Featured image: Luther memorial at Market Square, Eisleben, Germany – 26 Oct 2016.
From thousands of photographs over the last year, I have more than enough to highlight numerous examples of travel and urban photography. The following “instants” are selected from Instagram: my 16 for 2016.
Since 2003, December 11 is International Mountain Day as designated by the United Nations General Assembly. Annually, the Food and Agriculture Organization of the United Nations (FAO) observes the day:
… to create awareness about the importance of mountains to life, to highlight the opportunities and constraints in mountain development and to build alliances that will bring positive change to mountain peoples and environments around the world.
• Mountains cover almost one-quarter (22 percent) of the Earth’s surface.
• Mountains host about 50 percent of the world’s biodiversity hotspots.
• Up to 80 percent of the world’s freshwater supply comes from mountains.
• One in eight people (13 percent) around the world lives in the mountains.
• Mountain tourism accounts for almost 20 percent of the worldwide tourism industry.
The following provides a glimpse to the mountain environments around the world and to the challenging conditions our ancestors would have faced and endured.
Above: Fraser River, east from Port Mann Bridge, between Coquitlam and Surrey, BC (HL).
The fourth Sunday in September is World Rivers Day. The University of Oxford’s Dictionaries defines ‘river‘ as:
“a large natural stream of water flowing in a channel to the sea, a lake, or another river.”
A river has always been water supply and demand: daily use and consumption; farming and agriculture; and where the waste goes, often back into the same supply. A river has always been about transport: trade and delivery of goods; shuttling people between places; and with people travelling, the exchange of language and culture. Throughout history, the establishment of towns and cities and the subsequent development of rivers have been about a mix of urban and rural elements, and about the relationship and interactions between people and their waterways.
What is “street photography”? How is street photography defined? Should it be defined? Who, if any, has the authority to define and maintain the definition? I presently subscribe to Eric Kim’s definition, but it’s important for people to photograph as they wish and desire. Whatever people think in terms of their streets is entirely up to them.
When I returned to my hometown for an extended period, I returned to the streets to became familiar with them again. Street names have remained unchanged for the most part, although many buildings have long since been demolished and replaced by something else. When I first picked up a camera, I rarely turned the lens onto people. It’s been a slow evolving process to shift my camera onto scenes with people. With that in mind, I’m fortunate to have some shots with people in decent scenes mixed with good timing.
I’ve learned over time to recognize key moments when special things are happening. I’ve been fortunate to arrive at situations where I’m swimming large and I’m intersecting spatial timelines with other people who’re immensely blessed with talent, who’ve trained long and hard, and who’ve shone brilliantly under the spotlight. Within that convergence, I see what it’s like, that shimmer of a blinding spark, a clear glimpse into a universe of creative expression. The rigours and precision of classic ballet are combined with the hypnotic rhythms of contemporary dance: something new is created, boundaries are pushed, and people’s eyes are opened to a brand new world under a different light.
Fotoeins Fotografie 