Fotoeins Fotografie

location bifurcation, place vs. home

Posts tagged ‘Vancouver’

The place where I died

With these pictures, I explored the perspective of witnessing a parent’s unstoppable decline to the end. I didn’t include pictures of my father in this set, but I gave voice to growing distress at his final journey in orbit around a downward spiral. My gaze drifted externally to the space and form of the hospital and to the surroundings outside.

On 19 July 2014, Dad was taken to Vancouver’s St. Paul’s Hospital after he had a minor fall down the stairs at home. No bones were broken, which was remarkable considering his worsening health in the final stages of cancer. He would never return to the house in which he and Mum had bought and lived since 1976.

By the 2nd week, he had been moved from to the Palliative Care Unit (PCU) on the 10th floor. The wonderful hospital staff took great care of him and other patients in the unit. Dad charmed the PCU staff by chatting with them in broken English; it was his way of exerting some measure of control. I also witnessed the inevitable “shuffle”. One day, a patient slept quietly in one of the other beds, surrounded by members of his family. The following day, the bed was cleared, cleaned, and prepared for a new patient.

Into week 3, his mind and spirit departed, and he became completely unresponsive to external prompts. Over the following days, his body remained, accompanied by sounds of breathing, often shallow and laboured. He was at peace, and thanks to the meds, in diminished pain. I’d been with Dad a part of every day for 21 consecutive days. Friday came and went, and so did the passing of the sun. As I’d done every evening, I leaned down and whispered: “good night, I’ll see you tomorrow.” The following morning, I awoke to a phone call. The nurse’s voice was calm and gentle. Somewhere in the universe, I heard faint echoes of the death rattle. I said to the nurse: “thank you for your phone call. We’ll be at the hospital in a few hours.”

I ended the call and looked down at my watch: 613am. The date was August 9. He had celebrated his 82nd birthday only a few weeks earlier.

Northern summers, especially July and August, mean something entirely different.


( Click here for images and more )

Home eye: a return to Vancouver streets (2013-2014)

What is “street photography”? How is street photography defined? Should it be defined? Who, if any, has the authority to define and maintain the definition? I presently subscribe to Eric Kim’s definition, but it’s important for people to photograph as they wish and desire. Whatever people think in terms of their streets is entirely up to them.

When I returned to my hometown for an extended period, I returned to the streets to became familiar with them again. Street names have remained unchanged for the most part, although many buildings have long since been demolished and replaced by something else. When I first picked up a camera, I rarely turned the lens onto people. It’s been a slow evolving process to shift my camera onto scenes with people. With that in mind, I’m fortunate to have some shots with people in decent scenes mixed with good timing.

( Click here for images and more )

Ballet BC, Program 3, BalletBC30three, Queen Elizabeth Theatre, Vancouver, BC, Canada, fotoeins.com

Ballet BC season 30: Program 3 preview (2016)

I’ve learned over time to recognize key moments when special things are happening. I’ve been fortunate to arrive at situations where I’m swimming large and I’m intersecting spatial timelines with other people who’re immensely blessed with talent, who’ve trained long and hard, and who’ve shone brilliantly under the spotlight. Within that convergence, I see what it’s like, that shimmer of a blinding spark, a clear glimpse into a universe of creative expression. The rigours and precision of classic ballet are combined with the hypnotic rhythms of contemporary dance: something new is created, boundaries are pushed, and people’s eyes are opened to a brand new world under a different light.


( Click here for more )

Yaletown, Vancouver, BC, Canada, 26 Oct 2014, fotoeins.com

What about now? How about now?

I think I’ve struck a nugget of gold.

I also believe the chances of finding it again might well be slim to none …

Jean François Paul de Gondi, Cardinal de Retz, wrote in the 17th-century:

Il n’y a rien dans ce monde qui n’ait un moment decisif. (There is nothing in this world that does not have a decisive moment.)

Photographer Henri Cartier-Bresson used this quote for the preface of his 1952 book “Images à la sauvette” (The Decisive Moment). That phrase has been described in great detail and (mis)interpreted over the years, undoubtedly adding only to the legend and his place in the history of photography. With his landmark photograph “Derrière la gare Saint-Lazare” (Paris 1932), Cartier-Bresson described moments like these as:

To me, photography is the simultaneous recognition, in a fraction of a second, of the significance of an event as well as of a precise organization of forms which give that event its proper expression. (Photographier: c’est dans un même instant et en une fraction de seconde reconnaître un fait et l’organisation rigoureuse de formes perçues visuellement qui expriment et signifient ce fait.)

What does any of this have to do with the photo above? Everything.

( Click here for more )

Fotoeins Fotograms 14 o' 2014 cover

Fotoeins’ Fotograms: 14 for 14, in 2014 (IG)

At the end of 2013, I listed my 13 instants for the year. I continue to be fascinated by how we look at the world in square format in contrast with 4-by-3 or 3-by-2 formats. It’s not exactly the throwback to a distant past with square photographic plates, but the same physical and photographic principles regarding central symmetry apply. Here are 14 ‘fotograms’ from 2014, including a new 6D, watching my father die, and a return ‘home’ to Deutschland.

( Click here for more )