Culture | Fotoeins Fotografie

Posts from the ‘Culture’ category

“Science is an integral part of culture. It’s not this foreign thing, done by an arcane priesthood. It’s one of the glories of the human intellectual tradition.” – S.J. Gould.

My Berlin: Alicja Kwade, bridging art & science

Above/featured: Alicja Kwade exhibition, at the Berlinische Galerie. HL:X70.

In mid-2021, the world slowly climbs out of the worst of the pandemic. Later that autumn, I watch DW Culture’s Arts.21 feature on Polish-German artist Alicja Kwade whose work strikes a personal resonance. I have to go see her work and exhibition in person, but would it even be possible? My answer arrives six weeks later with a quick jump home to Berlin.

All of Kwade’s sculptural pieces in her exhibition, “In Abwesenheit” (In Absence)”, are “self-portraits.” But none of them show her face; the pieces aren’t necessarily simple, nor are they “selfies” characterized by the present vernacular. She is not physically present, and yet, every piece provides the visitor a glimpse into her mindset including questions she raises about the volatility of the human condition and about where we fit within a very large universe.

As former scientist, I love and recognize the influences on her art. She is clearly very interested in mathematics, physics, astrophysics, biology, genetics; but she’d be the first to admit she’d need multiple lives to completely fulfill all of her interests. The deconstruction of “self” into precise scientific elements is another way of expressing those (dreaded) “selfies” or self-portraits. I admire the clever play: it’s the breakdown into those elements that tell us what she is, and it’s the measured synthesis of those elements into the broad strokes of her sculptures that tell us who she is.

We’re all playing this game. Everyday things seem so important. But then you zoom out and realize that you’re standing with another billion [people] on a spinning sphere. With that perspective, you’re reminded to just be glad you’re here at all.

– Alicia Kwade about her rooftop commission at New York City’s Metropolitan Museum of Art: Artnet News, 16 April 2019.

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My Berlin: Chinese-Canadian Q.J. Louie at the Commonwealth War Cemetery

Above/featured: Cemetery view facing west, from the shelter building to the Stone of Remembrance, Cross of Sacrifice, and Terrace in the distance (WCL-X70: 14/21mm).

There’s a presence from western Canada buried in eastern Germany.

In Vancouver, Canada, the H.Y. Louie family has long been a part of the Chinese-Canadian community and the overall merchant community. Their current business holdings include the London Drugs chain of stores and the IGA grocery-store chain; both are well recognized throughout greater Vancouver.

One member of the family is resting permanently 8000 kilometres away in Berlin, Germany. An important goal in my return to the German capital city is a visit to the cemetery where a member of the Louie family, Q.J. Louie, is buried. It’s never been a matter of if, but when I return to Berlin.

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Devonian Harbour Park, Vancouver, BC, Canada, fotoeins.com

Public art in Vancouver

Above/featured: Left: “Search”, by J. Seward Johnson Jr. (1975). Right: “Solo”, by Natalie McHaffie (1986). Devonian Harbour Park, 14 Jul 2021 (X70).

Based on what we see in person and online, the quickest version of street art may be defined by the variety of art appearing on side walls of buildings, big and small. Most will think about paint, graffiti, and murals, all of them in the here and now. But we shouldn’t forget any art that’s out on the streets and publicly accessible.

Below are a handful of examples of public art in the city of Vancouver; the following is a visual expression of my fondness for sculpture whose origins sweep back to the 1st-half of the 20th-century.

“A Tale of Two Children” by Ken Lum (2005)
“Golden Tree” by Douglas Coupland (2016); “Salish Gifts” by Susan Point (2015)
Lions by Charles Marega (1939)
“Reconciliation Pole” by 7idansuu / Edenshaw, James Hart (2017)
“Salmon” by Susan Point (1995)
“Saltwater City”, by Paul Wong (2020)
“Welcome Figure”, by Darren Yelton (2006)

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Shantung Street, Portland Street, Mong Kok, Kowloon, Hong Kong, fotoeins.com

Artificial light

Above/featured: Shantung St. at Portland St., in Mong Kok, Kowloon: Hong Kong – 12 Jun 2012 (450D).

Like many, my preference in photography is for as much natural light as possible. However, there are always exceptions, and a big one is the introduction and/or necessity of artificial light within a scene or picture. Over the course of my photographic journey, I’ve come across some wonderful examples of artificial lighting. I hope you enjoy the examples I’ve provided below, including (my love of) neon signage.

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Salzburg city views from Mönchsberg

In Salzburg, I’m motivated by a search for Mozart and for signs of modernity. I’ve already examined part of the city through its art: what more can Salzburg offer?

Excellent views of the city and surroundings.

The Mönchberg hill on which the Hohensalzburg fortress sits provides many viewpoints over the city. You can walk along the entire length of Mönchberg for varying perspectives, or you can approach a number of the viewpoints separately.

I ascended and traversed the hill on foot from southeast to northeast, beginning from Kapitelplatz to the viewpoints just north of the Museum der Moderne. I returned to the Old Town below with the MönchsbergAufzug elevator which is a part of Salzburg’s public transport.

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