Arts | Fotoeins Fotografie

Posts from the ‘Arts’ category

New West actor Raymond Burr

Fraser Cemetery

As a boy whose early memories include the family’s small black-and-white television from the 1970s, I remember the tv show “Ironside.” Canadian-born Raymond Burr played the titular character of Robert Ironside, special consultant for the San Francisco police department. Years later in the mid- to late-1980s, Burr returned as Perry Mason, the lead from the 1960s weekly tv-drama revived as a popular series of made-for-tv movies. He died in 1993, buried with members of his family in Fraser Cemetery, at home in New Westminster, B.C.

*Burr family grave at lower-centre – 9 Apr 2024 (iP15).*

*Raymond Burr (lower-right), with sister Geraldine, father William, and mother Minerva – 9 Apr 2024 (iP15).*

In 1858, the British established New Westminster as first- and capital-city of the new colony of British Columbia. Fraser Cemetery accepted its first burials in 1869.

I made all images above with an iPhone15 on 9 April 2024. Composed entirely within Jetpack for iOS, this post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-sjD.

My Berlin: Minkowski space in Heerstrasse cemetery

Waldfriedhof Heerstrasse (Heerstrasse forest cemetery)

Is this a small park with plenty of trees, hilly terrain, and a small lake? Or is this simply a forest cemetery, a final resting spot for many prominent Berliners?

As part of an ongoing search for gravesites for physicists and mathematicians in Germany, I visited Berlin’s Friedhof Heerstrasse, near the city’s Olympic Stadium. Within the cemetery is Sausuhlensee lake, which settled into a former glacial gully, around which much of the cemetery came into being in 1924. Named after the early 20th-century Heerstrasse estate district whose residents were to be buried here, the cemetery stretches out over an area of almost 15 hectares (37 acres).

I found the grave for physicist Hermann Minkowski, but among the buried there are other “Promis” (prominent).

Friedhof Heerstrasse, Westend, Berlin, Germany, Deutschland, fotoeins.com

Forested park, forest cemetery.

The calm waters of Sausuhlensee lake on an autumn afternoon.

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Vienna: Lichtzeichen testament to Jewish presence

Above/featured: Lichtzeichen number 10 (Stumperschul) in the city’s 6th district. Photo, 28 May 2022.

From a distance, the light seems suspended in mid-air.

Closing the distance widens my realization: it’s an illuminated sculpture that has a curved warped shape on top. That’s also when understanding narrows into sharp focus when I stand directly underneath: the shape “straightens” out, revealing itself as a Star of David.

Lichtzeichen Wien (LZ) consists of 26 structures in the Vienna region, marking former locations of synagogues, schools, temples, and prayer rooms destroyed by the Nazis in the pogrom of November 1938. During the night of 9–10 November 1938, the Nazi regime organized and carried out a systematic attack against the Jewish population in Germany and Austria. The rampage in Vienna continued for several days; most of the city’s synagogues, temples, and prayer-halls were destroyed.

Launched by the Jewish Museum Vienna and Austrian artist Brigitte Kowanz, an urban memorial project by joint collaboration of the Jewish Museum Vienna and the University of Applied Arts Vienna consists of identical columns, designed by artist Lukas Kaufmann. The commemorative project is called “Ot” (אות), which means “symbol” in Hebrew. Each “light column” sculpture stands about 5-metres high with a star of David, and includes the name of the former Jewish structure and an accompanying QR-code. Official unveiling of the memorial project occurred in 2018 on the 80th anniversary of the 1938 pogrom.

I visited and photographed all 26 Lichtzeichen locations in Vienna over a period of three summers in 2022, 2023, and 2024.

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Vienna: 9 spots in the 9th district

Above/featured: Votivkirche (Votive church) from Schottentor – 20 May 2023.

Two visits: two months spread over two years.
A thousand kilometres of walking.
Hundreds of historical spots and locations tracked, spotted, and photographed.

It makes sense that out of Vienna’s 23 city districts, I’ll frequent some more than others. The 1st district, or the Innere Stadt, is unavoidable, because that’s where most visitors to the city will congregate. The 2nd (Leopoldstadt) and the 6th (Mariahilf) are districts where I had separate month-long stays. But it’s the 9th district (Alsergrund) into which I wandered through countless times, including tracking my way to the 18th and 19th districts.

Out of many interesting little spots in Alsergrund, I’ve highlighted nine examples from a historical “mélange” of architecture, Jewish culture, medicine, music, and physics. If you’re wondering about the Votivkirche (Votive Church) in the image above, I’ll have more about the church in future posts about Ringstrasse (Ring Road) architecture as well as the architectural works by Heinrich Ferstel.

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Vienna’s St. Marx Cemetery, Biedermeier style

Above/featured: Morning visit to the city’s Biedermeier cemetery – 20 May 2022.

In Vienna’s 3rd district, the St. Marx cemetery is the only surviving Biedermeier cemetery in the city. A visit now is a jump into the frozen past. The cemetery opened with its first burial in 1784. Closure of the city’s multiple neighbourhood cemeteries began in 1873 with the final burial at St. Marx taking place in 1874. Subsequent funerary functions were transferred to the newly constructed Zentralfriedhof located farther out from the city centre. The very leafy avenues and “leafy gate” are what’s left of the city’s only remaining 18th-century cemetery that is now open to the public as a city-administered park.

Why Biedermeier

Biedermeier in Vienna corresponds to a cultural period during the first half of the 19th-century marked by increased industrialization in rapidly urbanized areas and strict censorship with the elimination of dissenting political voices. Instead of looking outward to change, the artist and design community moved to safer spaces in nature or to their homes. While innovation might have given way to a modest yet graceful and functional style, Biedermeier architecture in its neoclassical spin provided inspiration for subsequent Art Nouveau (Jugendstil) and Secession movements. An important Viennese architect of the period was Josef Kornhäusel who designed many buildings in the city. Important music from this period was composed by, for example, Beethoven, Chopin, Liszt, Schubert, Schumann. One of the largest collections of Viennese Biedermeier art is in the Belvedere’s collection. St. Marx cemetery is a reflection of both city and age from the 19th-century.