Europe | Fotoeins Fotografie

Posts from the ‘Europe’ category

Nuremberg: Fuji(film)-Store

“Home of X Photography”

It’s a busy active crowded Saturday in Nuremberg’s city centre. There’s a big music festival with acts ranging in size from solo artists to 3-piece bands. But as I walk across town, I see a big Fujifilm sign, and as I approach, I can see this is no ordinary camera shop.

I learn there’s been a Fuji shop in the city for a number of years, and only this past February did they move to this new location. Judging by layout and the upstairs gallery, the Fuji shop has a feel similar to aLeica shop. That’s because the owner of Nuremberg’s Fuji-Store created the shop based on their experience operating the city’s Leica shop nearby. I chat with Peter, the gentleman in the shop about what’s out now and what else might be expected. We agree to a common wish: to have Fuji fill a current niche with a compact portable point-and-shoot at the right price point. How about an X80 product variant?

I’ve done my fair share of drooling (but no buying) at Leica shops in Frankfurt and Vienna, and I enjoyed doing the same to available X-models on display at Nuremberg’s Fuji-Store. Did I buy? No. Am I thinking about life after the X70? Yes.

I can also see Fuji X Weekly having some fun here in the shop.

I received neither support nor compensation for this piece. I made all images above with an iPhone15 on 2 August 2025. This post composed within Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

Vienna in (the) 5: artist Julia Bugram

(“Raising Hands”)

The sculpture provided the introduction three years ago. Two clasped hands, each as tall as a person. Each hand made of 1-million 1-Eurocent coins. Seen in 2022, next to St. Stephan’s Cathedral. Seen next in 2023, the sculpture moved near the big fountain at Schwarzenbergplatz. A wonderful crowdfunded project, created by Austrian artist Julia Bugram.

This past spring, I receive a kind invitation to visit her studio. It’s July and I’m in Vienna’s 5th district. I make my way up to the 2nd floor of an “Altbau”, and arrive at a cozy working art-space shared between Julia and another artist.

Julia is presently exploring themes surrounding community and society; and how art can create, enhance, and strengthen connections among people. Artistic influences include: Hilma af Klimt, Mela Diamant, Renate Bertlmann, Margot Pilz, Jakob Lena Knebl, Martha Jungwirth. Her “Raising Hands” sculpture is presently in storage, waiting for new benefactors and fresh eyes.

We spoke at some length about the economic and cultural challenges contemporary Austrian artists face in the creation and distribution of their work, as well as the difficulty of commuting between Vienna and her home in Burgenland. Despite challenges, I’m looking forward to seeing what she’ll create in the near future.

Links to her website and Instagram.

*Working art space shared by Julia Bugram and Elisabeth Hansa. (I’ve greyed out their contact numbers.)*

Julia’s recent book with images of her recent art pieces, including extensive discussion and the context of her work: “Widerstand & Neugierde: Kunst, die Veränderung fordert.” (Resistance & Curiosity: art that demands change).

*Most who directly supported the publishing her book are from Vienna, other parts of Austria, and Europe.*

Her triptych creation, “Fut – Mut – Wut”, presented here in alphabetical order with carefully selected wallpaper-like background motifs. Three words of equal length that rhyme, each word an expression of an essential facet or dimension for a woman.

*Defiance and empowerment, body autonomy, questioning the gaze, control of their own narratives*.

*Many of the pieces on the wall include sketches of plants, emphasizing her desire to commune with and derive inspiration from nature.*

My thanks to Julia for her invitation and her time. I made all images above with an iPhone15 on 11 July 2025. I received neither support nor compensation for this piece. This post composed within Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

David Oppenheimer: from Blieskastel 🇩🇪 to Vancouver 🇨🇦

Featured: Alter Markt, facing southwest to the former Schloss Blieskastel at upper-centre: Blieskastel, Saarland, Germany (X70).

