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Posts tagged ‘EOS 450D’

The Foto(eins) Journey, with Canon & Fuji

Above/featured: Winter morning at Kitsilano Beach in Vancouver – 22 Dec 2020 (X70).

Frankly, I don’t know why I waited so long.

For the longest time, I thought photography wasn’t for me. But the curiosity of making images would soon win me over.

My late-entry to photography means I have some regrets not having any images when I lived in Toronto and in Germany. After I moved to Minneapolis, I asked friends and colleagues for some advice, and by 2015, I purchased a compact Canon point-and-shoot camera. I pushed the limits of that camera, and I realized very quickly the kinds of images I wanted to make were beyond what the camera could manufacture. I needed greater flexibility and capability to adjust aperture- and exposure-values, and within three years, I moved “up” to a Canon camera with a crop sensor (450D).

I learned quickly I wanted a broader range of focal lengths, which led me to acquiring a couple of extra lenses. I pushed the 450D very hard, including my year-long around-the-world (RTW) journey in 2012. The shutter died the next summer in Prague, and with my investment of glass within the Canon camera-system, I moved “up” to a Canon camera with a full-frame sensor (6D1) in early 2014. With a larger sensor providing greater sensitivity to low-light, I feel the camera has furnished great images under a variety of conditions. But the 6D1 camera and complement of lenses can be bulky and heavy to carry around for an entire day, and I was feeling “burned out” by the camera-and-lens combination’s larger footprint and weight.

In early 2018, I pondered the idea of a more portable camera, and I decided on a lightly-used Fujifilm X70 mirrorless camera. I brought the 6D1 and the X70 on trips to Europe and the U.S. Southwest to experiment with both cameras, and to understand which device was ideally suited for different environments in different places. The 6D1 still has its place for what I want to photograph, but I discovered a different level of fun and versatility with the X70 with its light weight and small compact size. The X70 isn’t perfect, but it’s a lot easier to carry the X70 into the streets than with the 6D1.

I don’t know what happens next, but there are lots of possibilities for further projects in locations near and far.

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Seawall, Stanley Park, Burrard Inlet, Salish Sea, Vancouver, BC, Canada,

My progress with Canon, from 450D to 6D

Above/featured: Along Vancouver’s Seawall to a partly obscured Lions Gate Bridge – 17 Jan 2014.

I skipped a step, as I’ve moved from a triple-digit camera model to a single-digit model.

For over five years, I owned an entry-level Canon DSLR (digital single lens reflex) camera. Carrying the EOS 450D (XSi) along for the ride, I traveled over one million miles in the air and I made over 75000 exposures.

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Singapore, my RTW,

450D: the 75000 most important clicks with my camera

Above/featured: Singapore, 3 Jul 2012 (no. 37629).

For the seventh time, I’ve “flipped” or “rolled over” the four-digit image-counter on my camera. I’ve made over 70-thousand exposures, which is a great accomplishment for both camera and me. Unfortunately, exposure number 75000 will prove to be a bad omen.

I own a Canon EOS450D (Rebel XSi), an entry-level digital crop-sensor camera which was introduced to the consumer market in the first-quarter of 2008.

The camera has no weather-proofing, poor to average low-light capability, and a small burst-rate, but the camera is affordable, portable, and easy to use. The kit-lens doesn’t have great build-quality, but the lens is lightweight with a decent range in focal lengths for my kind of photography.

But, all good things must come to an end.

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450D: 75000th photo in Kutná Hora, Czech Republic

3 August 2013.

With the weeklong travel-writing course in Prague completed, my new friends and I embark on a daytrip from the Czech capital city to Kutná Hora, some 70 kilometres to the southeast; here’s how we planned and made the trip by train.

I’m pleased and relieved my five-year old Canon EOS450D (XSi) camera continues to “hang on” during my return visit to the Czech Republic. I keep “flipping” or “rolling over” the four-digit image number counter; I’m in the tens of thousands, undoubtedly a big number for camera exposures or shots.

The “kostnice” or Ossuary, also known as the “Bone Church”, in Kutná Hora is all at once a surreal, unsettling, and fascinating experience. With ossuary defined as “a container, space, or room into which bones of dead people are placed where available burial space is scarce”, bone heaps from an estimated 40,000 skeletons were put into methodical use as ornaments inside the church. The decorative arrangement of bones began in the 16th-century, and what appears now has been in place since the end of the 19th-century. Moreover, a document from their information office states:

” … it (this place) is not a celebration of death, but it symbolizes the equality of people in front of the throne of God.”

While the following photographs mark an impressive milestone of the 75000th exposure on a single camera, I have to think the images are an ominous prediction about how little time my camera has left.

Kostnice, kostnice Sedlec, Ossuary, Beinhaus, Bone Church, Kutna Hora

Kostnice, kostnice Sedlec, Ossuary, Beinhaus, Bone Church, Kutna Hora

Previous rollovers :

•   15000th photo with the 450D/XSi in Berlin, Germany
•   25000th photo with the 450D/XSi in Vancouver, Canada
•   50000th photo with the 450D/XSi in Berlin, Germany
•   60000th photo with the 450D/XSi in Vancouver, Canada
•   70000th photo with the 450D/XSi in Sydney, Australia

I made the photos above on 3 August 2013. This post appears on Fotoeins Fotopress at

Camera gear for the RTW

Recently, I read an article written by Jim Richardson about what lenses one should bring with them on their holiday, vacation, or trip. His article brought into sharper focus about what I was going to do on my upcoming RTW (around the world) trip.

