Fotoeins Fotografie

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Posts tagged ‘Vienna’

Vienna Döbling Cemetery: Ehrenhaft, Herzl, Kiesler, Kuffner, Obersteiner

Above/featured: Friedhof Döbling, Photo, 6 Jun 2023 (X70).

Opening for its first burial in 1885, the Döbling Cemetery in Vienna’s 19th district is modest in size, spread over an area of almost 5 hectares (12 acres) and home to over 6000 graves. The largest burial ground in Vienna is its central cemetery in the southeast corner of the city.


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Vienna: Albertina’s 250th founding anniversary (2026)

Above/featured: Albertinaplatz, 12 Jul 2026 (X70).

2026 marks the 250th anniversary year of the 1776 founding of Vienna’s Albertina museum by Archduchess Maria Christina and Duke Albert of Saxe-Teschen. Today, the Albertina is spread out across 3 locations: the main Albertina, the Albertina Modern, and the Albertina Klosterneuburg. I returned to the Albertina to view the exhibition “Collecting for the Future” which included selected artworks from the permanent collection. What I and many came to see is the rarely exhibited 1502 painting “Feldhase” (Hare) by Albrecht Dürer: clearly, the reception is very enthusiastic.

1. Bezirk, Innere Stadt, Albertinaplatz, Albertina, Wien, Vienna, Austria, Österreich, fotoeins.com

Morning light at Albertinaplatz. The green hare above the sausage stand has been there for some time; the pink hare on top of the Soravia Wing is timed for Albertina’s 250th anniversary. Photo, 12 Jul 2026 (P15).

1. Bezirk, Innere Stadt, Albertina, Wien, Vienna, Austria, Österreich, fotoeins.com

Albertina rabbits. Photo, 5 Jul 2026 (P15).

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Vienna: library language sculpture space text

Above/featured: On the escalator up to the Vienna library’s central branch. The word “ZEIT” (time) appears multiple times at centre-right. At lower-left is the phrase: “ist das der richtige Weg?” (Is this the right way?) Photo, 2 Jul 2026.

Library (of) language.
Library sculpture.
Library space.
Language (of) sculpture
Language space.
Sculptural space.

The city-state of Vienna opened the new central library, Hauptbücherei, at Urban-Loritz-Platz in 2002. City officials and advisors had considered, then awarded an on-site public art project to Austrian artist Heinz Gappmeyr. Installed and inaugurated in 2006, Gappmeyr’s sculpture, “Raumtexte” (“space text”), is mounted on exterior walls and within interior spaces of the library.

Gappmeyr (1925–2010) was always interested in representing language in and as art. With his installation, he’s asking the public to consider the relationship between thoughts and words: the “invisibility” of thought into the visibility of letters representing words, and the tangible nature of books representing cohesive stories and multiple trains of thought.

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Vienna Votive: “Infinity of Light” by Billi Thanner

By definition, a “votive” is an object offered in fulfillment of a solemn promise.

Having survived an assassination attempt in 1853, Austria’s Emperor Franz Joseph promised to construct a church in gratitude. That’s how Vienna’s Votive Church came to be in 1879 with the design by first-time architect Heinrich Ferstel.


Suspended Infinity

In mid-December 2025, Austrian artist Billi Thanner unveiled her light sculpture, “Unendlichkeit des Lichtes” (Infinity of Light), placed between the two towers of the Votive Church. The art work is a 28- by 6-metre aluminum loop weighing 800 kilograms, and includes almost 5000 lights. The sculpture wraps around both towers in a figure-eight; but sitting on its side, the visual is also the mathematical symbol for infinity (∞).

The significance for the number 8 is its representation of the time taken by light to travel from the Sun to the Earth. As for “infinity”, Thanner explains:

Licht ist für mich das Leben. Und irgendwann kam der Impuls: die Unendlichkeit im Licht sichtbar machen. Nicht abstrakt, sondern real im Stadtraum — zwischen den beiden Türmen dieser Kirche

Light is life itself. The impulse came to me at some point: to make infinity visible in the light. Not in its abstract nature, but something real in the urban space — between the two towers of this church.)

What’s a little unusual is that this sculpture and its installation have been financed entirely through private sources: no public money and no church donations. Thanner also waived her commission fee, essentially making this years-long project one out of total independence and personal dedication.

While the sculpture’s attachment to a church building makes a direct association with religion or spirituality, I feel there’s something simpler and more fundamental. Billi Thanner’s sculpture reminds us to do better for and to be better with each other as people. That’s in part a promise I made after accompanying my parents to the end. I’m inspired by Thanner’s light to try a little more with every passing day, despite spectacular failure and disappointment.

The light sculpture will remain in place until May 2027.

Infinity of Light, Billi Thanner, Votivkirche, 9. Bezirk, Alsergrund, Wien, Vienna, Austria, Österreich, fotoeins.com

Votive Church from Sigmund-Freud-Park, 28 Jun 2026; image corrected for geometric distortion.

Infinity of Light, Billi Thanner, Votivkirche, 9. Bezirk, Alsergrund, Wien, Vienna, Austria, Österreich, fotoeins.com

Votive Church from Sigmund-Freud-Park, 18 Jul 2026.

7.5 minutes: light-display recorded 18 Jul 2026. The dynamic display appears to occur at the top of every hour at night, but I didn’t go out to check past midnight (heh).

Für mich war diese Skulptur nie nur eine Lichtinstallation. Sie ist eine Möglichkeit, Menschen für einen Moment an Hoffnung, Freude und ihre Verbundenheit zu erinnern. Gerade in einer Zeit, in der vieles trennt, kann Kunst Räume öffnen, die Menschen wieder miteinander in Verbindung bringen.

For me, this sculpture was never just a light installation. It’s a way to remind people, if only for a moment, of hope, joy, and their close connections. In these divisive times, art can open spaces that bring people together again.

– Billi Thanner.


I received neither pre-visit support nor post-visit compensation fot this entry. I made all media above on 28 June and 18 July 2026 with an iPhone15. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-z2V.

Week 10 – no comment

Some art in the mix.


Northwest view from Donauturm (Danube Tower): Kahlenberg with transmission tower, Leopoldsberg, Danube river, Florido Tower. Vienna, 13 July 2026.
Over the New Danube: Millennium Tower at left, Donauturm at right. Vienna, 13 July 2026.
“Woman with dove – Shaping Our Common Future”, by Fintan Magee (2024). United Nations offices in Vienna, 14 July 2026.
The hare with amber eyes. Netsuke from Ephrussi-de Waal collection, on permanent loan to Jewish Museum. Vienna, 15 July 2026.
Die Doppelgängerin (the female doppelganger), by Valie Export (2010), in Belvedere21 Sculpture Garden. Vienna, 16 July 2026.
60 seconds: “Yellow Fog”, by Olafur Eliasson (1998/2008). Vienna Am Hof, 17 July 2026.
“Caress (Cardinal & Nun)”, by Egon Schiele (1912). Leopold Museum, Vienna, 18 July 2026.
Vienna MuseumsQuartier, 18 July 2026.
Summer variation. Vienna Am Hof, 19 July 2026.
לשכוח
“Vergessen / forgetting”, Brigitte Kowanz (2009), Jewish Museum Judenplatz. Vienna, 19 July 2026.