Women | Fotoeins Fotografie

Posts from the ‘Women’ category

Iris Andraschek in Vienna: telling the city who they are

For me, landmarks – a series of art works, for example – provide a network of “pins” for exploring and discovering parts of a city. That’s been my approach to Vienna’s 23 districts over the last 4 consecutive summers. Adding to the growing mind-map of memories, I’m restored by the excitement of the chase-and-find, among increasingly familiar surroundings and the frequency of new personal encounters.

Austrian artist Iris Andraschek works with photography, drawings. spatial installations, and video to explore and communicate ideas regarding cultural and societal relationships. Throughout Vienna, a number of Andraschek’s works are “visual interventions”, calling direct attention to the under-representation of women in the city’s public spaces.

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Stuttgart’s Gerda Taro

Travel day 76, Euro day 75.

I’m in Stuttgart for a few days, and I rediscover photographer Gerda Taro was born in the city. I’d already read some history of photography, including the Spanish Civil War and Gerda Taro as the first woman to photograph and publish images about open conflict. I’ve gone looking for some traces in the city of her birth, as a quick and spontaneous mini-project in the midst of 90 consecutive days in Europe.

Memorial, near Olgaeck

Near the bus and tram stop Olgaeck is Gerda Taro Plaza, in memory of the young woman photographer who was born “Gerta Pohorylle” in Stuttgart and who once lived with her family in the area. At the plaza is a 2014 memorial dedicated to Taro; the text on all nine panels is entirely in German.

*Named for photographer Gerda Taro (1910-1937), the plaza was unveiled by the city in 2008, and redesigned in 2014 with the installation of the memorial.*

*“O”. Gerda Taro, a pioneer in war photography.*

*“R”*. *The 1920s: Jazz, Theater, and the Stuttgart Kickers.*

*“A”*. *Leipzig: distributing leaflets against Hitler.*

*“T”. Exile in Paris: meeting André Friedmann, and the creation of Gerda Taro and Robert Capa. There is no Capa without Taro.*

*“A”. The Spanish Civil War, 1936-1939.*

*“D”. Barricades, armed women, equitable distribution of land.*

*“R”. The camera as witness: misery and terror from bombs.*

*“E”. Getting up close, for the world at large.*

“G”. The first woman war-photographer killed on location. Documenting Spain’s civil war with her camera, Gerda Taro was accidentally run over by a tank and died from her injuries in a hospital near Madrid on 26 July 1937. She was buried in a marked grave in Paris’ Cimetière du Père-Lachaise.

*Republican militia women training on the beach outside Barcelona, Spain: photo by Gerda Taro, August 1936. Provided by Ur Cameras on Flickr via Creative Commons.*

Family home

Not far from Gerda-Taro-Plaza, I found the Pohorylle family’s former home, based on this poignant essay. I didn’t see any Gedenktafel (memorial plaque) or any Stolpersteine (stumbling stones) in the pavement, at or in front of either building 170 or 170A. In 1929, when Gerta was 19 years old, the Pohorylle family moved from Stuttgart to Leipzig.

*Obstructed view of the former Pohorylle family house (in light orange), as seen from passage off Cottastrasse.*

*Gate to path access for building address Alexanderstrasse 170A.*

*Former Pohorylle family house, at Alexanderstrasse 170A.*

Taro, short bio

Born Gerta Pohorylle, 1910 in Stuttgart, Germany; died 1937 in El Escorial, Spain.

“… Studied in Leipzig starting in 1929. Emigrated to Paris in 1933. In 1935 began working with the photographer André Friedmann, later known as Robert Capa. In 1935-1936 worked for the Alliance Photo Agency. Shortly after the outbreak of the Spanish Civil War in the summer of 1936, she and Capa went to Spain; other photography assignments in Spain followed in early 1937. She was fatally wounded at the Brunete front in July 1937 and was the first female war correspondent killed in action.”

