Fotoeins Fotografie

faces of home & place-story

Posts tagged ‘artist’

Lisa Hilli, Vancouver Art Gallery, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday at Vancouver AG: Lisa Hilli

Above/featured: Sisterhood Lifeline (2018).

Lisa Hilli: Gunantuna (Papua New Guinea).

‘Sisterhood Lifeline’ assembles a standard office cubicle in the gallery; large wallpapers feature First Nations vavine (women) in stark white spaces, exchanging discreet gestures of comfort. An audio recording on the office telephone recounts real-life situations experienced by the artist’s friends and colleagues in the workplace, which reveal the in/visibility of their bodies, voices, and agency. This work engages with Indigenous power and presence within the context of Eurocentric cultural institutions wherein vavine – considered here beyond binary constructions of gender – must hold space and make way for their communities. The term “sisterhood lifeline” is borrowed from Areej Nur, a writer and producer at 3CR Community Radio in Melbourne, Australia.


“Transits and Returns” presents the work of 21 Indigenous artists whose practices are both rooted in the specificities of their cultures and routed via their travels. These forces of situatedness and mobility work in synergy and in tension with one another, shaping the multiple ways of understanding and being Indigenous today. Within the exhibition, these dual realities are explored through themes of movement, territory, kinship and representation, with many artworks inhabiting multiple categories. The resulting presentation foregrounds the creative sovereignty of each artist to determine their own articulations of the world, while also exploring the resonances between them.

Featuring artists from local First Nations, as well as those from communities located throughout the Pacific region (ranging from Alutiiq territory in the north to Māori lands in the south, with many mainland and island Nations in between), Transits and Returns traces wide-ranging experiences that are inclusive of both ancestral knowledges and global connections.

The descriptions are directly from the Vancouver Art Gallery where Lisa Hilli’s work is on exhibition until 23 February 2020.

I made the photo above on 15 Oct 2019 with a Fujifilm X70 fixed-lens prime (18.5/28) with the following settings: 1/100-sec, f/4, and ISO4000. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-g4L.

T'uy't'tanat-Cease Wyss, Vancouver Art Gallery, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday at Vancouver AG: T’uy’t’tanat-Cease Wyss

Above/featured: K’axwch’k Nexw7y’ay’ulh (Turtle Journeys), from the Sacred Teachings series, 2018.

T’uy’t’tanat-Cease Wyss: Skwxwú7mesh, Stó:lō, Métis, Kanaka Maoli, Irish, Swiss.

The snap above is from a video which shows the artist’s Hawaiian cultural and spiritual mentor, Happy Kahuna Pahia. In the light of dusk at Papa’iloa Beach on the leeward side of O’ahu in Hawaii, we see her lying beside a ‘honu’, a green sea turtle, who’s come to rest on shore and harden her shell after travelling great distances in the ocean.


“Transits and Returns” presents the work of 21 Indigenous artists whose practices are both rooted in the specificities of their cultures and routed via their travels. These forces of situatedness and mobility work in synergy and in tension with one another, shaping the multiple ways of understanding and being Indigenous today. Within the exhibition, these dual realities are explored through themes of movement, territory, kinship and representation, with many artworks inhabiting multiple categories. The resulting presentation foregrounds the creative sovereignty of each artist to determine their own articulations of the world, while also exploring the resonances between them.

Featuring artists from local First Nations, as well as those from communities located throughout the Pacific region (ranging from Alutiiq territory in the north to Māori lands in the south, with many mainland and island Nations in between), Transits and Returns traces wide-ranging experiences that are inclusive of both ancestral knowledges and global connections.

The descriptions are directly from the Vancouver Art Gallery where T’uy’t’tanat-Cease Wyss’ video installation is on exhibition until 23 February 2020. With her work as artist and ethnobotanist, she was named by the Vancouver Public Library as Indigenous Storyteller in Residence for 2018.

