Fotoeins Fotografie

questions of place & home

Posts tagged ‘Tlingit’

The Troll II, Alison Marks, Tlingit, The Troll, Fremont, Burke Museum of Natural History and Culture, University of Washington, Seattle, WA, USA, fotoeins.com

Fotoeins Friday: native Seattle, The Troll II

Inside the museum, I turned the corner and I saw a representation of a troll with its hand on a half-buried car to the lower-right.

Wait a sec … that’s very familiar.

In acknowledgement of one of Seattle’s sculptural landmarks The Fremont Troll, indigenous Tlingit artist Alison Marks produced her version, “The Troll II”, for the Burke Museum of Natural History and Culture at the University of Washington. Marks states:

The Troll II, Alison Marks, Tlingit, The Troll, Fremont, Burke Museum of Natural History and Culture, University of Washington, Seattle, WA, USA, fotoeins.com

Alison Marks, about her “The Troll II” in reference to The Fremont Troll.

Alison Marks became the first Tlingit woman to carve and raise a totem pole when her pole was raised in Yakutat, Alaska on 27 October 2019.

⁣⁣⁣⁣⁣⁣⁣⁣I acknowledge my visit to the traditional land of the first people of Seattle, the Duwamish (Dxʷdəwʔabš) People past and present, and honour with gratitude the land itself and the Duwamish Tribe (src). I made the photos above on 5 March 2020 with a Fujifilm X70 fixed-lens prime. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-ha5.

"Canoe/Waka", Preston Singletary, Tlingit, Lewis Tamihana Gardiner, Maori, Seattle Art Museum, SAM, Seattle, USA, fotoeins.com

Fotoeins Friday: 2 cultures, 1 ocean (Seattle SAM)

Something bright red and green catches my eye.

Imbedded in bright red, I see an elongated “eye” whose shape is familiar and prevalent within First Nations’ art from the Pacific Northwest (northeast Pacific). I’m also acquainted with that shade of green, not only from Chinese jade but also with the “pounamu” or “greenstone” from New Zealand.

In the Seattle Art Museum, the “Pacific Currents” display represents a variety of cultures across the big (western) ocean. I can’t say I’m surprised why I’m greatly attracted to this piece of art, a piece which represents my place of birth and a place of renewal.

The caption accompanying this beautiful green-red sculpture reads:

Canoe/Waka, 2007.

Blown and sand-carved glass, pounamu (New Zealand jade), red sealing wax.

Preston Singletary (Tlingit, born 1963) and Lewis Tamihana Gardiner (Māori, born 1972).

Collection of Preston Singletary.

“Revivals of traditional watercraft-building among Pacific Northwest indigenous people and Māori of New Zealand have become a catalyst for composing songs and dances, creating masks and regalia, and reviving oral traditions. In Canoe/Waka, the artists pay homage to the canoe as a vessel of knowledge. Gardiner carves pounamu – associated with chiefs and expressions of peace – as the canoe prow while Singeltary sand-carves the glass that forms the canoe’s structure.”

"Canoe/Waka", Preston Singletary, Tlingit, Lewis Tamihana Gardiner, Maori, Seattle Art Museum, SAM, Seattle, USA, fotoeins.com

“Canoe/Waka”, by Preston Singletary and Lewis Tamihana Gardiner


I made the photos on 9 February 2017. This post appears on Fotoeins Fotografie at fotoeins.com as http://wp.me/p1BIdT-9KT.

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