Street Photography | Fotoeins Fotografie

Posts from the ‘Street Photography’ category

My Fuji X70: Kodachrome64 (XTrans2 recipe)

Above/featured: South portal, Lions Gate Bridge – 25 Jun 2021.

I wrote about how the Fujifilm X70 fixed-lens prime has been great for my photography. Fujifim prides itself on good to faithful reproductions of film simulations (film-sims). For the most part, I’ve used the default or “Standard” setting, equivalent to the “Provia” film-sim which is one of 11 film-sims built into the X70.

I learned about other film-sims, particularly those applicable to the older X-Trans II sensor that’s in my X70 camera. I’ve been interested in digital reproductions of “old” colour slide film, and seeing how images over a variety of subject matter appear with a film-sim that looks a little more like “old school film”. Ritchie Roesch describes in Fuji X Weekly the differences between the Kodachrome II and Kodachrome 64 film-sims; the former resembling the look of Kodak film from the 1960s to the mid-1970s and the latter echoing the final version of the film-type from the mid-1970s to 2009. Roesch provides additional historical context to the development of Kodachrome film here.

Here I’ve used the Kodachrome 64 film-sim recipe with the following settings:

‘Classic Chrome’ built-in film-sim
Dynamic Range: DR400
Highlight: +2 (High)
Shadow: +1 (Medium-High)
Color: 0 (Medium)
Sharpness: 0 (Medium)
Noise Reduction: -2 (Low)
White Balance: Daylight; 0 Red, -3 Blue
ISO: Auto up to 3200 (or fixed to 1000)

All recipes sorted by specific sensor are found here.

( Click here for images )

Seattle Ballard: Sunday Farmers Market

In Seattle, a friend in Ballard recommends a visit to their neighbourhood’s weekly farmers’ market. Despite the forecast for intermittent morning showers, I’m lured by any stroll through a market for bright harvest colours and freshly prepared food.

A slow meander through the stalls, letting curiosity be the guide. Fresh apples and pears here; ripe plump tomatoes there. From an assortment of red and yellow peppers; to an array of yellow and green gourds. Quickly, the appetite is on high alert. Quesadillas prepared fresh from the grill. Hot from the fryer, little donuts sprinkled with cinnamon sugar. Happy dogs walking their humans; couples strolling with children; others sitting on the curb for a chat, nosh, and sip.

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My Cologne: wandering the streets in Ehrenfeld

For many, the German city of Cologne brings to mind the Cathedral, Karneval, and perfumed water.

For me, Cologne brings to mind great friends, tasty Turkish nibbles, football side 1. FC Köln, and Ehrenfeld.

My friend Y wanted to test her new camera on the streets, and when she suggested the Ehrenfeld neighbourhood, I readily agreed. My many visits to this city on the Rhine have frequently ended up in Ehrenfeld that’s largely Turkish and working class, an immigrant blue-collar area with which I readily identify and it’s why Ehrenfeld is my K-‘hood.

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Seattle: murals in West Seattle

Above/featured: Facing east at The Junction: SW Alaska Street at California Avenue SW. At left (northeast corner) is the red-brick Campbell Building from 1911, oldest in the neighbourhood and a designated City of Seattle historic landmark since 2017.

What: Paintings depicting the history of West Seattle.
Where: In and around West Seattle’s The Junction.
Why: Arts project with community and pride.

Technically, West Seattle is an area consisting of several neighbourhoods within the city of Seattle. Historically, West Seattle feels separate, a peninsula separated from the centre by the flow of water and peoples along the Duwamish river valley. West Seattle had incorporated as its own city in 1902, before agreeing to annexation by Seattle in 1907.

One key to West Seattle is “The Junction”: an intersection of 2 former streetcar lines “West Seattle” and “Fauntleroy”. As expected, commercial activity took root at the intersection and although streetcars have vanished, the nickname has remained as a simple useful designation.

A product of West Seattle, retired businessman Earl Cruzen (1920-2017) launched a local arts and community project in the late-1980s, inspired after visiting other towns in Washington as well as Chemainus on British Columbia’s Vancouver Island. Cruzen promoted the project with support among residents and business owners, generated fundraising efforts, and brought American and Canadian artists into the city to paint wall murals to highlight the history of people along the Duwamish river and the history of West Seattle. A total of 11 murals were painted, dedicated, and unveiled between 1989 and 1993.

Over time, the murals deteriorated and faded without touchup or maintenance. Members of the Southwest Seattle Historical Society engaged the community in 2018 with questions about the murals, and about raising money to support revitalizing the murals. In May 2018, Adah Cruzen honoured her late-husband with a gift of 100-thousand dollars to the West Seattle Junction Association to boost the restoration process.

So, what do the murals mean to the people of West Seattle?

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The mono in the chrome

Above/featured: “Interchange (after Harry Callahan).” Downtown Vancouver – 28 Jul 2016 (6D1).

“Color is descriptive. Black and white is interpretive.”

– Eliott Erwitt

“I work in color sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white – I like the abstraction of it.”

– Mary Ellen Mark

For me, the pull towards photography has always been about images in colour and landscape format to highlight a location, illuminate a historical event, or to feature a person who touched many lives. Thinking about and making images either square, in monochrome, or both have provided useful challenges to push the working dynamics of creativity. I hope the following images will get the viewer to ask if there’s more than what’s presented and to get possible answers on their own.

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