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Posts tagged ‘downtown’

The Spheres, Amazon Spheres, 6th and Lenora, Amazon, Denny Regrade, Denny Triangle, Seattle, Washington, fotoeins.com

My Seattle: curious glowing Amazon Spheres

Above: (A) The Spheres, northeast from 6th Avenue and Lenora Street (HL).

Glowing glass forms appear around the corner as if they’ve risen suddenly from the ground, eliciting odd looks and interested inquiries from passersby.

On Amazon’s urban campus at the feet of towers Day One and Doppler, The Spheres are located in downtown Seattle on Lenora Street between 6th Avenue and 7th Avenue. The futuristic structures provide a highly visible centre of attention for the electronic-commerce and -computing company. Three intersecting glass and steel half-spheres will contain a botanic garden to include exotic plants, waterfalls, and treehouses, and workspaces to further cultivate creativity by and collaboration among Amazon employees. The grand opening is scheduled for 18 January 2018.

The construction development projects are part of the joint efforts by NBBJ and Amazon to regenerate the Denny Regrade area with ample office space for the world headquarters of Amazon, and additional space for retail and public facilities.

The Spheres, Amazon Spheres, 7th and Lenora, Amazon, Denny Regrade, Denny Triangle, Seattle, Washington, fotoeins.com

(B) The Spheres, northwest from 7th and Lenora (HL).

Seattle Municipal Archives, item no. 4011

Denny Hill was regraded and removed in multiple phases between 1898 and 1931. In the 1930 picture above (C), the 2017 Spheres in image (B) would be located to the right of the utility pole between the two cars in the foreground and the digging excavator in the background.

I made photos (A) and (B) above on 10 December 2017. This post appears on Fotoeins Fotografie at fotoeins.com as https://wp.me/p1BIdT-aVe.

Home eye: a return to Vancouver streets (2013-2014)

What is “street photography”? How is street photography defined? Should it be defined? Who, if any, has the authority to define and maintain the definition? I presently subscribe to Eric Kim’s definition, but it’s important for people to photograph as they wish and desire. Whatever people think in terms of their streets is entirely up to them.

When I returned to my hometown for an extended period, I returned to the streets to became familiar with them again. Street names have remained unchanged for the most part, although many buildings have long since been demolished and replaced by something else. When I first picked up a camera, I rarely turned the lens onto people. It’s been a slow evolving process to shift my camera onto scenes with people. With that in mind, I’m fortunate to have some shots with people in decent scenes mixed with good timing.

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Sunset over the Salish Sea (English Bay), from St. Paul's Hospital, Vancouver, BC, Canada - 8 Aug 2014, fotoeins.com

His final sunset over the Salish Sea

Every day felt like a bonus, a sweet taste of daily magic.

Over the time he spent in the hospital, Dad charmed the staff by chatting with them in broken English; it was a way for him to express some measure of control. As expected with decreasing hemoglobin levels, his body continued the downward slide. His mind and spirit departed at the beginning of the third week; he had become unresponsive. Over the next five days, his body remained, the breathing steady, though shallow and sometimes laboured. He was calm, at peace, and thanks to the meds, without pain.

From the top of St. Paul’s Hospital in Vancouver, Canada, I photographed this post-sunset scene on 8 August 2014, with fading light peeking up and over the cirrus, high over the Salish Sea (English Bay) and the downtown peninsula. I’m sure he sensed the daily change in light, even though he could no longer see by the end.

Hours later the following morning, Dad breathed his last and slipped away for good. He marked his 82nd birthday six weeks earlier.

The long road for him has ended; another chapter and another journey begins.

Warmest thanks to the staff at St. Paul’s Hospital, and particularly, the men and women who work enthusiastically and gracefully in the hospital’s Palliative Care Unit. This post appears on Fotoeins Fotopress at fotoeins.com as http://wp.me/p1BIdT-5vy.

Vancouver: the forgotten’s fireworks from St. Paul’s

2 August 2014.

I’m in one of the city’s hospitals, visiting my father who’s in very bad shape.

I’ve helped feed him dinner of roast pork, peas, and gravy, a direct sensory reminder of his past as ‘line cook’ in a downtown diner nearby. He eats with great enthusiasm, the most I’ve seen him eat in weeks. Dinner’s done, and he’s worn out. I suggest we go “around the corner” with him in a wheelchair to watch the evening’s fireworks, but he gently declines. A twinge reflects the growing reality of him never seeing fireworks again, but the feeling is moderated by resolved acceptance and mild resignation.

I go out into the corridor where people have already gathered by the windows next to the elevators. From the heights of the hospital, there are spectacular views of the downtown peninsula, towards Burrard Inlet, English Bay, and the waters of the Salish Sea. What sacred spirits have come and gone, then and the now.

Waiting patiently to catch a brief glimpse of fireworks are other hospital patients, their family, and various hospital staff taking breaks in their work schedule. It’s a four-day holiday weekend here in the province of British Columbia, and early August weather is summertime hot under the dome of clear blue skies.

Judging by the look in some people’s eyes, I empathize with feelings which must remain unspoken: “I’d rather be outside, laughing and having a good time, surrounded by family and friends.”

I thought about making a few photographs of the fireworks through the large windows, but something pulls me back, and I decide not to image the fireworks directly.

My thinking about this situation quickly clarifies. What I’ll do is record people watching the fireworks through the windows of the hospital’s upper floors.

They are not forgotten. It’s my promise to capture with a camera’s all-seeing eye an elemental and universal desire for something beyond the ephemeral and temporal, something that approaches a kind of eternity.

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