For the seventh time, I’ve “flipped” or “rolled over” the four-digit image-counter on my camera. I’ve made over 70-thousand exposures, which is a great accomplishment for both camera and me. Unfortunately, exposure number 75000 will prove to be a bad omen.
I own a Canon EOS450D (Rebel XSi), an entry-level digital crop-sensor camera which was introduced to the consumer market in the first-quarter of 2008.
The camera has no weather-proofing, poor to average low-light capability, and a small burst-rate, but the camera is affordable, portable, and easy to use. The kit-lens doesn’t have great build-quality, but the lens is lightweight with a decent range in focal lengths for my kind of photography.
The camera is dead! Long live the camera!
It’s early August 2013, and I’m in the Czech capital city of Prague. I’m standing in front of the Television Tower in the Zizkov neighbourhood.
I’m wearing a confused frown, because the photos are coming out vignetted. I realize quickly the metal leaves which make up the shutter have gone loose, and aren’t opening and closing properly: something like this.
The dreaded error message “Err 99” pops up on the camera display. I turn the power off and on, and press the shutter button. “Err 99” persists, and there’s a new grinding “whirring” noise inside the camera.
Just a couple of days ago, I’ve reached the milestone of exposure number 75000. But apparently, I’ve now reached the end: after 5 years and 2 months, my camera has stopped working.
Why so many clicks? What’s the point?
Some have asked: “Why did you take so many exposures? If you took fewer photos, your camera could’ve lasted longer!”
These questions miss the point of owning a camera.
Making so many exposures is how I got used to the camera. I wouldn’t have to think about what to do, or to figure out what button was where. After frequent use and learning the “manual” functions of my camera, shooting became almost “automatic.” When the moment came, it took a few quick movements to fiddle with the camera settings with “finger-memory” to make the shot.
How does one become good with their camera?
Go out and make lots of photos. Learn, use, and memorize the camera functions. Work on small projects to photograph to get better: explore, screw up and fail spectacularly. Learn, improve, repeat.
Shoot, shoot, and shoot some more, so that getting the shot is first nature, and making the shot is second nature.
That’s also what David duChemin describes in “Towards Mastery. Again”, about becoming proficient with your own camera gear, whatever gear you might have.
Exit stage right
The broken shutter assembly needs replacing, and judging by what I’ve read online, the cost of parts and labour is equivalent to a significant fraction of the price for a new camera or a new piece of glass. The shutter isn’t worth replacing.
So, what’s next? I have no intention on going back to a crop-sensor, so future conversations will involve the phrases “full-frame” and “better low-light performance.”
Goodbye, 450D: you’ve been a trusty servant and guide on my photographic journey.
To celebrate and mourn its passing, here are the first and last photos I made with the 450D.
One of the first photos: Waikoloa Beach, Big Island – Hawaii, 19 May 2008.
One of the last: Žižkov TV Tower with “Miminka” (“Babies”, by David Černý) – Prague, 4 Aug 2013.
PostScript: The autofocus ring on the “original” EF-S 18-55mm IS kit-lens failed while I was about to visit New Zealand’s Milford Sound. I purchased a replacement EF-S 18-55mm IS II lens weeks later in Sydney, Australia. This type of lens cannot be used on a full-frame camera. Fortunately, that latter lens now has a warm and loving home with fellow Canadian and traveler Kate Clarke.
This post appears on Fotoeins Fotopress at fotoeins.com as http://wp.me/p1BIdT-3Hp.