Posts from the ‘Photography’ category
Links to photography blogs, information, sites
Above/featured: The cemetery’s gate 2. Photo, 20 May 2018.
Where: Vienna Central Cemetery (Wiener Zentralfriedhof).
Who: Beethoven, Boltzmann, Falco, Lamarr, Schütte-Lihotzky, Strauss I and II, and many more.
Why: Cross-section of cultural and economic history for capital city and nation.
In Vienna, tram 71 begins in the Old Town; goes around the western half of the inner ring past City Hall, national Parliament, and the Opera House; and heads southeast to the city’s main cemetery or the Zentralfriedhof. Because coffins to the cemetery were once transported on the tram, there’s a saying particular to the city’s residents, a phrase which means they’ve died by “going to the end of the line.”
“Sie haben den 71er genommen.”
(They took/rode the 71.)
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Above/featured: Waterfront and Te Papa: Wellington, New Zealand – 12 Oct 2010 (450D).
Two definitions for the noun “capital (city)” are:
1. the city or town functioning as the seat of government and administrative centre for country or region.
2. with modifier, a place associated more than any other with a specified activity or product; e.g., fashion capital of the world.
I’ll go with the first definition. With almost 70% of this planet’s land mass in the northern hemisphere, you’d be forgiven in subscribing to a selection bias for capital cities primarily north of the equator. I was born in the north, but I also spent a good chunk of the last two decades in the south; so, I’ve chosen here 5 capital cities in each of the northern and southern hemispheres.
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Where: Judenplatz, in Vienna’s Altstadt.
What: Holocaust Memorial, by Rachel Whiteread (2000).
How do you commemorate or memorialize the absent or missing? How should the void be acknowledged, recognized, and remembered? Does the act of constructing a physical monument “draw a line”, creating a physical manifestation of marking an end that gathers and wipes away all subsequent future responsibility for remembering?
In Vienna’s Old Town, what was unjustly and violently removed from the city’s long historical memory and cultural identity comes into shape at Judenplatz. Under the public square are ruins of the medieval synagogue destroyed in the pogrom of 1421 with hundreds of Jews driven out, hundreds killed by burning, and the community erased. Directly above these ruins is the Holocaust Memorial which attempts to generate experiences and memories to address the void left behind after the systematic murder of 65-thousand people.
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Who: Margarete Schütte-Lihotzky.
Key: 1st woman architect in Austria, designer of something we take entirely for granted.
Quote: “I developed the kitchen as an architect, not as a housewife.”
I always liked how cooking had well-defined endpoints: a desirable start, and a satisfying conclusion. I enjoy the process: the contemplation of “what to make,” the gathering of ingredients, the preparation, and naturally, the consumption. There might also be something to say about the duality of creation and annihilation …
That got me to thinking about kitchens as a critical unit of a home. Before the 20th-century, the wealthy could afford to have staffed kitchens; everybody else had access to no kitchen or an unsafe unhygienic kitchen in a building separate to their living quarters. The assumed universality of a kitchen within a home is a 20th-century concept and implementation that sought to overcome social and economic class. The design of a modern kitchen invites repeated patterns of movement and action around where cookware, utensils, condiments, glassware, etc. are stored and where the central focus of cooking activity takes place.
For everyone who spends any time in a kitchen, we have Margarete Schütte-Lihotzky (MSL) to thank.
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Above/Featured: Vancouver Central (VPL) – 11 November.
I look back at 2019 through 19 images posted on social media, continuing a consecutive string of year-end reviews. With the following images made entirely in the metropolitan Vancouver area, a number of questions about places past and present were raised; what remained elusive were clear answers about home and belonging.
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Fotoeins Fotografie 