I’ve been using a Canon EOS 450D (Rebel XSi) digital-SLR camera body for the last three years, and it makes sense to continue “grinding away” with the reliable camera for the coming year. I thought about upgrading the camera body, but that got quashed when I realized I could wait (5D Mark 3, anyone?). Besides, the photos I’ve taken thus far have taught me that it comes down to lenses.

I’ve decided to bring all three lenses which I describe below.

Canon EF-S 18-55mm f/3.5-5.6 IS (II)

While light and a bit fragile with the “plastic” construction, this kit-lens (included with the camera body at purchase) provides a sufficiently wide field-of-view during photowalks to document what I’ve seen. The kit-lens has an effective focal-length range 29-88 mm with the 1.6-times crop-factor corresponding to the APS-C sensor on my camera. It shouldn’t surprise anyone that most of my photographs have been made with the kit-lens. The built-in image stabilization (IS) in the lens has allowed me to photograph a nighttime scene as long as 1/4-second, and sometimes 1/3-second without a tripod.

Here’s a review of the 18-55mm lens by DP Review.

ADDENDUM: On 2 Oct 2012, I replaced the four-year old kit-lens (whose auto-focus finally failed) with the latest version: namely, the Canon EF-S 18-55mm f/3.5-5.6 IS II.

Examples with the 18-55mm kit-lens:

Waikoloa Beach, Big Island, Hawaii

One of the first photos made with my 450D : Waikoloa Beach, Hawaii – 2008 May 19

Moonset, Andacollo, Gemini South, Cerro Pachon, Chile

Setting of full-moon and Earth’s shadow: Gemini Observatory, Cerro Pachón, Chile – 2008 Sept 15

La Serena, Playa del Mar, Coquimbo, Chile

Sunset, southern summer solstice : La Serena, Chile – 2008 Dec 21

Canon EF 50mm f/1.4 USM

With the 1.6-times crop-factor, this prime-lens is effectively at 80mm focal length on my camera, which makes the lens more ideal as a portrait lens. However, I have also experimented using this lens as the “sole” walk-around lens. The field of view is smaller, and that forced me to do two things: (1) think carefully about what I wanted to photograph and how I wanted to get the shot, and (2) move my feet around to get the shot I wanted. What I love about this lens is the solid construction, low-light capability (to maximum f/1.4 aperture), and quality photographs I’ve been able to make. I’ve also used my “nifty-fifty” at times as the go-to night-time lens.

Here’s a review of the 50mm lens by DP Review.

Examples with the 50mm prime:

Starbucks, Sendlinger Strasse, Muenchen, Munich

‘Hot coffee inside’ : outside Starbucks on Sendlinger Strasse, München – 1 Dec 2010

Brandenburger Tor, Berlin

Snowflurries at Brandenburg Gate, Berlin – 24 Dec 2010

Vysehrad, Vltava river, Prazsky hrad, Prague

Prague from Vyšehrad – 1111, 1.1.11 (1111am, 2011 Jan 1). Air temp -1C, but felt like -11C

Canon EF 70-300mm f/4-5.6 IS USM

After I purchased the camera and kit-lens, it became very apparent a zoom-lens was required. I chose the 70-300mm, which on my camera’s sensor is effectively 112-480mm. This lens is obviously larger and heavier than the first two, because of all the glass required to get the zoom-range. For a tight zoomed-in shot, the lens performs very well and the subsequent picture quality is very good. Some have written that the optics may be L-like, and if true, the price for this non-L lens is worth every penny.

Here is a review of the 70-300mm zoom by Digital Picture.

Examples with the 70-300mm zoom:

Kohala Mountain Road, HI-250, Big Island, Hawaii

Kohala Mountain Road (HI-250) towards Kawaihae, Big Island, Hawaii – 2009 Dec 7

BC Ferries, Tsawwassen, Vancouver

BC Ferries (“Queen of Alberni”) to Tsawwassen (just outside of Vancouver), Canada – 2010 May 3

Sydney Harbour Bridge, Sydney

“THIS … is Sydney …” : Harbour Bridge from The Rocks – 2010 Sept 26

I’ve enjoyed these three lenses, which have produced a variety of photographs I want to make. After 23,000-plus exposures in almost four years (2011), I believe the camera still has a lot of life left and plenty of exposures remaining, and that my three lenses provide enough capabilities to continue uncovering a wealth of photographic surprises to come.

I’ve just added the 4th-generation iPod Touch to the arsenal. Making photos and video is convenient, stands out much less, and stays out of the way. I’m looking forward to learning about and doing more with iPhoneography.

The real point is that it doesn’t matter if you use an iPhone, a point-and-shoot camera, a digital SLR camera, a Canon, a Nikon, name-your-favourite-brand. Go out and discover for yourself the kinds of things or people or settings you like to photograph – go out and make those pictures!

I made all of the photos shown above. This post is published on Fotoeins Fotopress (

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