Urban Photography | Fotoeins Fotografie

Posts from the ‘Urban Photography’ category

My Fuji X70: Fujichrome Slide, Kodak Platinum 200 (XTrans2 recipes)

Above/featured: 1st Narrows, from John Lawson Pier.

My Fujifilm X70 mirrorless fixed-lens prime camera has been a big plus for photography at domestic and international locations. The built-into-camera film-simulations (e.g., Provia, Velvia) work beautifully in standard settings, but as I’ve never had a film camera, the advent of “camera recipes” to produce additional film-like settings stimulated interest in different colour or pictorial representations.

So far, I’ve tested these Fujifilm film-simulation (“film-sim”) recipes:

• Ektachrome 100SW (saturated warm), simulating images with the Kodak colour transparency or slide films produced 1996–2002;
• Kodachrome 64, simulating images with the Kodak colour film produced between the mid-1970s and 2009;
• Kodacolor, “producing classic Kodak analog aesthetic closest to early-1980s Kodacolor VR200 colour film that’s been overexposed.”

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Vienna: free city views from modest heights

At the eastern limit of the Alps, the city of Vienna is built at the “low end” where the hills meet the Danube river, at a minimum altitude of about 150 metres (500 feet) above sea-level. Visitors to the Austrian capital city who don’t have much time but want a broad overview of the city will make their way to one or all of the Donauturm (Danube Tower), Riesenrad (Ferris Wheel), and Stephansdom (St. Stephen’s Cathedral). Each of these landmarks requires the price of admission to get up high in the sky.

For other views at more modest heights, you’ll see there are options, especially because I’ve set foot in all 23 of the city’s districts. Below I highlight seven locations; all are free (zero charge) to access. All but one are well outside the inner city for the opportunity to explore other city districts and to gain a better sense of the physical size of the city. All images below are cropped square.

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My Berlin: the buried Bibliothek at Bebelplatz

On a clear cool late-autumn morning, a young child is looking through an opening in the cobblestone plaza. She looks up to the man standing next to her.

“Daddy, why is there a glass window? What happened here?”

The thing to keep in mind is that this square in Berlin is called Bebelplatz (BAY-buhl-platz), and not Babbleplatz. It’s easy to make the mistake. After all, a great repository of books was once created inside the building seen above, in what was once home of the Königliche Bibliothek or Royal Library.

But then came along a large racist blather.

Accompanied by a big ugly fire.

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My Fuji X70: Kodacolor (XTrans2 recipe)

Above/featured: After Girard: Vancouver-Strathcona, 14 Oct 2021.

The Fujifilm X70 mirrorless fixed-lens prime camera has been a real boon to my approach to photography for personal projects both domestically and internationally. To satisfy my curiosity, I’ve provided examples of X70 images made with two Fujifilm analog-film simulation (film-sim) recipes:

• Ektachrome 100SW (saturated warm), simulating images with the Kodak colour transparency or slide films produced between 1996 to 2002;
• Kodachrome 64, simulating images with the Kodak colour film produced between the mid-1970s and 2009.

In this post, I examine the Kodacolor film-simulation, a reproduction of which Fuji X Weekly’s Ritchie Roesch describes as “producing a classic Kodak analog aesthetic.” According to Roesch, the digital film-simulation is closest to Kodacolor VR analog color film from the early-1980s, whose ISO200 version is still available for purchase as “ColorPlus 200” (Kodacolor 200).

The following film-simulation recipe creates images similar to the look of “Kodacolor VR 200 (film) that’s been overexposed.” My X70 settings are:

‘Classic Chrome’ built-in film-sim
Dynamic Range: DR400
Highlight: +1 (Medium-High)
Shadow: +1 (Medium-High)
Color: -2 (Low)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: 6300K; -3 Red, -2 Blue
ISO: Auto, up to 6400 for “grainy” appearance (or fixed to 1000)

The recipe above is for the X-Trans II sensor; the corresponding recipe for an updated or more recent sensor is found here. All other recipes sorted by specific sensor are found here.

The following images were made at locations throughout metropolitan Vancouver. Minor adjustments to brightness level, rotation, and geometric distortion have been applied from straight-out-of-the-camera (SOOC) to posting.

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Devonian Harbour Park, Vancouver, BC, Canada, fotoeins.com

Public art in Vancouver

Above/featured: Left: “Search”, by J. Seward Johnson Jr. (1975). Right: “Solo”, by Natalie McHaffie (1986). Devonian Harbour Park, 14 Jul 2021 (X70).

Based on what we see in person and online, the quickest version of street art may be defined by the variety of art appearing on side walls of buildings, big and small. Most will think about paint, graffiti, and murals, all of them in the here and now. But we shouldn’t forget any art that’s out on the streets and publicly accessible.

Below are a handful of examples of public art in the city of Vancouver; the following is a visual expression of my fondness for sculpture whose origins sweep back to the 1st-half of the 20th-century.

“A Tale of Two Children” by Ken Lum (2005)
“Golden Tree” by Douglas Coupland (2016); “Salish Gifts” by Susan Point (2015)
Lions by Charles Marega (1939)
“Reconciliation Pole” by 7idansuu / Edenshaw, James Hart (2017)
“Salmon” by Susan Point (1995)
“Saltwater City”, by Paul Wong (2020)
“Welcome Figure”, by Darren Yelton (2006)

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