Mountain, BC – 16 Jul 2020 (UTC); more details below.

One of my first lessons in photography was: covet as much natural light as possible. I’m the first to admit I’ll chase that light very hard, especially during winter conditions when days are often grey, dull, and short. Sometimes, sacrifices have to be made to get “that light.”

But diminishing light offers different challenges and opportunities to the variety of ways a person might think about a scene or situation before them. Getting the desired effect might require opening the aperture wide, upping the ISO level, lengthening exposure time, or adding light with an artificial flash. If a person’s journey goes down a “dark” path, what might a combination of internal ability and intuition mixed with external planning and happenstance create?

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BVG, U2, Zoologischer Garten, U-Bahn, Berlin, Germany, Deutschland, fotoeins.com

21 for 21: Foto(ein)s for 2021

Above/featured: U2 train departing Berlin’s Zoologischer Garten station – 28 November 2021.

I look back at an eventful 2021 year with 21 images with personal questions about how impending- and actual-loss affect how life proceeds beyond death, and how feelings of real belonging are different from feelings of a proper home.


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Devonian Harbour Park, Vancouver, BC, Canada, fotoeins.com

Public art in Vancouver

Above/featured: Left: “Search”, by J. Seward Johnson Jr. (1975). Right: “Solo”, by Natalie McHaffie (1986). Devonian Harbour Park, 14 Jul 2021 (X70).

Based on what we see in person and online, the quickest version of street art may be defined by the variety of art appearing on side walls of buildings, big and small. Most will think about paint, graffiti, and murals, all of them in the here and now. But we shouldn’t forget any art that’s out on the streets and publicly accessible.

Below are a handful of examples of public art in the city of Vancouver; the following is a visual expression of my fondness for sculpture whose origins sweep back to the 1st-half of the 20th-century.

  • “A Tale of Two Children” by Ken Lum (2005)
  • “Golden Tree” by Douglas Coupland (2016); “Salish Gifts” by Susan Point (2015)
  • Lions by Charles Marega (1939)
  • “Reconciliation Pole” by 7idansuu / Edenshaw, James Hart (2017)
  • “Salmon” by Susan Point (1995)
  • “Saltwater City”, by Paul Wong (2020)
  • “Welcome Figure”, by Darren Yelton (2006)

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Strathcona, East Vancouver, Vancouver, BC, Canada, fotoeins.com

Ordinary rejects

Above/featured: Night glow on a black tub-chair at a bus stop – 7 Oct 2021.

The intersection between modernity and ordinary is extraordinary in its vast reach, covering all corners of the planet by land, sea, and air. Consider what we have in our homes, and how much or little of it will get recycled. We might pause to consider how a piece of furniture lives or is used by a family; how they must have once been excited to buy chairs, couches, and beds, only to throw them out when they were deemed surplus to requirements, how much is tossed out in a regular or periodic “clean out” and/or in the process of moving out from a residence.

Below are images of abandoned items, whose likely destination is the dump.

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