Fotoeins Fotografie

faces of home & place-story

Posts tagged ‘artist’

The Retired Draft Horse and the Last Pulled Log, Ken Lum, Kings Crossing, G and F Financial Group, Burnaby, BC, Canada, fotoeins.com

Fotoeins Friday: “The Retired Draft Horse …”, by Ken Lum

I’m highlighting this month Chinese-Canadian artist Ken Lum: born and raised in the western Canadian city of Vancouver; he began studying chemistry at university before switching completely to art. Today, not only does he continue to make art, but he also comments about the contemporary and historical nature of art and about how art and society continuously shapes and informs each other. All of Lum’s pieces featured this month are located outdoors and freely accessible to the public at zero cost.

In 2020, Lum completed a sculptural work commissioned by Cressey Properties for its development in the city of Burnaby. “The Retired Draft Horse and the Last Pulled Log” resides at Kings Crossing at the intersection of Kingsway and Edmonds. Lum wrote in his proposal:

“… about a draught horse that is no longer called to work.The horse is a Clydesdale or a Persheron, the largest of draught horses that were commonly employed in British Columbia in the 19th- and early 20th-centuries. The log with chains on the Edmonds street site is meant to be in dialogue with the horse sculpture at the primary site of Kingsway and Edmonds.The larger than life size but not greatly larger than life sized horse surveys the modernity that has transpired since its working days in Burnaby and acts a sentinel of both the past and the future of the site.”

I made the photo above on 16 May 2021 with a Fujifilm X70 fixed-lens prime (18.5/28mm). This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-llo.

Fotoeins Friday: “From shangri-la to shangri-la”, by Ken Lum

I’m highlighting this month Chinese-Canadian artist Ken Lum: born and raised in the western Canadian city of Vancouver; he began studying chemistry at university before switching completely to art. Today, not only does he continue to make art, but he also comments about the contemporary and historical nature of art and about how art and society continuously shapes and informs each other. All of Lum’s pieces featured this month are located outdoors and freely accessible to the public at zero cost.

These look like wooden shacks along a creek or small river. In 2010, Lum completed a sculptural work commissioned by the City of Vancouver next to the four-star Shangri-La Hotel, as a “reminder of contested local histories.” Meant only as a temporary display, the piece was eventually removed. In 2012, the District of North Vancouver purchased Lum’s piece; a modified smaller version of the sculptural piece is installed at Maplewood Flats, in the very same area where shacks had once populated the mudflats along the northern shores of Burrard Inlet. Represented are houses once owned by artist Tom Burrows, writer Malcolm Lowry, and OrcaLab founder Dr. Paul Spong.

I made the photo above on 3 Jul 2021 with a Fujifilm X70 fixed-lens prime (18.5/28mm) with digital teleconverter set to 33/50mm. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-llf.

Monument to East Vancouver, Ken Lum, East Van, VCC-Clark, Millennium Line, SkyTrain, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday: “Monument for East Vancouver”, by Ken Lum

I’m highlighting this month Chinese-Canadian artist Ken Lum: born and raised in the western Canadian city of Vancouver; he began studying chemistry at university before switching completely to art. Today, not only does he continue to make art, but he also comments about the contemporary and historical nature of art and about how art and society continuously shapes and informs each other. All of Lum’s pieces featured this month are located outdoors and freely accessible to the public at zero cost.

In 2010, Lum completed a large sculptural work commissioned by the City of Vancouver. The work “Monument for East Vancouver” is situated in East Vancouver, standing above a rapid-transit station over the filled-in area of former tidal mudflats. Also informally called the “East Van Cross,” the sculpture situated in the “working class” or east side of the city faces west towards the wealthier parts of the city, including downtown and the west side. The symbolism regarding economic background and the specificity of place will be obvious to people of colour. Lum once said:

“… It’s a crucifix, that’s what it is – a highly charged symbol. Christ suffered on the cross. East Van suffers on the cross. The point (is): someone is suffering. And immigrants suffer the most …”

“Ken Lum”. ed. Grant Arnold, Vancouver: Douglas and McIntyre, 2011, p. 123.

