Something bright red and green catches my eye.
Imbedded in bright red, I see an elongated “eye” whose shape is familiar and prevalent within First Nations’ art from the Pacific Northwest (northeast Pacific). I’m also acquainted with that shade of green, not only from Chinese jade but also with the “pounamu” or “greenstone” from New Zealand.
In the Seattle Art Museum, the “Pacific Currents” display represents a variety of cultures across the big (western) ocean. I can’t say I’m surprised why I’m greatly attracted to this piece of art, a piece which represents my place of birth and a place of renewal.
The caption accompanying this beautiful green-red sculpture reads:
Blown and sand-carved glass, pounamu (New Zealand jade), red sealing wax.
Preston Singletary (Tlingit, born 1963) and Lewis Tamihana Gardiner (Māori, born 1972).
Collection of Preston Singletary.
“Revivals of traditional watercraft-building among Pacific Northwest indigenous people and Māori of New Zealand have become a catalyst for composing songs and dances, creating masks and regalia, and reviving oral traditions. In Canoe/Waka, the artists pay homage to the canoe as a vessel of knowledge. Gardiner carves pounamu – associated with chiefs and expressions of peace – as the canoe prow while Singeltary sand-carves the glass that forms the canoe’s structure.”
I made the photos on 9 February 2017. This post appears on Fotoeins Fotografie at fotoeins.com as http://wp.me/p1BIdT-9KT.