Summer | Fotoeins Fotografie

Posts from the ‘Summer’ category

Stuttgart’s Gerda Taro

Travel day 76, Euro day 75.

I’m in Stuttgart for a few days, and I rediscover photographer Gerda Taro was born in the city. I’d already read some history of photography, including the Spanish Civil War and Gerda Taro as the first woman to photograph and publish images about open conflict. I’ve gone looking for some traces in the city of her birth, as a quick and spontaneous mini-project in the midst of 90 consecutive days in Europe.

Memorial, near Olgaeck

Near the bus and tram stop Olgaeck is Gerda Taro Plaza, in memory of the young woman photographer who was born “Gerta Pohorylle” in Stuttgart and who once lived with her family in the area. At the plaza is a 2014 memorial dedicated to Taro; the text on all nine panels is entirely in German.

*Named for photographer Gerda Taro (1910-1937), the plaza was unveiled by the city in 2008, and redesigned in 2014 with the installation of the memorial.*

*“O”. Gerda Taro, a pioneer in war photography.*

*“R”*. *The 1920s: Jazz, Theater, and the Stuttgart Kickers.*

*“A”*. *Leipzig: distributing leaflets against Hitler.*

*“T”. Exile in Paris: meeting André Friedmann, and the creation of Gerda Taro and Robert Capa. There is no Capa without Taro.*

*“A”. The Spanish Civil War, 1936-1939.*

*“D”. Barricades, armed women, equitable distribution of land.*

*“R”. The camera as witness: misery and terror from bombs.*

*“E”. Getting up close, for the world at large.*

“G”. The first woman war-photographer killed on location. Documenting Spain’s civil war with her camera, Gerda Taro was accidentally run over by a tank and died from her injuries in a hospital near Madrid on 26 July 1937. She was buried in a marked grave in Paris’ Cimetière du Père-Lachaise.

*Republican militia women training on the beach outside Barcelona, Spain: photo by Gerda Taro, August 1936. Provided by Ur Cameras on Flickr via Creative Commons.*

Family home

Not far from Gerda-Taro-Plaza, I found the Pohorylle family’s former home, based on this poignant essay. I didn’t see any Gedenktafel (memorial plaque) or any Stolpersteine (stumbling stones) in the pavement, at or in front of either building 170 or 170A. In 1929, when Gerta was 19 years old, the Pohorylle family moved from Stuttgart to Leipzig.

*Obstructed view of the former Pohorylle family house (in light orange), as seen from passage off Cottastrasse.*

*Gate to path access for building address Alexanderstrasse 170A.*

*Former Pohorylle family house, at Alexanderstrasse 170A.*

Taro, short bio

Born Gerta Pohorylle, 1910 in Stuttgart, Germany; died 1937 in El Escorial, Spain.

“… Studied in Leipzig starting in 1929. Emigrated to Paris in 1933. In 1935 began working with the photographer André Friedmann, later known as Robert Capa. In 1935-1936 worked for the Alliance Photo Agency. Shortly after the outbreak of the Spanish Civil War in the summer of 1936, she and Capa went to Spain; other photography assignments in Spain followed in early 1937. She was fatally wounded at the Brunete front in July 1937 and was the first female war correspondent killed in action.”

Source: “Women War Photographers: from Lee Miller to Anja Niedringhaus” (Munich: Prestel, 2019), p. 218.

I made all photos above with an iPhone15 on 22 Jul 2024. I received no support from an external organization. This post composed with Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

10 years, to the place where I died

Seems like yesterday: ten years have disappeared in a flash. And yet, a hint of grief is as fresh, now as it was then.

Before dawn, I swear I heard his voice calling out to me. The official pronouncement: 610am, 9 August 2014. Ken Lee, dead at 82. I was afraid I had already forgotten his voice.

Northern summer will always have an air of finality, tainted by memories of frailty and inevitability: entropy at its absolute finest.

One day, I’m on the well-travelled stretch between Mannheim and Cologne, fiddling between an online ticket for an express train and an online (Deutschland-) ticket for the next regional train.

The next day, I’m in a Vancouver cemetery on a late Friday afternoon. I see only two to three other visitors out here. It is almost mid-August. Sun’s out, it’s almost 30C. Somewhere outside of this green patch of stone, metal, and flowers, life thrives and goes on. For me, I’ve come back to get “stuck”; I might as well be 8000 km away, back on the other side of the planet.

*Up on the 10th floor is/was the palliative ward where Dad spent his final 2 weeks.*

I made the photos above with an iPhone15 on 9 Aug 2024. This post composed with Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

Nussberg, 19. Bezirk, Döbling, Wien, Vienna, Austria, Österreich, fotoeins.com

23 for 23: Foto(ein)s in 2023

Above/featured: Vienna’s green vineyards on Nussberg, with Kahlenberg at centre in the background. Photo, 14 Jun 2023.

A year in review typically provides coverage spanning a period of six months or more; the period doesn’t even have to be a continuous stretch. But in this case, my highlights come solely from a period of six weeks in May and June. All else pales by comparison.

All of the images presented below have been corrected for geometric distortion and rotation, with further adjustments to image-crop, brightness, contrast, highlights, shadows, clarity, sharpness, vibrance, saturation, and colour levels. These images are as always best viewed on screens larger than a miniscule mobile.