I made the photo above on 15 Oct 2019 with a Fujifilm X70. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-g51.

Marianne Nicolson, Vancouver Art Gallery, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday at Vancouver AG: Marianne Nicolson

Above/featured: ‘Oh, How I Long for Home’ (2016).

I first saw this work warmly illuminating the empty concourse late at night in the Academic Quadrangle at my alma mater of Simon Fraser University. It’s great even more eyeballs can see this on display at the Vancouver Art Gallery.

Marianne Nicolson: Dzawada’enuxw, Scottish.

The Kwak’wala phrase “Wa’lasan xwalsa kan ne’kakwe” translates into the English title of this artwork, ‘Oh, How I Long for Home’, while also referencing the dawn. This double meaning could be interpreted as the rising sun ‘returning home’ each day and as a poetic assertion of Kwakwaka’wakw People’s sovereignty over their lands and waters, which includes Nicolson’s home community of Gwa’yi or Kingcome Inlet along the central coast of British Columbia in Canada. Yet the neon sign – which was, at one time, ubiquitous in the streets of Vancouver – is also a marker of urban life, a site of conflicted promise for Indigenous Peoples. Longing for home is an experience with which many can identify, one that’s further complicated when considering the unceded territories upon which British Columbia is built, and the impossibility of returning to a home prior to colonization.


“Transits and Returns” presents the work of 21 Indigenous artists whose practices are both rooted in the specificities of their cultures and routed via their travels. These forces of situatedness and mobility work in synergy and in tension with one another, shaping the multiple ways of understanding and being Indigenous today. Within the exhibition, these dual realities are explored through themes of movement, territory, kinship and representation, with many artworks inhabiting multiple categories. The resulting presentation foregrounds the creative sovereignty of each artist to determine their own articulations of the world, while also exploring the resonances between them.

Featuring artists from local First Nations, as well as those from communities located throughout the Pacific region (ranging from Alutiiq territory in the north to Māori lands in the south, with many mainland and island Nations in between), Transits and Returns traces wide-ranging experiences that are inclusive of both ancestral knowledges and global connections.

The descriptions are directly from the Vancouver Art Gallery where Dr. Nicolson’s work is on exhibition until 23 February 2020.

I made the photo above on 15 Oct 2019 with a Fujifilm X70 fixed-lens prime (18.5/28) with the following settings: 1/105-sec, f/4, and ISO4000. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-g4n.

Vikky Alexander, Extreme Beauty, Vancouver Art Gallery, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday at Vancouver AG: Vikky Alexander

Above/featured: “Model Suite” (2005 series) from left-to-right, respectively: “Overview”, “Sliding Door”, “Bedroom”.

The following description is directly from the Vancouver Art Gallery where Vikky Alexander’s work is on exhibition until 26 January 2020.

“Vikky Alexander: Extreme Beauty” is the first retrospective of this notable Canadian artist whose work interrogates the mechanisms of display that shape meaning, beauty and desire in our culture. Comprising more than 80 works in a variety of media, Extreme Beauty examines the major themes that have occupied Alexander for more than three decades of her career, including the appropriated image, the artificiality of nature and the seduction of space.

I made the photo above on 15 Oct 2019 with a Fujifilm X70 fixed-lens prime (18.5/28) and the following settings: 1/12-sec, f/8, and ISO4000. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-g4h.

Image by mohamed hassan on pxhere (CC0).

18 artists and togs I found in 2018 (IG)

A lot of ink, talk, discontent, and contempt has appeared regarding the uses and abuses on Facebook’s Instagram; see here and here. I discovered on Instagram the presence of the following 18 artists and photographers, some of whom I’d already been aware from print. It’s in many of their images where I’ve found stillness, inspiration, stimulation, and provocation, and that’s why you should get to know some of these people. I’ll continue to admire their work elsewhere when present forms of social media will (must?) inevitably disappear.

( Click here for more )

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