I made the photo above on 31 May 2014 with a Canon EOS6D mark1. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-lkW.

A Tale of Two Children: A Work for Strathcona, Ken Lum, National Works Yard, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday: “A Tale of Two Children”, by Ken Lum

I’m highlighting this month Chinese-Canadian artist Ken Lum: born and raised in the western Canadian city of Vancouver; he began studying chemistry at university before switching completely to art. Today, not only does he continue to make art, but he also comments about the contemporary and historical nature of art and about how art and society continuously shapes and informs each other. All of Lum’s pieces featured this month are located outdoors and freely accessible to the public at zero cost.

In 2005, Lum completed a permanent work commissioned by the City of Vancouver for its public works yard on National Avenue. The work “A Tale of Two Children: A Work for Strathcona” is not only a nod to his formative years growing up in the Strathcona neighbourhood, but provides different views to children and their changing (and precipitous) views regarding self-worth within a society that’s already prejudged them.

I made the photo above on 1 Jun 2021 with a Fujifilm X70 fixed-lens prime (18.5/28mm). This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-lkF.

Cindy Sherman, Vancouver Art Gallery, Vancouver, BC, Canada, fotoeins.com

Fotoeins Friday at Vancouver AG: Cindy Sherman

Above/featured: Untitled #586 (2016/2018).

The following descriptions are from the Vancouver Art Gallery where the Cindy Sherman retrospective is on display until 8 March 2020.

In 2016, Cindy Sherman was commissioned by the celebrated fashion magazine Harper’s Bazaar to create a new series of photographs for publication. Responding to that commission, Sherman photographed herself wearing outfits by Prada, J.W. Anderson, Marc Jacobs, Miu Miu, Gucci, and Chanel. She augmented these costumes with make-up, wigs, and digitally created backgrounds to create invented characters, based on so-called street-style stars. Her photographs gently lampoon a contemporary trend associated with fashion shows, which are attended by individuals whose ostentatious dress and exaggerated behaviour rival the main spectacle for attention. Nick-naming the phenomenon ‘project twirl’, Sherman explained: “I just loved the description of these people, these characters who go to the fashion shows – and twirl.”

Sherman’s collaborations with fashion are long-standing. Since 1983, she has worked with Dianne Benson, Dorothée Bis, ‘Harper’s Bazaar’ (for the first time, in 1993), Comme des Garçons, ‘Vogue Paris’, and ‘Garage’ magazine. Characteristically, her fashion photographs mock the self-regard associated with haute-couture. However, they have further significance shared with her work as a whole. Sherman observed: “I want there to be hints of narrative everywhere in the image so that people can make up their own stories about them.”


Organized by the National Portrait Gallery London, the current exhibition surveys the work of Cindy Sherman (born 1954), one of the world’s leading contemporary artists. Using make-up, wigs, costumes, and other means to transform her appearance, Sherman photographs herself acting out the roles of numerous fictional characters. Her images of these personae incorporate references to modern cultures, notably cinema, television, magazines, and fashion. By creating enigmatic appearances from various sources, her work critiques our image-saturated society and raises questions about the meanings we assign to the things we see.

•   Cindy Sherman: ‘I enjoy doing the really difficult things that people can’t buy’ – Sean O’Hagan, The Observer (Guardian), 8 Jun 2019.
•   Cindy Sherman review – pain-laced portraits of a shapeshifting enigma (NPG London) – Adrian Searle, The Guardian, 25 Jun 2019.

I made the photo above on 26 Oct 2019 with a Fujifilm X70 fixed-lens prime (18.5/28) and the following settings: 1/40-sec, f/3.6, and ISO3200. This post appears on Fotoeins Fotografie at fotoeins DOT com as https://wp.me/p1BIdT-fTa.

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