( Click here for images and more )

My Fuji X70: Kodak Color Negative (XTrans2 recipe)

Above/featured: Taunusanlage train station, Frankfurt am Main – 18 Jun 2023.

The Fujifilm X70 mirrorless fixed-lens prime camera has added a lot to my approach to photography for projects in domestic and international scope. To satisfy my curiosity about Fujifilm’s analog-film simulation (film-sim) recipes, I’ve provided examples of X70 images with the following recipes:

• CineStill 800T
• Ektachrome 100SW (saturated warm)
• Fujichrome Slide
• Kodachrome 64
• Kodacolor
• Kodak Platinum 200
• Monochrome Red

Here I show images made with the “Kodak Color Negative” recipe, which Ritchie Roesch describes in Fuji X Weekly:

… The aesthetic that I was hoping to achieve with this recipe was Kodak Portra 400. I don’t believe that I succeeded in faithfully mimicking that (sometimes there’s a similarity); however, it does seem to produce a Kodak-like color negative film look, perhaps more like Ultramax, but not exactly that, either. Whatever it does or doesn’t resemble, I personally really like the aesthetic produced by this recipe …

The recipe is for X-Trans II sensors and the built-in availability of “Classic Chrome”. The settings on my X70 are:

“Classic Chrome” built-in film-sim
Dynamic Range: DR200
Color: +2 (High)
Sharpness: -1 (Medium-Soft)
Highlight: -2 (Soft)
Shadow: -1 (Medium-Soft)
Noise Reduction: -2 (Low)
White Balance: Incandescent; +6 Red, -7 Blue
ISO: Auto, up to 3200

I assigned this recipe for my “indoor” setting as 1 of the 7 camera’s custom presets, but the recipe’s versatility allowed for additional tests at outside locations. The following JPG images are “almost” straight-out-of-the-camera: only minor adjustments to brightness level and a crop to a predefined image size have been applied, with no corrections to colour, contrast, geometric distortion, or rotation. The blue (“cool”) colour-cast is very real, which is especially evident on images made outdoors under sunny conditions.

( Click here for images )

Vienna: Vollpension café, with love from Oma & Opa

Above/featured: Kühnplatz in the 4th district – 22 May 2022.

I never knew my grandparents, except for brief glimpses of mum’s mum, 阿婆, who died before I entered secondary school.

On a warm June day in 2022, I’m sitting in the basement of someone’s family home, lovingly decorated over decades by Omas and Opas. In Vienna’s 4th district, the idea behind Vollpension cafe is retirees do all the baking.

Upon arrival, a host seats me at a table where I’m presented with a “menu card” listing combination- and timing-options. Unlike other cafes in the city, one does not hang out or loiter here for hours, and that means there’s a maximum stay-duration for a specified combination purchase; that’s fine by me, as I choose one of the cake-and-beverage options. The server leaves to retrieve my cool drink, while I go up to the front counter and gauge the remaining options on Sunday mid-afternoon. I want something light on this warm late-spring day: Kardinalschnitt, made with sponge cake, meringue, and fruit jam. I order a slice of Kardinalschnitt mit Schlagobers (with whipped cream). Behind the counter is a kindly Oma to whom I relay in passable German I came all the way from Canada’s west coast to see this place. That impressed her enough that she asks me to come back for a 2nd but smaller piece.

There’s a good mix of ages among the staff. I chat briefly with one of the servers about what it’s like to work here at the café, the guests they’ve seen from different countries, and their favourite cake. Among some of the retired pensioners in house today, I have an additional conversation with a gentleman who has spent time with his family in Vancouver, Canada.

At the outset, some Viennese or Austrians might not seek this place out, although I can tell from surrounding conversations how much Viennese-German is being spoken. At any rate, this place works for me, and if I barely knew my grandparents, I can perhaps get a good taste and long look at life with Austrian grandparents, here at Vollpension in Vienna.

( Towards the end of this post is a 1-minute iPT6-video with a look inside the café. )

Vollpension, 4. Bezirk, Wieden, Wien, Vienna, Austria, Österreich, fotoeins.com

Inside Vollpension (X70).

Table 5 (X70).

Tables 6 and 7 (X70).

Table 8 (X70).

Front counter with daily offerings (X70).

Ameisen-Gugelhupf / Bundt cake with chocolate chips. No “Ameisen” (ants) were harmed or included in the cake-making process (X70).

Topfentorte / cream-cheese torte (X70).

Kardinalschnitte, made with sponge cake, meringue, and fruit jam (X70).

2nd, complimentary, but smaller slice of Kardinalschnitte, accompanied by cool unsweetened non-alcoholic lemon spritzer (X70).

Directions

Vollpension is centrally located on Schleifmühlgasse 16 with a second location at the MUK Wien (Music & Arts University of Vienna). Smaller versions of Vollpension might “pop up” elsewhere in the city during the summer season.

Public transport with Wiener Linien: in between U1/(U2)/U4 Karlsplatz and U4 Kettenbrückengasse; bus 59A to stop Schleifmühlgasse; or tram 1, 62, or Badener Bahn to stop “Paulanergasse.”

( View map location at OpenStreetMap )

My independent visit to Vollpension was neither requested nor supported. I made all images above on 22 May and 12 Jun 2022 with an Apple 6th-generation iPod Touch (iPT6) and Fujifilm X70 fixed-lens prime (X70). This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-n7U.