Fotoeins Fotografie

location bifurcation, place vs. home

Posts from the ‘Street Photography’ category

Few and Far, Mud Bay Uptown, Queen Anne, Lower Queen Anne, Seattle, WA, USA, fotoeins.com

My Seattle: Near and Wide, Few and Far

To mark the third anniversary of the artist collective Few and Far, a group of artists came together in June 2014 to collaborate on a mural in Seattle’s Lower Queen Anne (Uptown). The art shown below covers the south-facing wall of a former theater which now houses the Mud Bay pet supply store and faces a parking lot between the pet supply store and Dick’s Drive-In. Some will no doubt be munching on burgers and fries while they’re looking at furry creatures painted on the wall.

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street art, mural, Herakut, Metropolink, Heidelberg, Germany, fotoeins.com

My Heidelberg: Herakut street art for Metropolink

It’s amazing what gets discovered after going the wrong way.

I head straight for a full city-block before realizing my error, that I should’ve turned right about 5 minutes ago. I bow my head, and release a deep breath in frustration. I raise my head to the sky, when I catch sight of something out of the corner of my eye.

What’s that across the street?

I have to reach my destination which I know isn’t far.

But I am coming back here to get the shot.

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Home eye: a return to Vancouver streets (2013-2014)

What is “street photography”? How is street photography defined? Should it be defined? Who, if any, has the authority to define and maintain the definition? I presently subscribe to Eric Kim’s definition, but it’s important for people to photograph as they wish and desire. Whatever people think in terms of their streets is entirely up to them.

When I returned to my hometown for an extended period, I returned to the streets to became familiar with them again. Street names have remained unchanged for the most part, although many buildings have long since been demolished and replaced by something else. When I first picked up a camera, I rarely turned the lens onto people. It’s been a slow evolving process to shift my camera onto scenes with people. With that in mind, I’m fortunate to have some shots with people in decent scenes mixed with good timing.

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Alone twice for the price of one

These photographs are a set of personal observations outlining places I’ve been and places where I want to be. The people appearing in these photographs are essentially proxies in my exploration of isolation and urbanity, and the universal concept of home. Over many years, I’ve wrestled against many demons, and in the present age of social media, the race to the most “looks, clicks, and likes” isn’t providing a healthy solution. Ultimately, what I dream is that a destination will offer some finality for the simple requirements of understanding and acceptance.

Detachment and atypicality have always been personal benchmarks carrying me from one location to the next. The privilege of living in Europe and South America have provided a palette of colour and flavour variations throughout my time as research scientist. Rationality and creativity always competed for supremacy, until I realized they could feasibly share the same stage. When I traveled around the world for a full year after leaving science behind, I hadn’t stopped running from research, from my birth-city, or from the person I had become. While running suggests an escape from something, running also implies there’s some endgame which is how writing and photography have helped shape my ongoing journey.

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