Fotoeins Fotografie

Pilgrimage is a noun, defined as “a journey to a place of particular interest or significance.”

There are three things you need to know about this particular personal music pilgrimage.

One: the music that’s stayed with me came about because I was tuned to `70s radio; I learned I liked the sonic combination of guitars and drums. Some of those musical memories came from Seattle.

Two: sharing the same space where your favourite bands and songs were recorded hits a lot different than intersecting at your favourite band’s concert while seated waaaay up in the upper deck.

And three: on a recent visit to Seattle, I spent the morning in a recording studio just outside city limits. Little outside suggests some important music history was made here.

The two-storey building looks like a cross between a warehouse and ordinary office space. The surroundings include a small commercial complex and a storage-unit facility. Within a quarter-mile, there’s a gas station, some fast-food joints, and a shopping mall. This is the modest setting where London Bridge Studio resides in the city of Shoreline, WA, about 14 km (9 mi) north of downtown Seattle.

It’s unassuming and it’s also important to note how out of the way this location is from other popular places to visit. A little more effort is required to visit this place of living music history.

I’m more than curious, but there’s music that’s meant a great deal and stayed with me over the decades. Recorded in this studio are two important albums on personal playlist and timeline: Temple of the Dog’s 1991 self-titled album as tribute to Mother Love Bone’s Andrew Wood; and “Ten”, Pearl Jam’s 1991 debut album. Much of the credit goes to Rakesh “Rick” Parashar: born and raised in Seattle, first owner and co-founder of the studio, and producer for “Ten” and “Temple of the Dog”.

A Few Words

The studio remains an active recording studio and isn’t normally open to the public, but they’ll open their doors for a guided morning one-hour tour. Online reservation and payment are required in advance; there are no “walk-ins” for the general public. Upon entry, I’m reminded I can use my camera for images, but audio or video recording isn’t allowed (for obvious reasons).

I’m the only person on tour today, and I’ve got the entire place with studio co-owner and producer Jonathan Plum.

Inside the entrance within the common area, one wall is an honour roll of sorts with record label plaques, a sign of past times when “gold” and “platinum” certifications for sales were the assumed yardstick of commercial success. On an adjacent wall are flyers and advertisements for bands; photographs of musicians, producers, sound engineers, signs of past and present. Moving into the interior space, there’s room for a full drum kit on a carpet against a brick wall; breathing space for guitars; and there are keyboards, including a piano that would’ve been key to “Chloe Dancer” by Mother Love Bone. The room design allows musical instruments to “breathe and reach into the spaces”. One thing that’s often been noted about Pearl Jam’s first two albums is how “roomy” the drums sound; that is, the drum sounds appear to fill in spaces. The room is not shaped like a rectangular box; the odd angles up high and the brick along the far wall greatly shape the acoustics and minimize poor interference.

Sitting at the studio’s primary (and 1973 vintage classic) Neve 8048 analog mixing board, the console is one of the few remaining in the world and any repairs or updates are all customized and unique to the console. Dave Grohl spoke to NPR in 2013 about recording Nirvana’s ‘Nevermind’ album with a Neve analog mixing board at Sound City in Los Angeles; people often refer to the element of ‘warmth’ to recording provided not only by the board, but also by the physical space where recordings take place, the variability of musical instruments, and the people at work.

But back here at London Bridge Studio, “Hunger Strike”, “Even Flow”, and “Jeremy” were recorded and mixed at this spot, and listening to the individual instrument tracks and the final track borders on near-spiritual experience. And like other visitors from around the world who’ve been here before me, I finally admit coming here was a pilgrimage.

Well, it turns out that …

“… our Neve 8048 is actually a Neve A599 Custom, commissioned and built for DECCA Paris. It’s the very first console to have the famous 1081 modules installed! A wealth of material was recorded on it, before making its way to Seattle when we opened in 1985.” (from LBS on FB)

Other albums recorded at London Bridge Studio include:

• Mother Love Bone – “Shine” EP (1989), “Apple” (1990)
• Soundgarden – “Louder Than Love” (1989)
• Temple of the Dog – “Temple of the Dog” (1991)
• Pearl Jam – “Ten” (1991)
• Alice in Chains – “Facelift” (1990), “Sap” (1992), “Dirt” (1992), “Jar of Flies” (1994)
• Blind Melon – “Blind Melon” (1992)
• “Singles” movie soundtrack (1992), including “Chloe Dancer”
• Pretty Reckless – “Death by Rock and Roll” (2021)

Exterior

Somewhere in Shoreline, WA.

Ballinger Way Northeast (NE).

Ballinger Way NE. One of the occupants at address number 20021 is London Bridge Studios.

20021 Ballinger Way NE: nondescript building with extraordinary rock history.

Interior

Includes Alice in Chains, Blind Melon, Mother Love Bone, Pearl Jam, Soundgarden, Temple of the Dog.

Recognition of Soundgarden’s “Louder Than Love” (1989).

RIAA certification for Temple of the Dog’s “Temple of the Dog” (1991).

Commemorative plaque for Mother Love Bone “Shine” EP (1989).

Pearl Jam “Ten” (1991).

Plaque commemorating sales of 5-million for “Ten”.

The wall of fame, 1 of 2. Can you find a photo of Brandi Carlile and members of Soundgarden?

The wall of fame, 2 of 2.

Recording space.

The drum space. I got excited about that brick wall, until I realized the brick wall for the “Ten” album cover is located elsewhere.

Keyboards, including the piano (right-centre) used in Mother Love Bone’s “Chloe Dancer.”

Neve A599 console: this trusty board has seen, heard, and recorded a lot in its time, including “Hunger Strike” by Temple of the Dog.

Brought up on screen and “through the console” are individual instrument tracks for “Jeremy” by Pearl Jam.

Because of the song’s immense personal significance, listening to the instrument and vocal tracks for “Jeremy” inside the studio and console where the song was recorded and mixed was both thrill and humbling experience. On YouTube, Rick Beato provides a detailed description by instrument parts and musical composition, and Elizabeth Zharoff describes Vedder’s devastating delivery and the song’s emotional strike.

Audio, mix, and control, at this very console.

Thanks to Jonathan Plum for the guided tour of the studio.

Directions

Check the studio website for available dates for the one-hour guided tour and to arrange your online reservation. I used King County public transport to reach London Bridge Studio: RapidRide E-line express bus to Aurora Village Transit Center, then bus 331 for the short ride to the studio. With a car, take highway I-5 to exit 177, and drive east along Washington State Route 104 which is NE 205th St and becomes Ballinger Way Northeast.

( View this location on OpenStreetMap )

Last update: 2 Dec 2025. I included London Bridge Studio in a description of Chris Cornell’s traces in Seattle. I made all images above on 5 Mar 2020 with a Fujifilm X70 fixed-lens prime. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-ilP.