Urban Photography | Fotoeins Fotografie

Posts from the ‘Urban Photography’ category

"Jeff Wall: Photographs" exhibition, Museum of Contemporary Art Australia, Sydney

My 70000th, at the MCA in Sydney (2013)

I’m making good progress with my five-year old Canon EOS450D camera.

As I continue to click away, I’m aware of the grind on both camera and lens(es). But with some luck and care, I’ve flipped the “number counter” on my camera a seventh time with over 70000 exposures to date.

I headed out to the Museum of Contemporary Art (MCA) Australia in Sydney to visit the “JEFF WALL Photographs” exhibition. Jeff Wall is also from my hometown of Vancouver, Canada, and while I was in Vancouver earlier this year, I’d seen a number of his photos on display in the Vancouver Art Gallery’s collection. With the exhibition in Sydney, the opportunity arose for a coherent perspective of his work.

The following is one of my favourite Jeff Wall pieces, called “A sudden gust of wind (after Hokusai)”, which is on loan from the Tate London for the MCA exhibition. Wall’s work is based on a Japanese woodblock print by Katsushika Hokusai, Ejiri in Suruga Province (Sunshû Ejiri), AC 1830-33, housed at the British Museum.

Photo of a photo: “A sudden gust of wind (after Hokusai)”, by Jeff Wall, 1993.

Beautifully constructed and a wonderful homage to Hokusai’s original, Wall’s photograph is presently mounted in one of the last rooms of the exhibition; so, there’s plenty of room for people to wander into the space and to admire the scale and movement of the photograph. With that in mind, I stood towards the back of the room, and I began photographing people standing in front of the photograph. It didn’t take long to find two people standing in the right place and leaning towards each other in conversation, the visitors providing complementary well-timed superposition with the photograph.

Quiet discourse by visitors, and quietly, my 70000th exposure. At least his hat’s still on …

The “JEFF WALL Photographs” exhibition is free of charge at the MCA Australia from 1 May to 28 July 2013. The MCA Australia can be reached with CityRail to Circular Quay station or with Sydney Ferries to Circular Quay Ferry Wharf.

PostScript: after posting, I realized I made a dumb mistake with counting; what’s discussed above is the 67000th click. The actual “rollover” occurred a few weeks later with the following set of photographs at the VIVID Sydney festival.

I made the photos above on 5 May 2013 with the 450D along with the Canon EF 50mm f/1.4 USM lens. This post appears on Fotoeins Fotopress at fotoeins.com.

The Coathanger, Sydney Harbour Bridge, Sydney, Australia

Sydney: happy 94 to the Harbour Bridge (2026)

March 19 marks the anniversary of the opening of the Sydney Harbour Bridge, one of the key landmarks in Sydney, Australia.

Known informally as “The Coathanger”, the steel through-type arch bridge opened on 19 March 1932, joining the harbour’s northern “Kiarabilli” (Milsons Point) with southern “Tarra” (Dawes Point) to vehicular traffic for the first time. The project took eight years to complete the 1.2-kilometre span over the Parramatta River as its waters empty into Sydney Harbour.

It’s easy to forget Sydney is a city of bridges, as Elizabeth Farrelly wrote in the Sydney Morning Herald on 3 January 2013:

Sydney: five bells, one harbour, seven bridges. A bridge is the ultimate romantic symbol, crystallising in steel and concrete the yearning to connect disparate worlds – and Sydney, city of baroque waterways, is as fully (if not as glamorously) bridged as London, Stockholm or Prague.

It’s big, it’s functional, even as some call it “old and ugly.” Today, the bridge provides an important link between the city’s northern suburbs and the Central Business District.

The smooth shiny metallic curves of the Harbour Bridge and the sail-like spherical-shells on the roof of the nearby Opera House form a visually powerful combination which has not only helped to define Sydney but Australia as well on the world stage.

I cannot disentangle memories of Sydney or Australia without thinking about The Bridge. I know when I finally see the Harbour Bridge and the Opera House, I know I’ve arrived and I’m back in Sydney.

Sunrise from Mrs. Macquarie’s Point

Under the central arch

Northbound, through the south pylons

“THIS … is Sydney!”

Down to the right, up to the left

Swarming ships on a summer Saturday, at Circular Quay

Parramatta River Ferry (east to Circular Quay), Sydney, Australia

Parramatta River, towards Birchgrove

Parramatta River, Sydney Ferries, near Cockatoo Island, Sydney, Australia, fotoeins.com

Parramatta River, near Cockatoo Island

Moonset in front and sunrise behind, from Dover Heights

Morning light on the City skyline, from Dover Heights

West view from Gap Park, Watsons Bay

Setting sun, from Dover Heights

“Crowning the Coathanger,” 28 Apr 2013.

VIVID Sydney 2013

Full moon over Harbour Bridge, VIVID Sydney 2013, from Blues Point Reserve

I made all of the photos above between 2007 and 2013. I acknowledge Aboriginal and Torres Strait Islander peoples as the traditional custodians of the land called Australia, and the Gadigal people of the Eora Nation as traditional custodians of the place called Sydney. References to Aboriginal placenames: ANU, Australian Museum, Creative Spirits, and Pocket Oz. This post appears on Fotoeins Fotografie at fotoeins.com as http://wp.me/p1BIdT-38e.

The Croft Institute, Melbourne, VIC, Australia

Melbourne: gettin’ my drink on at Croft Institute

I’m with my friend, Belinda, on Little Bourke Street in the Chinatown area in Melbourne, Australia.

We make a turn off the street, and as I’m being led down a poorly-lit grungy alley with the sight of waste containers to the side, pools of stagnant water on the pavement, and the faint yet distinct smells of rotting food, I can’t help but wonder into what I’ve got myself now.

“Don’t worry,” she said.

“Famous last words,” I groused, only half-kidding.

At the end is a sign, indicating that there’s something here: a place to have a drink, or to come face-to-face with an ugly demise.

There are flasks, beakers, and tubing; old chemistry lab benches like high-school of old. And that’s where we’re going to prop ourselves after we fetch our drinks!

While the Croft Institute might appear like a Dr. Evil science-lab gone mad, in truth the only dangerous thing here are the beautifully delicious drinks.

Located at the end of Croft Alley just off Little Bourke Street in Melbourne’s Chinatown, The Croft Institute closed for good during the 2020-2022 Covid19 pandemic.

Disclosure: No Connection, Unpaid, My Own Opinions. I have not received any compensation for writing this content and I have no material connection to The Croft Institute. Thanks to BR who kindly led me to some of her favourite bars in Melbourne’s CBD. I made the photos on 27 August 2012. This post appears on Fotoeins Fotografie at fotoeins DOT com as http://wp.me/p1BIdT-2Vf.

Adelaide: street art in the CBD

The following shows some of the street art present in and around the Central Business District in Adelaide, South Australia state’s capital city. I’m very grateful to have spent some time in South Australia as a part of my year-long RTW (around the world).

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Baldwin Street, Dunedin, Otago, New Zealand

Dunedin: Baldwin Street, (2nd) steepest in the world

July 2019: The record for the world’s steepest road now belongs to Harlech, Wales (CBC News).

In Dunedin, New Zealand, make your way from the city centre, around the University of Otago to North Road, and onwards to Baldwin Street, where The Guinness Book of Records declared the latter street as “the steepest (street) in the world” in 1997. With this claim to fame, the street is touted as a place to visit in Dunedin. Anybody who’s spent time in San Francisco should take the challenge and find out whether the ascent grade on Baldwin Street approaches or exceeds their experience in the American city by the Bay.

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