Source: “Women War Photographers: from Lee Miller to Anja Niedringhaus” (Munich: Prestel, 2019), p. 218.

I made all photos above with an iPhone15 on 22 Jul 2024. I received no support from an external organization. This post composed with Jetpack for iOS appears on Fotoeins Fotografie at fotoeins DOT com.

Vienna: Stefanie Herkner’s homestyle cuisine

I’ve been thinking a lot about my father who died in 2014.

What he passed onto me are: an appreciation for authentic dining with a minimum of pretence, interests in geography and history, and an enthusiasm for highway drives and road trips. He also loved woodwork, gardening, and tinkering with the family car. By contrast, I like to dabble with memories and the act of memory.

I’ve also been thinking about how he would’ve viewed my experiences in Vienna.

In Vienna’s 4th district, cook and author Stefanie Herkner owns and operates her restaurant, Zur Herknerin, as a living memory of her father, Heinz, and her family’s Slovenian culinary heritage. Much of her story has appeared in a variety of publications: how her dad’s famous restaurant, Zum Herkner, helped spark and redefine contemporary Vienna cuisine; how she went to London to study art-and-culture management; how her parents tried to dissuade her from the restaurant industry; and how she returned home to Vienna and opened her own restaurant in mid-2013.

That’s the kind of story to pique my curiosity.

With a reservation for the opening slot at weeknight service, I arrive 15-minutes early to moderate street-traffic and a set of open doors. The space is light, airy, uncomplicated, and welcoming. A couple of servers and kitchen staff are out and about, preparing for the dinner rush. Captaining the ship is Frau Herkner, her voice a firm, steady, and encouraging guide. I chat briefly with her: I’ve flown over 8000 kilometres across the world to have a meal here, and that my love of diners and small restaurants comes from Dad, who worked many years in many diners as cook and line-cook.

What’s familiar on the dinner table to many in this part of the world is relatively new to me. My order is a delicious introduction to the family’s central European background.

Krautroulade mit Petersilerdäpfel und Rahm (Serbian-style stuffed cabbage roll): ground beef and pork fried with bacon, tomatoes, bell peppers and carrots, diced onions; that extra fat is always the flavour enhancer. The meat-and-rice mixture is stuffed into large cabbage leaves, rolled and gently simmered with garlic and bay leaves. Add perfectly cooked cut-up potatoes served with parsley, and served with a dollop of sour cream.

Almdudler-Radler: cold draft beer mixed with Almdudler, Austria’s national and herbal lemonade. The combination is refreshing on a warm early-summer day, and I think its slight sweet-and-bitter “bite” goes well with the savory Sarma.

Apfel-Strudel: phyllo pastry filled with chunks of regionally-grown apples, with cinnamon and nutmeg; light but substantive; more apple than pastry. The last polish is a Melange for a smooth finish.

To achieve her goal of delivering family favourites to customers, she emphasizes:

“Unsere Zutaten sind biologisch, saisonal, regional oder vom eigenen Hof.”
(Our ingredients come from products that are natural, seasonal, regional, or from our very own farm.)

Before leaving, I catch Frau Herkner’s attention one last time. I tell her how much I enjoy the food, and how my experience feels like an accepted invitation into her family home with, if our faith allows, the spirits of our respective fathers, present in the kitchen and at the table.

Food and ambience.
Nourishing and warmth.
A lot of heart and muscle memory.
A lot of family memory and history.
I think Dad would’ve liked this.

Because I really did; I wanted to believe.

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Vienna: Dr. Olga Ehrenhaft-Steindler, trailblazer & women’s advocate

In examining the history of the University of Vienna, I discovered Olga Ehrenhaft-Steindler was the first woman to receive a doctoral degree in physics from the university in 1903. Who was she? How did she become the first? How did society of the time view the education of young women?