David Oppenheimer: ✵ 1 January 1834 – 31 December 1897 ✟

As a child of the city, I learned the name of Vancouver’s 2nd mayor, David Oppenheimer, who served in the top post from 1887 to 1891. Escaping the violent revolutions spreading through Europe, David Oppenheimer and his brothers had long been immigrants from Germany, and after time in New Orleans and California, they arrived in what is now southwestern British Columbia and developed business success with their supply stores during the Gold Rush, and with wholesale trade and real estate in the newly incorporated city of Vancouver, where the national railway established its western terminus one year later in 1887. The Oppenheimers stamped their civic legacy not only with the location of the railway terminus, but also with an expansive infrastructure program including a new grand city park, fire department, extensive roadworks, a city-wide electricity grid, streetcar public transport network, and a city cemetery. On 11 April 2008, the Government of Canada’s Historic Sites and Monuments Board designated David Oppenheimer as a National Historic Person.

There’s little doubt the Oppenheimers spent plenty of time in what are now Vancouver’s Chinatown and Strathcona with their business interests and connections to the city’s Jewish community. These are neighbourhoods, respectively, where my parents sought closer ties with the Chinese-Canadian community, and where they bought a new house to raise their family. Decades later, I’ve flown out from Vancouver, and I’ve been on the train from Frankfurt to southwest Germany’s Saarbrücken for its proximity to the Völklingen Ironworks world heritage site. I also recently learned David Oppenheimer was from the area and born in the city of Blieskastel. I arrange to meet with a representative of Stadtarchiv Blieskastel (city archive), and I make my way to Blieskastel to see what I can learn about the Oppenheimer family.

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Vienna: space invaders in the capital

Above: WN_31 at the corner of Ballgasse and Rauhensteingasse, 9 July 2024 (P15).

Don’t worry: it’s not 1529, nor is it 1683, and there are no bands of marauders on horseback arriving for a large and lengthy siege. This also does not include anything from outside the Solar System. Instead, this is about a human artist and their little creations sprinkled throughout the Austrian capital city. In fact, I’d claim their “invasion” has already succeeded.

When a wae lad was I, the video game Space Invaders was a kind of dawn, an opening to a brand new world. The lasting effects snuck into many aspects of life, including the time I dedicated to the learning, pursuit, and practice of science. In time, a video game about a battle to ward off waves of little aliens required the purchase of a large bulky black console, accompanied by a large bulky black joystick with a big red button. In the decades since, the technological leap into the first-quarter of the 21st-century means that Space Invaders is available as an online web-application, easily called upon anytime on demand.

In Vienna, the sight of little aliens prompted immediate personal curiosity, and I spent parts of three consecutive summers wandering the streets to find as many possible little “visitors”.

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Vienna: Johann Strauss II, traces & places

Above: Danube river at dusk, facing southeast from Brigittenauer Sporn. Photo, 11 Jun 2022 (X70).

Vienna is a historical city of music with the likes of Beethoven, Haydn, Mozart, Schubert, and more. In the mid- to late-19th century, the Strauss family of composers created a dominant scene in Viennese waltz (Wiener Waltz). Johann Strauss II’s “An der schönen blauen Donau” (The Blue Danube) is one of the best-known compositions of classical music. The song was used famously in Stanley Kubrick’s film adaptation of Arthur C. Clarke’s novel “2001: A Space Odyssey“.

And as in the movie, the soaring feelings of hopeful anticipation during the spacecraft’s journey and docking with the spinning space station have become as routine as my arrival onto Viennese shores from the other side of the big eastern pond. I rely on Vienna to provide the gravity to maintain balance and spirit; this much has stayed true over multiple consecutive summers.

I’ve spent over 100 total days in Vienna, explored many of her streets and districts, and walked hundreds of kilometres. Efforts to immerse myself in various types of the city’s art and architecture have been accompanied by the sounds of brass horns and sweeping strings in a back-and-forth “dance” that spans the entire city. There’s new opportunity to learn about the song’s composer who was born, raised, studied, worked, and died in the Austrian capital city.

With the 200th anniversary of Johann Strauss II’s birth in 2025, the city of Vienna celebrates the occasion with a multitude of arts and culture events over the entire 2025 year.

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