5 Nov 2019 0201 GMT+0000
Above/featured: “Interchange (after Harry Callahan).” Downtown Vancouver – 28 Jul 2016 (6D1).
“Color is descriptive. Black and white is interpretive.”– Eliott Erwitt
“I work in color sometimes, but I guess the images I most connect to, historically speaking, are in black and white. I see more in black and white – I like the abstraction of it.”
– Mary Ellen Mark
For me, the pull towards photography has always been about images in colour and landscape format to highlight a location, illuminate a historical event, or to feature a person who touched many lives. Thinking about and making images either square, in monochrome, or both have provided useful challenges to push the working dynamics of creativity. I hope the following images will get the viewer to ask if there’s more than what’s presented and to get possible answers on their own.
“Der Rufer (The Caller)”, by Gerhard Marcks. The sculpture’s position in West Berlin’s Tiergarten faces east towards East Berlin – 13 Nov 2016 (6D1).
Alte Nationalgalerie, Berlin – 12 Oct 2017 (6D1).
Going past District Six on bus or by foot, it’s difficult not to be haunted by the ghosts and victims of apartheid. Cape Town – 14 Oct 2012 (450D).
Stencil by kurznachzehn, on Venloer Strasse in Köln-Ehrenfeld – 24 May 2016.
Bauhaus Dessau (1925-1932), a modern blend of steel and glass – 28 Oct 2016 (6D1).
“Humans as living data receptacles” – Flughafen FRA/Frankfurt Airport, 4 Jun 2018 (X70).
Hamburg’s Kontorhausviertel, UNESCO World Heritage Site: labelled are two key buildings in the city’s quarter – 3 Dec 2015 (6D1).
Wilhelm-Leuschner-Platz station, Leipzig City Tunnel – 4 Dec 2014 (6D1).
“Downstream at Staroměstská”. Prague Metro A – 8 Nov 2016 (6D1).
“Sky-space” by James Turrell – next to Museum der Moderne Salzburg, 23 May 2018 (X70).
“Sail and fly”. Puget Sound (Salish Sea) from Bremerton to Seattle – 6 Jan 2015 (6D1).
“How meta: the selfie slouch”. Near Seattle Center – 10 Oct 2016 (6D1).
“Saturday morning”. West Thomas Street Overpass in Seattle’s Lower Queen Anne – 9 Dec 2017 (6D1).
Ken “Bluey” Curran, OAM JP. Martin Place in Sydney’s CBD – ANZAC Day 2013 (450D).
“No entry”. UBC Nitobe Memorial Garden – 22 Aug 2019 (X70).
“The three wise”. Downtown Vancouver – 29 Dec 2018 (X70).
Afternoon in the 6 (Mariahilf). Wien, 16 May 2018 (X70).
I made all pictures above with various detectors: Canon EOS450D/XSi (450D), Canon 6D mark 1 (6D1), and Fujifilm X70 (X70); alle Fotoaufnahmen sind mit Wasserzeichen versehen worden. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-fXk. Acknowledgements go to Patti for LAPC no.70 (2 to 8 Nov 2019).
Posted by HL fotoeins
Categories: Expression, Personal, Photography, Street Photography
Tags: fotoeins, LAPC, Lens Artists Photo Challenge, lens-artists, monochrome
Mobile Site | Full Site
Get a free blog at WordPress.com Theme: WordPress Mobile Edition by Alex King.
Henry, these are RIDICULOUS (which is a major compliment). So creative. For me I think the slouch selfie is most compelling
LikeLiked by 1 person
By Tina Schell on 5 Nov 2019 at 0246 GMT+0000
Hi, Tina. I’m glad the images elicited a wonderfully “ridiculous” reaction 😊 Thank you very much for your kind comment. As much as I like the “selfie slouch” because of the random circumstances under which I made that image, my favorites for now are Berlin’s “Alte Nationalgalerie” (look closely!) and Vancouver’s “No entry”.
LikeLiked by 1 person
By fotoeins on 6 Nov 2019 at 0755 GMT+0000
Hi, Henry. I was hoping you were going to join us this week! I am astounded at the beauty and range of your monochromes. They are spectacular. I’m so moved by the shot in the library and the selfie slouch made me smile. Your architectural shots are so crisp and clear. This is a wonderful visual feast, Henry. Thank you for posting!
LikeLiked by 1 person
By pattimoed on 5 Nov 2019 at 0758 GMT+0000
Hi, Patti. Until you mentioned it, I hadn’t realized there was a wide range of “greys” about which you rightly observed, because I had only considered what was in the images themselves and asked myself if they’d look all right in monochrome. Thank you very much for your kind comment. 😊 I’d also like to clarify that the “Nameless Library” is the name of a sculpture that is a public Holocaust memorial at the centre of Judenplatz square in Vienna. But the young man wearing a kippah in relaxed stance truly makes that image. Thanks again!
LikeLiked by 1 person
By fotoeins on 6 Nov 2019 at 0817 GMT+0000
Thanks for your explanation, Henry. And you deserve high praise for your work!
LikeLiked by 1 person
By pattimoed on 7 Nov 2019 at 0747 GMT+0000
Great selections, many with noteworthy lines and perspectives. Well done.
LikeLiked by 1 person
By JohnRH on 5 Nov 2019 at 1504 GMT+0000
Thanks, John!
LikeLike
By fotoeins on 6 Nov 2019 at 0819 GMT+0000
A marvelous gallery, Henry – a feast for the eye! I must agree with Tina – the selfie slouch is just superb!
LikeLiked by 1 person
By Leya on 5 Nov 2019 at 1522 GMT+0000
The great thing about a visual feast is that one can always go back, “dine” again, and not be afraid it’s too much on the eyes. 😊 Thanks, Ann Christine!
LikeLike
By fotoeins on 6 Nov 2019 at 0825 GMT+0000
True 🙂
LikeLiked by 1 person
By Leya on 6 Nov 2019 at 1220 GMT+0000
Fascinating!
LikeLiked by 1 person
By Manja Mexi Mexcessive on 5 Nov 2019 at 1622 GMT+0000
Thank you!
LikeLiked by 1 person
By fotoeins on 6 Nov 2019 at 0820 GMT+0000