Above/featured: Alicja Kwade exhibition, at the Berlinische Galerie. HL:X70.
In mid-2021, the world slowly climbs out of the worst of the pandemic. Later that autumn, I watch DW Culture’s Arts.21 feature on Polish-German artist Alicja Kwade whose work strikes a personal resonance. I have to go see her work and exhibition in person, but would it even be possible? My answer arrives six weeks later with a quick jump home to Berlin.
All of Kwade’s sculptural pieces in her exhibition, “In Abwesenheit” (In Absence)”, are “self-portraits.” But none of them show her face; the pieces aren’t necessarily simple, nor are they “selfies” characterized by the present vernacular. She is not physically present, and yet, every piece provides the visitor a glimpse into her mindset including questions she raises about the volatility of the human condition and about where we fit within a very large universe.
As former scientist, I love and recognize the influences on her art. She is clearly very interested in mathematics, physics, astrophysics, biology, genetics; but she’d be the first to admit she’d need multiple lives to completely fulfill all of her interests. The deconstruction of “self” into precise scientific elements is another way of expressing those (dreaded) “selfies” or self-portraits. I admire the clever play: it’s the breakdown into those elements that tell us what she is, and it’s the measured synthesis of those elements into the broad strokes of her sculptures that tell us who she is.
We’re all playing this game. Everyday things seem so important. But then you zoom out and realize that you’re standing with another billion [people] on a spinning sphere. With that perspective, you’re reminded to just be glad you’re here at all.– Alicia Kwade about her rooftop commission at New York City’s Metropolitan Museum of Art: Artnet News, 16 April 2019.
Above/featured: Cemetery view facing west, from the shelter building to the Stone of Remembrance, Cross of Sacrifice, and Terrace in the distance (WCL-X70: 14/21mm).
There’s a presence from western Canada buried in eastern Germany.
In Vancouver, Canada, the H.Y. Louie family has long been a part of the Chinese-Canadian community and the overall merchant community. Their current business holdings include the London Drugs chain of stores and the IGA grocery-store chain; both are well recognized throughout greater Vancouver.
One member of the family is resting permanently 8000 kilometres away in Berlin, Germany. An important goal in my return to the German capital city is a visit to the cemetery where a member of the Louie family, Q.J. Louie, is buried. It’s never been a matter of if, but when I return to Berlin.
Above/featured: U2 train departing Berlin’s Zoologischer Garten station – 28 November 2021.
I look back at an eventful 2021 year with 21 images with personal questions about how impending- and actual-loss affect how life proceeds beyond death, and how feelings of real belonging are different from feelings of a proper home.
Above/featured: S-Bahn station Messe Nord/ICC – 27 Nov 2021 (X70).
I’m going home to Berlin, for the 1st time in 4 years.
To travel at all, and to go international, is a big privilege; I’m grateful for the window of opportunity.
After a long gruelling emotional 2020 year taking care of an elderly parent at home with cancer and accompanying them safely to their final days, I’m desperate to get outta Vancouver for a break. But another 9 months pass before the largest roadblock to travel is dissolved. At the end of October 2021, the Canadian government releases a digital vaccination certificate suitable for domestic and international travel. Within a week, I have a set itinerary using credits from a cancelled trip.
The following describes plans and unconventional sights for Berlin, Germany over 11 days in the 2nd-half of November 2021. As case counts change and situations evolve at both ends, travellers must remain vigilant with extra preparation and adapt to changing policies, protocols, and requirements by different countries for visitors, ensuring safe and smooth travel, out and back. I go over all guidelines supplied by Germany’s Federal Foreign Office and the city state of Berlin.
I’m not going to lug my DSLR camera and extra glass for this quick trip. Instead, I’ll only use my 340-gram (12-ounce) compact fixed-lens camera. In all respects, it’s a big weight off my shoulders.
Above/featured: Tempelhofer Feld: runway 09R/27L at former THF airport – 16 Oct 2017 (6D1).
I made the cross-country rail journey to Berlin for the first time in 2002 when I lived and worked in Heidelberg. In the years since, I’ve answered the siren’s frequent call by returning to Berlin multiple times. I’ve lost track of the precise count that’s north of 10, but less than 20.
Berlin is Germany’s capital city, but in many respects, the city isn’t very German at all. Berlin is an “internationally German place.” The enigmatic moody metropolis isn’t the prettiest and can be one of isolation, especially in autumn and winter. During a cold gloomy stretch in late-2012, I survived by accessing the diverse array of arts and culture events and venues. What is very familiar is how Berlin’s residents show up outside when sunshine returns.
The following 16 images in chronological sequence show a slow forward progression to a quiet contemplative observation of the city and her residents.
Fotoeins Fotografie 