I’m starting a series on women who left their mark on Vienna and Austria, and some of the traces they left behind in the Austrian capital city. With educators, inventors, writers, and scientists, my serial includes: Dr. Marietta Blau; Marianne Hainisch; Hedwig Kiesler, a.k.a. Hedy Lamarr; Dr. Lise Meitner; Dr. Gabriele Possanner; Dr. Elise Richter; and Bertha von Suttner.

Who: Dr. Olga Ehrenhaft-Steindler: b/✵ 28 Oct 1879, d/✟ 21 Dec 1933.
PhD: 1st woman with doctoral degree in physics from University of Vienna, 1903.
Educator: Early 20th-century teacher & advocate for better access to education for young women.

In late 19th-century and early 20th-century Austria and Vienna, Olga Steindler was one of countless women who faced difficulties and challenges by young women who wanted to expand their education and improve employment, all of which were viewed by society at the time as undesirable. Feminism or anything similar did not exist.

Born and raised in Vienna, Olga Steindler departed her home for Prague to complete and pass her final high-school examinations in 1899, because young women were not permitted to do so within Austria at the time. She subsequently enrolled at the University of Vienna to study physics and mathematics within the Faculty of Philosophy. Only two years earlier in 1897 had the University of Vienna finally accepted the enrolment of women, although they were initially allowed only into the Faculty of Philosophy. In 1903, Steindler became the first woman to receive a Ph.D. in physics from the University of Vienna after successfully completing her research dissertation.

Completing qualifications for teaching at secondary (high) schools in the same year, she joined the “Athenäum” where she taught young women about experimental physics; she also taught at Vienna’s first girls’ secondary school established by Marianne Hainisch in the city’s 1st district. In 1907, she founded two new schools in Vienna: a girls’ public secondary school in the city’s 2nd district, and a business school for young women in the city’s 8th district. Steindler married her physicist colleague Dr. Felix Ehrenhaft in 1908; she became known as Dr. Olga Ehrenhaft-Steindler. She championed the cause for educating girls and young women, and creating new opportunities in science, business, and society at large. For her dedicated service to the public, Austria awarded her in 1931 the title of “Hofrat” as a new member of the imperial court advisory council, an honour uncommon among Austrian women at the time. At the age of 54, Dr. Olga Ehrenhaft-Steindler died in December 1933 from complications after having contracted pneumonia.

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My Berlin: Alicja Kwade, bridging art & science

Above/featured: Alicja Kwade exhibition, at the Berlinische Galerie. HL:X70.

In mid-2021, the world slowly climbs out of the worst of the pandemic. Later that autumn, I watch DW Culture’s Arts.21 feature on Polish-German artist Alicja Kwade whose work strikes a personal resonance. I have to go see her work and exhibition in person, but would it even be possible? My answer arrives six weeks later with a quick jump home to Berlin.

All of Kwade’s sculptural pieces in her exhibition, “In Abwesenheit” (In Absence)”, are “self-portraits.” But none of them show her face; the pieces aren’t necessarily simple, nor are they “selfies” characterized by the present vernacular. She is not physically present, and yet, every piece provides the visitor a glimpse into her mindset including questions she raises about the volatility of the human condition and about where we fit within a very large universe.

As former scientist, I love and recognize the influences on her art. She is clearly very interested in mathematics, physics, astrophysics, biology, genetics; but she’d be the first to admit she’d need multiple lives to completely fulfill all of her interests. The deconstruction of “self” into precise scientific elements is another way of expressing those (dreaded) “selfies” or self-portraits. I admire the clever play: it’s the breakdown into those elements that tell us what she is, and it’s the measured synthesis of those elements into the broad strokes of her sculptures that tell us who she is.

We’re all playing this game. Everyday things seem so important. But then you zoom out and realize that you’re standing with another billion [people] on a spinning sphere. With that perspective, you’re reminded to just be glad you’re here at all.

– Alicia Kwade about her rooftop commission at New York City’s Metropolitan Museum of Art: Artnet News, 16 April 2019.

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