“It’s so pink!”
“Yes, but by design, there’s a lot of green foliage integrated within and around the building.”
“But why is the building pink?”
“That colour irritates a few people, particularly some at the big bank next door and even some at state government offices nearby.”
Wouldn’t that be fitting for Hundertwasser, who declared straight lines as “godless” and called his final work “an oasis for humanity and nature in a sea of rational houses”?
In art and in architecture, there’s no mistaking an inevitable clash between what’s “fanciful” and what’s “functional”. Not only has this conflict always been around in some shape or form, it’s a sign there’s change, disruption, or rebellion against the staid of the contemporary. What’s also true is that what’s believed to be “common” has rarely been universal, by place or in time.