Vienna | Fotoeins Fotografie

My Vienna: Austrian artist Julia Bugram

Above/featured: The artist in their workspace in Vienna. Photo, 11 Jul 2025 (X70).

The sculpture provided the introduction in 2022.

Two clasped hands, each as tall as a person. Each hand made with 1-million 1-Eurocent coins.

Seen in 2022, next to St. Stephan’s Cathedral. Seen next in 2023, the sculpture moved near the big fountain at Schwarzenbergplatz. A wonderful crowdfunded project, created by Austrian artist Julia Bugram.

In spring 2025, I receive a kind invitation to visit her studio in Vienna; come July and I’m in the city’s 5th district. I make my way up to the 2nd floor of a renovated pre-war building, and arrive at a cozy working art-space shared between Julia and a second artist. I’m not surprised to find tall ceilings, big windows, a small kitchen, and just enough space and storage for two artists to share and split the rent.

In her practice, Julia explores themes surrounding community and society; and how art can create, enhance, and strengthen connections among people. Her artistic influences include: Hilma af Klimt, Mela Diamant, Renate Bertlmann, Margot Pilz, Jakob Lena Knebl, Martha Jungwirth. We spoke at some length about the economic and cultural challenges facing contemporary Austrian artists in the creation and distribution of their work, as well as the difficulty of commuting between Vienna and her home in Burgenland. I’m looking forward to seeing what she’ll create in the near future.

Links to her website and Instagram.

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Vienna Albertina: Brigitte Kowanz, light is what she saw

Above/featured: “Light is what we see”, 1994/2019. (A part of Speed of Light/4m with the digits 6-3 appears at the right edge.)

Austrian artist Brigitte Kowanz (1957–2022) held an enduring fascination for light. Light wasn’t simply the medium through which information propagated. Light itself was also a tool and mould for illumination, reflection, and even introspection. There’s something in her light-based artworks which allude not only to her philosophy and worldview, but also to her clear interest for science. Her works also anticipate and explore timely themes, including what it means to live in an information-rich society that fully embraces digital habitats and virtual spaces. There’s a spirit of fun and “lightness” mixed with a serious appreciation for the history of technology with her frequent use of Morse code. To me, Kowanz’s body of work is a wonderful manifestation of the 1964 statement by Canadian philosopher and media theorist Marshall McLuhan: “The medium is the message.”

I arranged my 2025 stay in Vienna to coincide with the final week of the Francesca Woodman exhibition and the beginning of an exhibition on Brigitte Kowanz, both held at the Albertina gallery-museum. Since Kowanz’s passing in 2022, the first major solo exhibition was a retrospective of her work titled “Light is what we see”. The Albertina has fast become a favourite, having seen an exhibition of photographer Gregory Crewdson’s work in the summer of 2024.

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Iris Andraschek in Vienna: telling the city who they are

For me, landmarks – a series of art works, for example – provide a network of “pins” for exploring and discovering parts of a city. That’s been my approach to Vienna’s 23 districts over the last 4 consecutive summers. Adding to the growing mind-map of memories, I’m restored by the excitement of the chase-and-find, among increasingly familiar surroundings and the frequency of new personal encounters.

Austrian artist Iris Andraschek works with photography, drawings. spatial installations, and video to explore and communicate ideas regarding cultural and societal relationships. Throughout Vienna, a number of Andraschek’s works are “visual interventions”, calling direct attention to the under-representation of women in the city’s public spaces.

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Vienna: “Yellow Fog” by Olafur Eliasson

Above/featured: “Aus eigener Kraft”. Photo, 16 Jul 2025 (X70).

Is that red-hot steam?

It’s a warm and breezy summer evening, the colour of the light is illusory, and the blanket of mist is cool on contact.

At the southwest corner of the Am Hof square in central Vienna is the corporate headquarters of Verbund. Installed outside the building is Icelandic-Danish artist Olafur Eliasson‘s 2008 sculptural work “Yellow Fog“. The open public square becomes the arena to changing light, colour, and transparency; asking questions of perception and perspective. The display occurs every night for an hour after dusk, but not in winter.

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Vienna Grinzing Cemetery: Bernhard, Doderer, Ferstel, Mahler, Rosé

Above/featured: Grinzing cemetery, facing southeast. Photo, 26 May 2022.

Opening for its first burial in 1830, the Grinzing Cemetery in Vienna’s 19th district is modest in size, spread over an area of about 4.1 hectares (10 acres) and home to over 5000 graves. I highlight a number of notable people in arts and architecture, including connections with composer Gustav Mahler.

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